1,720,953 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Weaving ways of knowing to enhance biocultural resilience in a mahinga kai species-at-risk
The futures of many threatened species rest on our collective efforts to reweave the biological, cultural, and linguistic threads that together comprise biocultural diversity. For Western researchers, there is growing recognition that Indigenous Peoples and local communities are at the forefront of place-based approaches that bring together diverse ways of knowing and seeing. Here in Aotearoa New Zealand, these include restoration efforts led by mana whenua tribal groups with local authority to weave Māori—the Indigenous Peoples of Aotearoa New Zealand—knowledge, practices, and processes with Western science. For example, genomic markers offer a unique lens to explore relationships across populations, and in turn, co-develop management programmes that build resilience in threatened species. A growing number of studies are applying genomic data to enhance conservation outcomes, but few have tapped into their full potential by weaving these data with Indigenous and local relationships of place. This thesis represents the collective efforts of many—including whānau extended families, researchers, and practitioners, many of whom affiliate to the local iwi tribe, Ngāi Tahu—led here by a Pākehā (New Zealander of European settler descent) researcher.
The recent application of genomic tools by Western-trained researchers to address conservation issues (i.e., conservation genomics) presents both opportunities and challenges for efforts to restore biocultural diversity. This thesis seeks to consider such complexities, including how genomic data might be better understood through a multiplicity of worldviews. Chapter Two serves to frame the research narrative of this thesis through a Perspective published in People and Nature’s joint special issue on informing decision-making with Indigenous and local knowledge and science. Few published conservation translocations (i.e., movement of animals or plants for conservation benefit) are led or co-led by Indigenous Peoples or centre Indigenous knowledge systems. As Kāi Tahu and Pākehā researchers and practitioners working in partnership in Aotearoa New Zealand, we consider how conservation translocations that weave diverse ways of knowing and seeing can enhance species recovery and build ecosystem resilience. We highlight the co-development of conservation translocations with Te Kōhaka o Tūhaitara and Te Nohoaka o Tukiauau Trusts where we are weaving emerging genomic approaches with mātauraka Māori Māori knowledge systems to recover culturally significant freshwater species. We further offer a Two-Eyed Seeing framework to support the co- design of conservation translocations led or co-led by Indigenous researchers and communities around the world.
Chapter Three extends the narrative introduced in Chapter Two by focusing on the caveats of interpreting genomic data without local historical or contemporary context; namely, the movement or management of culturally significant species by Indigenous Peoples and local communities (IPLCs) in the distant or recent past. This Perspective brings together Kāi Tahu and Pākehā researchers and practitioners with expertise across customary and contemporary mahika kai food gathering (i.e., including processes, practices, and places), conservation genomics, ecology, fish biology, and aquaculture. To date, few efforts to characterise genetic variation within and between populations consider how human relationships with place may shape present-day species distributions. Yet, the movement of species by Indigenous and local communities in the distant and recent past provides important context for the interpretation of genomic data. For example, freshwater kōura1 crayfish in subalpine streams alongside ancient walking trails in Te Waipounamu (the South Island of Aotearoa New Zealand) were moved between sites to provide readily accessible food for travellers. We reflect on how weaving diverse ways of knowing and seeing can better reveal the biocultural complexities of genomic data derived from culturally significant species such as kōura, including locally adaptive variation.
In Chapter Four, we shift focus to a research partnership with aquaculture company KEEWAI, mana whenua, and Te Rūnanga o Ngāi Tahu (TRoNT). This chapter reflects on the benefits, risks, and outstanding questions around genetic rescue (i.e., the introduction or restoration of new genetic material to small, isolated populations to reduce genetic load). We present experimental co-design and preliminary genomic data as proof-of-concept for a series of kōura translocation experiments at the KEEWAI aquaculture ponds ultimately intended to grow our understanding of the genetic mechanisms underlying genetic rescue. These data contribute toward the foundation and development of a multi-generational research programme that will support tribal-led aquaculture initiatives for kōura and other mahika kai species across the Kāi Tahu takiwā tribal territory.
The research partnerships and approaches described above are brought together in Chapter Five to explore contemporary and historical relationships across kēkēwai1 freshwater crayfish populations in Te Waipounamu by weaving genomic data with placed-based knowledges. Genomic data reveal strong population genetic structure—as well as signatures of population admixture—across seventeen genetically depauperate populations in Te Waipounamu. Differentiation and environment association analyses further identify patterns of genetic variation linked to hydroclimatic variables, including temperature, precipitation, and water flow regimes. We consider how weaving these data with place-based knowledges can enhance resilience in kēkēwai through tribal-led initiatives for mahika kai. Our findings further contribute toward a growing understanding of how adaptive and neutral genetic variation shape threatened species’ capacity to respond to future change.
Finally, Chapter Six critically reflects on the journey of this thesis and future directions, including tribal-led research programmes that will strengthen the relationships between people and mahika kai to build intergenerational capacity for protecting biocultural heritage. Two additional manuscripts, three blogs and an example summary for mana whenua are also included in the appendices. Together, these works contribute toward reconnection to place and the growth of our collective knowledge for treasured species in Aotearoa New Zealand and beyond
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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