1,721,090 research outputs found

    Estudio del consumo audiovisual y de los hábitos culturales del público de Cinemes Girona (Barcelona)

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    El conjunto de datos de este estudio refiere a las prácticas de consumo cultural en un cine independiente de Barcelona, identificando dos grupos de espectadores con diferentes motivaciones, perfiles y patrones de consumo cultural. Se utilizan para ello técnicas cuantitativas y cualitativas que permiten recopilar 1.868 respuestas (1447 de población relacionada con los Cines Girona y 421 de otra población), incluyendo un análisis geoespacial de estas respuestas, redes de consumo, seguimiento de redes sociales (8 salas de cine y festivales y 12 prospectores e influencers) y 2 grupos focales (el primero, con 8 jóvenes y el segundo con 6 profesionales del ámbito cinematográfico y audiovisual). El periodo de investigación abarcó un total de 11 meses de enero hasta diciembre de 2023.Los datos recopilados en el DATASET corresponden exclusivamente a las encuestas administradas en línea. Puede identificarse así un perfil de audiencia mayor de 40 años que asiste regularmente al cine y se informa a través de medios convencionales y redes sociales y se constata una marcada diferencia por grupos de edad, aunque coinciden en valorar el aspecto técnico y la experiencia inmersiva. Adicionalmente, nuestra investigación revela un perfil no representado adecuadamente en anteriores encuestas de participación y consumo cultural, en un contexto de cambio acelerado en el consumo de medios. En conjunto, los distintos sectores de audiencia valoran principalmente la experiencia sensorial de una sala de cine, que puede combinarse con otras actividades culturales. A pesar de este consenso, los grupos de edad se diferencian claramente en sus patrones de consumo cultural: "omnivorismo", especialmente entre jóvenes, y "univorismo" entre los más mayores.The dataset of this study refers to cultural consumption practices in an independent cinema in Barcelona, identifying two groups of viewers with different motivations, profiles and patterns of cultural consumption. We use both quantitative and qualitative techniques to collect 1,868 responses (1447 from the population related to the Girona Cinemas and 421 from another population), including a geospatial analysis of these responses, consumption networks, monitoring of social networks (8 cinemas and festivals and 12 prospectors and influencers) and two focus groups (the first,  with eight young people and the second with six professionals in the film and audiovisual field). The investigation period started in January 2023 and ended in December 2023. The data collected in the DATASET pertains exclusively to surveys administered online. The results allow us to identify an audience profile over 40 years of age that regularly attends the cinema and is informed through conventional media and social networks. We observe a marked difference by age group, although they coincide in valuing the technical aspect and the immersive experience. Additionally, our research reveals a profile not adequately represented in previous surveys of cultural participation and consumption in a context of accelerated change in media consumption. Overall, the different audience sectors mainly value the sensory experience of a movie theatre, which can be combined with other cultural activities. Despite this consensus, age groups are clearly differentiated in their cultural consumption patterns: "omnivorism", especially among young people, and "univorism" among older people. CAT: El conjunt de dades d' aquest estudi refereix a les pràctiques de consum cultural en un cinema independent de Barcelona, identificant dos grups d'espectadors amb diferents motivacions, perfils i patrons de consum cultural. S'utilitzen amb aquesta finalitat tècniques quantitatives i qualitatives que permeten recopilar 1.868 respostes (1447 de població relacionada amb els Cinemes Girona i 421 d'una altra població), incloent-hi una anàlisi geoespacial d'aquestes respostes, xarxes de consum, seguiment de xarxes socials (8 sales de cinema i festivals i 12 prospectors i influencers) i 2 grups focals (el primer, amb 8 joves i el segon amb 6 professionals de l'àmbit cinematogràfic i audiovisual. El període d'investigació va abastar un total d'11 mesos de gener fins a desembre de 2023. Les dades recopilades al DATASET corresponen exclusivament a les enquestes administrades en línia. Es pot identificar així un perfil d' audiència major de 40 anys que assisteix regularment al cinema i s' informa a través de mitjans convencionals i xarxes socials i es constata una marcada diferència per grups d'edat, tot i que coincideixen a valorar l' aspecte tècnic i l' experiència immersiva. Addicionalment, la nostra recerca revela un perfil no representat adequadament en anteriors enquestes de participació i consum cultural, en un context de canvi accelerat en el consum de mitjans. En conjunt, els diferents sectors d' audiència valoren principalment l' experiència sensorial d' una sala de cinema, que es pot combinar amb altres activitats culturals. Malgrat aquest consens, els grups d'edat es diferencien clarament en els seus patrons de consum cultural: "omnivorisme", especialment entre joves, i "univorisme" entre els més grans

    Diálogos interdisciplinares y debates actuales en los estudios sobre familia y parentesco

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    Grau Rebollo, Jorge. 2016. Nuevas formas de familia. Ámbitos emergentes. Barcelona: Ediciones Bellaterra

    Diálogos interdisciplinares y debates actuales en los estudios sobre familia y parentesco

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    Grau Rebollo, Jorge. 2016. Nuevas formas de familia. Ámbitos emergentes. Barcelona: Ediciones Bellaterra.</jats:p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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