1,544 research outputs found
The art performance by Miroslav Hornicek
Full text linkThe dissertation introduces the art performance by Miroslav Hornicek. It reflects the collage creation which Miroslav Hornicek devoted more than twenty years. The author introduced the gift of improvisation and humor into his collage. Many of them look like graphic, some of them remind the theater scene. He often repeats the same motive such as eye, sisters, theatrical costumes, sculptures, senses and body organs. It is interesting that despite his work he did not consider himself like the artist. He created many collage, he found inspiration in the creation of Max Ernst, Toyen, Jindrich Styrsky and Jiri Kolar. In relating with Jiri Kolar it is possible to search a certain similarity. From the poet became the artist, collage maker. Miroslav Hornicek was primarily the actor who has also found a way of life in creating collages. Miroslav Hornicek wrote to some of his collages names and interpretations. This material is very important for trying to understand his theater scenes and a tangle of something "incomprehensible", because of collages effect on the viewer. Finally, the dissertation aims to look at his art creation as a whole, highlight the exhibition activity and introduce Miroslav Hornicek not only as the actor, writer, dramatist, director and also the artist with an incredible imagination..
1. Theoretical part: Miroslav Hájek 2. Practical part: Audiovisual Work or Thematic Set of Audiovisual Works, Lenght at Least 10 mins., editing
No full textAčkoli je pole střihové a dramaturgické skladby filmů v teoretickych textech hojně zmapováno, profese střihače byvá často opomíjená. Výraznym příkladem opomíjeného "génia střihu" je v českém prostředí Miroslav Hájek. Miroslav Hájek je autorem střihové skladby na více než 400 filmech z období počínajícího českym poválečnym filmem a sahajícího až do pozdně normalizační tvorby. Práce se zabývá institucionálním kontextem střihačské profese a pokouší se stručně zmapovat život Miroslava Hájka. Na střihový styl a kvality střihače Hájka je poukázáno v analýze trezorového filmu Zabitá neděle. Práce je doplněna o rozhovor s Drahomírou Vihanovou, která svým osobitým způsobem téma práce podtrhuje.Although the field of editing and dramaturgy of the films is abundantly mapped in theoretical texts, the film editing profession is often neglected. A notable example of a neglected "genius of film editing" is a Czech editor Miroslav Hájek. Miroslav Hájek is the author of editing of more than 400 films from the period beginning with the Czech post-war film and stretching until late normalization era. The thesis deals with the institutional context of the editing profession and tries to briefly map the life of Miroslav Hájek. The editing style and the quality of Hájek's editing are shown in the analysis of the previously banned film Squandered Sunday. The work is complemented by an interview with Drahomíra Vihanova, who completes the topic of my thesis in her own distinctive way.Ateliér Audioviz
The Miroslav Krleža Lexicographic Institute Retrospective Bibliography of Articles Catalogue: It’s Structure and History
Full text linkU prilogu autorica govori o ustroju i povijesti nastanka Kataloga retrospektivne bibliografije članaka Leksikografskoga zavoda Miroslav Krleža u Zagrebu, pod vodstvom dr. Mate Ujevića. Ističe njegovu nemjerljivu kulturnu, znanstvenu i stručnu vrijednost pohranjenu u oko 8 000 000 bibliografskih kataloških listića, za razdoblje od kraja XVIII. st. do 1945. godine. Naglašava potrebu njegove zaštite i spominje njegovu elektroničku revitalizaciju.In this paper the author has presented the history of establishment, development and structure of The Miroslav Krleža Lexicographic Institute Retrospective Bibliography of Articles Catalogue (RBC) in Zagreb. The RBC evolved following the design and editorship of Dr. Mate Ujević. The author has presented its unique and undiminished cultural, scientific and artistic value as well as its competent performance. The Catalogue stores about 8 000 000 bibliographical index cards and covers the period from the end of 18th century to 1945. The author stresses the essential need to protect and consequently revitalize the RBC in electronic media. In this way we will be able to preserve this exceptional monument of Croatian national heritage
Professor Miroslav Nikolić's scientific style
