6,201 research outputs found
Car repair apprentices, Ross Street, Chippendale, Sydney, 1969 [picture] /
No full textLeft to right: Henry, ?, Mark, Steve, ?, Sam, ?.; Title from accompanying documentation, see file 204/5/47-2.; Signed by photographer in pencil on reverse.; Inscription: "Neg no: 315-10-3"--In pencil on reverse.; Part of collection: Raymond de Berquelle collection. Part 2.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3064654
RoMEO Studies 5: IPR issues for OAI Data and Service Providers
No full textThis paper is the fifth in a series of studies emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving). It reports the results of two surveys of OAI Data Providers (DPs) and Service Providers (SPs) with regards to the rights issues they face. It finds that very few DPs have rights agreements with depositing authors and that there is no standard approach to the creation of rights metadata. The paper considers the rights protection afforded individual and collections of metadata records under UK Law and contrasts this with DP and SP’s views on the rights status of metadata and how they wish to protect it. The majority of DP and SPs believe that a standard way of describing both the rights status of documents and of metadata would be usefu
RoMEO Studies 6: Rights metadata for open-archiving
No full textThis is the final study in a series of six emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving) which investigated the Intellectual Property Rights (IPR) issues relating to academic author self-archiving of research papers. It reports the results of a survey of 542 academic authors showing the level of protection required for their open-access research papers. It then describes the selection of an appropriate means of expressing those rights through metadata and the resulting choice of Creative Commons licences. Finally it outlines proposals for communicating rights metadata via the Open Archives Initiative’s Protocol for Metadata Harvesting (OAI-PMH)
Steve Bruce (1990), Pray TV. Televangelism in America
No full textLemieux Raymond. Steve Bruce (1990), Pray TV. Televangelism in America. In: Communication. Information Médias Théories, volume 12 n°2, automne 1991. pp. 275-276
Steve Raymond at Electrical Council of Florida Conference, Tampa
No full textSteve Raymond listens to someone off frame at the Electrical Council of Florida conference in Tampa, Florida.https://digitalcommons.usf.edu/gandy_commercial/5186/thumbnail.jp
Competitive Chaos
No full textDeneckere, Raymond; Pelikan, Steve. (1984). Competitive Chaos. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/2432
Steve Stockman, Workshop
No full textSteve Stockman is the author of Walk On: The Spiritual Journey of U2. He is also a pop culture critic and weekly radio host on BBC Radio Ulster. Stockman is the Presbyterian Chaplain of Queens University in Belfast, Ireland
Illusion / anti-illusion: the music of Steve Reich in context, 1965-1968
No full textThis dissertation situates the work of Steve Reich during the mid-to-late 1960s in its intricate socio-cultural context. Exploring biographical, hermeneutic, aesthetic, and political implications, it attempts to shed light on the composer’s early years. The historical narrative concentrates on the period between the first instantiation of the phase-shifting technique in 'It’s Gonna Rain, or, Meet Brother Walter in Union Square after Listening to Terry Riley' (1965) and the theoretical treatise ‘Music as a Gradual Process’ (1968). It reaches back, however, to the cultural nexus of San Francisco and ahead to the mercurial gallery scene in New York. In addition, modal compositions from 1966 and 1967 are subject to detailed analyses which question the boundary between ‘impersonal’ process and composerly intervention.
Chapter 1 deals with Reich’s relationship to Process art and Minimalism(s), paying particular attention to where he presented his work and with whom he was associated. Chapter 2 traces his involvement with the San Francisco Tape Music Center, the San Francisco Mime Troupe, and the filmmaker Robert Nelson; problematic issues surrounding race and representation are also considered. Chapter 3 critiques two transitional works: 'Melodica' and 'Reed Phase', the latter representing a striking omission from the accepted Reich canon. Chapter 4 is concerned with the relationship between musical teleology and consumer desire in post-war ‘affluent society’, building on the work of Robert Fink. The conclusion proposes that broader social contradictions of the 1960s can be detected in Reich’s music
Steve Stockman, Keynote Session 1
No full textKeynote speaker Steve Stockman is the author of Walk On: The Spiritual Journey of U2. He is also a pop culture critic and weekly radio host on BBC Radio Ulster. Stockman is the Presbyterian Chaplain of Queens University in Belfast, Ireland
Steve Almond, 32nd Annual ODU Literary Festival
No full textSteve Almond is the author of two story collections, My Life in Heavy Metal and The Evil B.B. Chow, the novel Which Brings Me to You (with Julianna Baggott), and the non-fiction book Candyfreak. His new book is a collection of essays, (Not That You Asked). He lives outside Boston with his wife, two children, and mounting debt. His online home is www.stevenalmond.com
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