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Ray Gilbert with whistle
No full textA photograph of Ray Gilbert with a whistle around his neck.Ray Gilbert received his bachelor's degree from Springfield College in physical education in 1963, playing basketball throughout his college career. He later returned to Springfield to receive his master's, while serving as the assistant men's basketball and assistant golf coach from 1963 to 1965. In 1968, Ray Gilbert returned to Springfield College and became a P.E. instructor and the assistant coach for men's basketall. He then was named as assistant athletic director and the men's golf coach in 1977, followed by the women's golf coach in 1980. Gilbert eventually accepted a position as the Director of Physical Education and Athletics at Worcester Polytechnic Institute in 1987
Goblet of Venus - Ray Gilbert
No full textBlack and white photograph by Fred Pack during a field trip to southern Utah and northern Arizona with University of Utah geology students in May of 1932. Ray Gilbert stands next to the Goblet of Venus, San Juan County
Ray Gilbert standing outside, c. 1979
No full textA photograph of Ray Gilbert standing outside of Gulick Hall at Springfield College, c. 1979.Ray Gilbert received his bachelor's degree from Springfield College in physical education in 1963, playing basketball throughout his college career. He later returned to Springfield to receive his master's, while serving as the assistant men's basketball and assistant golf coach from 1963 to 1965. In 1968, Ray Gilbert returned to Springfield College and became a P.E. instructor and the assistant coach for men's basketall. He then was named as assistant athletic director and the men's golf coach in 1977, followed by the women's golf coach in 1980. Gilbert eventaully accepted a position as the Director of Physical Education and Athletics at Worcester Polytechnic Institute in 1987
Ray Gilbert
No full textA photograph of Ray Gilbert.Ray Gilbert received his bachelor's degree from Springfield College in physical education in 1963, playing basketball throughout his college career. He later returned to Springfield to receive his master's, while serving as the assistant men's basketball and assistant golf coach from 1963 to 1965. In 1968, Ray Gilbert returned to Springfield College and became a P.E. instructor and the assistant coach for men's basketall. He then was named as assistant athletic director and the men's golf coach in 1977, followed by the women's golf coach in 1980. Gilbert eventaully accepted a position as the Director of Physical Education and Athletics at Worcester Polytechnic Institute in 1987
Brighton, Thanksgiving, 1931, Paul Davis, Pia Mottes, and Ray Gilbert
No full textBlack and white photograph of Paul Davis, Pia Mottes, and Ray Gilbert with a dog during a Thanksgiving outing at Brighton, Utah, on November 26, 1931
Ed Bilik and Ray Gilbert with basketball player
No full textA photograph of Springfield college's men's basketball coach Ed Bilik, with assistant coach Ray Gilbert, and a player holding a basketball. The player is currently unknown.Edward R. Bilik began teaching physical education at Springfield College in 1959. He earned his BS and MS at Springfield College (1957, 1962) and his Ed.D. at the University of Oregon (1966). Bilik was head basketball coach at Springfield College from 1966 to 1986, during which he compiled an outstanding 322-196 overall record for a.622 winning percentage. He then became director of athletics at Springfield College, where he worked until his retirement in 1999. In 2011, the National Association of Basketball Coaches (NABC) awarded him the prestigious Metropolitan Award. Ray Gilbert received his bachelor's degree from Springfield College in physical education in 1963, playing basketball throughout his college career. He later returned to Springfield to receive his master's, while serving as the assistant men's basketball and assistant golf coach from 1963 to 1965. In 1968, Ray Gilbert returned to Springfield College and became a P.E. instructor and the assistant coach for men's basketall. He then was named as assistant athletic director and the men's golf coach in 1977, followed by the women's golf coach in 1980. Gilbert eventaully accepted a position as the Director of Physical Education and Athletics at Worcester Polytechnic Institute in 1987
Alien Registration- Ray, Gilbert O. (Fort Kent, Aroostook County)
Full text linkhttps://digitalmaine.com/alien_docs/36325/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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