65,709 research outputs found

    The David W. Fentress Family Letters, 1856-1969

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    Transcript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war

    Papiers Raymond Poincaré.XIXe-XXe s. II -- NOTES JOURNALIERES. 16 octobre-31 décembre 1915.

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    Guerre (1914-1918). Voir aussi : Papiers PoincaréGuionic, François. Note(s)Poincaré, Henriette Benucci, Mme Raymond. Manuscrit(s) provenant d'ellePoincaré, Raymond, président de la République. PapiersPorada, Mme. Manuscrit(s) provenant d'elleContient : Viviani, René, homme politique. Lettre(s) reçue(s) ; Poincaré, Raymond, président de la République. Minutes de lettre(s) ; Bienvenu-Martin, Jean-Baptiste, homme politique. Lettre(s) reçue(s) ; David, Fernand, homme politique. Lettre(s) reçue(s) ; Thomson, Gaston, homme politique. Lettre(s) reçue(s) ; Millerand, Alexandre, président de la République. Lettre(s) reçue(s)Numérisation effectuée à partir d'un document original.Appartient à l'ensemble documentaire : BNUStr01

    David Baker, Raymond Carver Reading Series, October 16, 2013

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    A video recording of David Baker reading hiswork on October 16, 2013 as part of the Syracuse University Creative Writing Program\u27s Raymond Carver Reading Series. Running time: 52:01

    Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Raymond Williams and the limits of cultural materialism

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    Cultural materialism has become an influential discipline in recent years, particularly so in 'Renaissance' studies, but also more generally in 'English', as well as departments defined as practising 'cultural' or 'communications' studies. The phrase is usually linked with the name of Raymond Williams, but a cursory examination of Williams's own work quickly establishes that it is a phrase he rarely uses, and only schematically attempts to define. The thesis therefore takes the form of an investigation into the way cultural materialism has come to be understood, by examining in detail the trajectory of Raymond Williams's theoretical development, and how his own engagement with various theoretical positions has helped to set 'limits' on the meaning of cultural materialism. Chapters 1 and 2 deal with some of Williams's earliest work, particularly Reading and Criticism, as a way of investigating how reasonable it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted influence is resisted (though not entirely rejected) from a very early stage. The first chapter considers in detail Leavis's work at Cambridge, the influence of Eliot, and the significance of the 'Organic Community'. Chapter 2, which is based around a comparative analysis of Williams's and Leavis's readings of Dickens, argues that Williams rejects the 'organic community' in favour of his 'knowable community'. Chapters 4 and 5 deal with specific 'theoretical' issues: the first, based around a reading of Terry Eagleton's critique of Williams's use of the Marxist metaphor of 'base and superstructure', shows some of the problems which arise from Williams's cultural model, as well as suggesting refinements; the second deals with the influence of Volosinov's theories on Williams. Chapter 6 comes out of Williams's readings of the 'Country-House' poems in The Country and the City, showing how his practice of literary criticism relies on an acceptance of 'ideology' apparently denied in his more 'theoretical' writings. This analysis is extended as a result of investigations into the 'De L'Isle' manuscripts relating to the Penshurst estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson as developing Williams's cultural materialism into Jameson's debates on postmodernism. In the Introduction and Conclusion, I have taken the opportunity to look briefly at the activity of cultural materialism as it has developed since Raymond Williams's death in 1988. The Introduction emphasizes what I see to be important methodological differences between 'cultural materialism' and 'new historicism'; the Conclusion deals with the continuing debate over the value of a cultural materialist approach by considering the 'appropriation' of Shakespeare

    Author David Foster with academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Author David Foster and academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Raymond Weill. — La Cité de David.

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    Dussaud René. Raymond Weill. — La Cité de David. . In: Syria. Tome 26 fascicule 1-2, 1949. pp. 141-143

    David Braithwaite at White Waltham Steam Fair

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    David Braithwaite, fairground enthusiast and author photographed at White Waltham Steam Fair, August 1964
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