No full textThe paper delineates Professor Miroslav Nikolić's scientific style, with due elaboration based on a single article, with the results obtained and thus analyzed on the available material by the same author. The paper also contains certain observations in regard to the scientific insights and scientific knowledge, generally speaking, as well as those regarding the general features of a scientific style. The conclusions as to the specific features of Professor Miroslav Nikolić's scientific style were reached upon the analysis conducted, taking into account the text structure, with emphasis on its lexical, morphological and syntactical structures.Publishe
Mime Miroslav Kasprzyk
No full textThe essay titled Pantomimer Miroslav Kasprzyk is based on biographical elaboration of the life and journey through the pantomime to conversations. Interviews incurred during a meeting in Slovakia or common chatting via the internet media called gmail.com. This work is based on the chronological Kasprzyk?s study period, the period when he was an amateur, his development as an amateur to the professional and work with children in the study of Kasprzyk. Thereafter the paper is elaborating Kasprzyk?s work in pantomime in Slovakia and its contribution and his endeavor to maintain this genre in the minds of children and adults. In this work there are many quotations from Miroslav Kasprzyk which were developed during the interview. This work also contains quotes of the study about Kasprzyk, which were acquired through the email communication. This report is discussing the world of Miroslav Kasprzyk, personal as well as artistic. Uncovering his determination to fight for the genre of pantomime in Slovakia. The meetings with him were for me as the author of this work, rewarding and inspiring in realizing how to follow my artistic journey
The Banquet in Blitva
No full textTitle: Banket u Blitvi; roman u tri knjige (The banquet in Blitva; a novel in three books). Originally published: Zagreb, Biblioteka nezavisnih pisaca, 1938. Language: Croatian The excerpt used is from Miroslav Krleža, The banquet in Blitva, translated by Edward Dennis Goy and Jasna Levinger-Goy (Evanston, Illinois: Northwestern University Press, 2004), pp. 5–13. About the author Miroslav Krleža [1893 Zagreb – 1981, Zagreb]: writer and the most outstanding Croatian intellectual of the twentie..
In memoriam - Miroslav Magdalenić
Full text linkAnlässlich des Todes des bekannten kroatischen Komponisten und Erziehers Miroslav Magdalenié (1906-1969) betont der Autor in diesem Artikel, dass der Verstorbene Zur Generation der hervorragenden kroatisChen Musikclogen angehörte, die die kroatische Musik in der Zeit zwiscnen zwei Weltkriege unglaublich Viet entwickelt hatten. Magdalenié war Kornponist der Sich mit dem 1. Streischquartet. mit der Simphonie in F Mol und mit noch einigen anderen Kompositionen besonders bekannt gemacht hat. Er grÜndete sein musisches Werk auf dem Folklore aus Medimurje. Von seinen musischen Handbüchern besonders bekannt ist das "Solfegglo auf Grund des volkstümlichen musischen Ausdrucks«, mit dem er die neuere Wege den jungeren Musikern aufdeckte.On the occasion of the death of the outstanding Croatian pedagogue and composer Miroslav Magdalenié (1906-1969) the author points out that Magdalenié belongs to the generation Of distinguished Croatian musicians. who between the two wars brought Croatian music up to the unimagined height. Among his compositions there ought to be mentioned. I String Quartet, Symphony in F minor and Romarska. His comp6ser's opus is based On Medjimurje folklore. Among pedagogical hand-books very important is "Solfeggio based on popular folklore expressions". which points out a new possibility in treatment Of future musicians
Loneliness of the Minotaur
Full text linkMIROSLAV HOLUB is the author of 11 books of poetry and 3 books of essays in Czech, and his translated works include a Penguin Selected Poems (1967) and Although (London: Jonathan Cape, 1971). His poetry has appeared in many magazines — including Mosaic, Transatlantic Review, The Times Literary Supplement, and London Magazine. Dr. Holub works as an immunologist in Czechoslovakia
The Architectonics of Miroslav Begović
Full text linkIstaknuti hrvatski arhitekt i sveučilišni profesor Miroslav Begović (1925. – 2004.) autor je većeg broja projektiranih i sagrađenih zgrada, unutarnjih uređenja, teoretskih rasprava i uredničkih izdanja. Begovićeva arhitektonika prezentirana je s nekoliko odabranih projekata: Izložbeni paviljon u Zagrebu, Galerija naivne umjetnosti u Hlebinama, Moderna galerija u Zagrebu, Atelijer Ivana Meštrovića u Zagrebu, Trgovačka kuća Varteks u Zagrebu, Trgovačka kuća Varteks u Varaždinu, Stambeno-poslovni blok Tkalčićeva – Radićeva ulica u Zagrebu, Hotel Eden u Rovinju. Razmatranjem arhitektonskih spoznaja navedenih djela moguće je sagledati Begovićevo razumijevanje graditeljske baštine i stvaralačke interpretacije recentnih arhitektonskih saznanja u okviru teza regionalizma, mimikrije, dihotomije, metabolizma, kinetike, biomorfologije