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Optical Parametric Chirped Pulse Amplification at Critical Wavelength Degeneracy - a proposed solution for 100-PW Femtosecond Lasers Development
Optical Parametric Amplification at Critical Wavelength Degeneracy – a Way towards 100-PW Femtosecond Lasers
Femtosecond Laser Pulses Amplification in Crystals
This paper describes techniques for high-energy laser pulse amplification in multi-PW femtosecond laser pulses. Femtosecond laser pulses can be generated and amplified in laser media with a broad emission spectral bandwidth, like Ti:sapphire crystals. By chirped pulse amplification (CPA) techniques, hundred-Joule amplified laser pulses can be obtained. Multi-PW peak-power femtosecond pulses are generated after recompression of amplified chirped laser pulses. The characteristics and problems of large bandwidth laser pulses amplification in Ti:sapphire crystals are discussed. An alternative technique, based on optical parametric chirped pulse amplification (OPCPA) in nonlinear crystals, is presented. Phase-matching conditions for broad bandwidth parametric amplification in nonlinear crystals are inferred. Ultra-broad phase matching bandwidth of more than 100 nm, able to support the amplification of sub-10 fs laser pulses, are demonstrated in nonlinear crystals, such as Beta Barium Borate (BBO), Potassium Dideuterium Phosphate (DKDP), and Lithium Triborate (LBO). The advantages and drawbacks of CPA amplification in laser crystals and OPCPA in nonlinear crystals are discussed. A hybrid amplification method, which combines low-medium energy OPCPA in nonlinear crystals with high energy CPA in large aperture laser crystals, is described. This technique is currently used for the development of 10-PW laser systems, with sub-20 fs pulse duration and more than 1012 intensity contrast of output femtosecond pulses
Proposed Approach Based on Optical Parametric Amplification at Critical Wavelength Degeneracy for the Development of 100-PW Class Femtosecond Lasers
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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