i homocentrizma.Influential Croatian architect and university professor Miroslav Begović (1925 - 2004) was the author of a great number of planned and constructed buildings, interior designs, theoretical discussions and editorial publishings. Begović’s architectonics are presented through a few selected projects: the Exhibition Pavilion in Zagreb, the Gallery of Naïve Art in Hlebine, the Modern Gallery in Zagreb, Atelier Ivan Meštrović in Zagreb, Varteks department stores in Zagreb and Varaždin, the Tkalčićeva- Radićeva residential-commercial block in Zagreb, Hotel Eden in Rovinj. An observation of the architectural conceptions of these works makes visible Begović’s understanding of architectural heritage and creative interpretation of recent architectural discoveries within the framework of the theses of regionalism, mimicry, dichotomy, metabolism, kinetics, biomorphology and homocentrism
Karneval s mrtvacima Miroslav Krleža: Kraljevo
No full text Carnival with the dead Miroslav Krleža: KraljevoKraljevo, a one-act play written by Miroslav Krleža in 1915, is a representation of “carnival” events accompanying a church fair day in the cathedral of St. Stephen in Zagreb. Among the participants of the fair party, are the suicides condemned to eternal wandering between the worlds of the dead and of the living. The article’s goal is to reflect on the function of death’s anthropomorphization in the expressionistic image of Zagreb society. Krleža exposes how loftiness is replaced with base erotic instincts, and reveals that when society is immersed in medieval rituals, what results is a cannibalistic vision of nonreality of hell, which serves to render Zagreb at the beginning of the 20th century. The author’s carnival with the dead reverses values, orders, and hierarchies, and undermines at least three essential components of identification: ludic tradition derived from local folklore, Catholic pathos, and Croatian patriotism. Karnawał ze zmarłymi Miroslav Krleža: KraljevoJednoaktówka Mirosława Krležy z 1915 roku, zatytułowana Kraljevo, jest zapisem „karnawałowych” wydarzeń towarzyszących dniu odpustu w zagrzebskiej Katedrze świętego Stefana. W jarmarcznej zabawie uczestniczą samobójcy skazani na wieczne błądzenie pomiędzy światami żywych i umarłych. Celem artykułu jest namysł nad funkcją antropomorfizacji śmierci w ekspresjonistycznym obrazie zagrzebskiego społeczeństwa. Krleža pokazuje wzniosłość zastąpioną przez niskie erotyczne popędy, społeczeństwo zanurzone w średniowiecznych rytuałach, rysuje kanibaliczną nierzeczywistość piekła — Zagrzebia początku XX wieku. Krležiański karnawał ze zmarłymi odwraca wartości, porządki i hierarchie, a także podważa co najmniej trzy istotne elementy identyfikacyjne: ludyczną tradycję wyrastającą z folkloru, katolicki patos i chorwacki patriotyzm. Carnival with the dead Miroslav Krleža: KraljevoKraljevo, a one-act play written by Miroslav Krleža in 1915, is a representation of “carnival” events accompanying a church fair day in the cathedral of St. Stephen in Zagreb. Among the participants of the fair party, are the suicides condemned to eternal wandering between the worlds of the dead and of the living. The article’s goal is to reflect on the function of death’s anthropomorphization in the expressionistic image of Zagreb society. Krleža exposes how loftiness is replaced with base erotic instincts, and reveals that when society is immersed in medieval rituals, what results is a cannibalistic vision of nonreality of hell, which serves to render Zagreb at the beginning of the 20th century. The author’s carnival with the dead reverses values, orders, and hierarchies, and undermines at least three essential components of identification: ludic tradition derived from local folklore, Catholic pathos, and Croatian patriotism. Karnawał ze zmarłymi Miroslav Krleža: KraljevoJednoaktówka Mirosława Krležy z 1915 roku, zatytułowana Kraljevo, jest zapisem „karnawałowych” wydarzeń towarzyszących dniu odpustu w zagrzebskiej Katedrze świętego Stefana. W jarmarcznej zabawie uczestniczą samobójcy skazani na wieczne błądzenie pomiędzy światami żywych i umarłych. Celem artykułu jest namysł nad funkcją antropomorfizacji śmierci w ekspresjonistycznym obrazie zagrzebskiego społeczeństwa. Krleža pokazuje wzniosłość zastąpioną przez niskie erotyczne popędy, społeczeństwo zanurzone w średniowiecznych rytuałach, rysuje kanibaliczną nierzeczywistość piekła — Zagrzebia początku XX wieku. Krležiański karnawał ze zmarłymi odwraca wartości, porządki i hierarchie, a także podważa co najmniej trzy istotne elementy identyfikacyjne: ludyczną tradycję wyrastającą z folkloru, katolicki patos i chorwacki patriotyzm
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