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    Phonons and Elasticity in Disordered binary Crystals

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    The lack of a unique, classical microscopic reference state impedes the study of elasticity in non-ideal crystals at finite temperature. Not only do thermal lattice vibrations contribute to that lack for their part but they also promote the creation of point defects. Moreover, phason flips cause an ambiguity of the reference configuration intrinsic to quasicrystals. These processes crucially go along with an unclear microscopic definition of the displacement field.This thesis generalizes previous approaches to isothermal crystal elasticity, focusing on the periodic case discussed in Part II. The two equivalent approaches considered can be distinguished by their nature as static/thermodynamic respectively hydrodynamic. Primarily, the linear, dissipationless and isothermal Zwanzig–Mori equations of motion from [WF10] are generalized to binary periodic crystals. This includes the derivation of a dynamical block matrix whose diagonalization yields both acoustic and optical phonon dispersion relations. The elastic constants follow from the acoustic branches by the method of long waves. The central input parameter to the theory is the direct correlation function which can be obtained from classical Density Functional Theory (DFT). As a proof of principle, dispersion relations are computed for several binary hard sphere model systems, based on a simple DFT approach to freezing. Dispersion relations are further computed from the equilibrium statistics of a binary hard sphere crystal Molecular Dynamics simulation. To that end, the definition of the linear response displacement field from [WF10] is generalized in a species-wise manner.A discussion of the properties of the dynamical matrix in the long-wavelength limit is performed with the result of potential couplings of the total momentum density to non-hydrodynamic variables. While these couplings can be ruled out in systems with inversion symmetry, there are strong indications for a lowering of the elastic constants in the opposite case. This seems in conflict with phenomenological hydrodynamics of crystals and raises fundamental questions about the correct application of the Zwanzig–Mori formalism. More specifically, the presence of reversible contributions in the memory matrix comes into question. In reaction to that, two working-hypotheses are formulated that allow to apply the formalism in the conventional way, yet appear incompatible in the light of the findings.Therefore, a “second witness is called to court” in the form of the thermodynamic DFT approach to crystal elasticity. It is formulated for binary periodic crystals of arbitrary symmetry. By dropping the requirement of inversion symmetry and by the inclusion of point defect fluctuations, this thesis adds to the scope of previous binary approaches. Additionally, the equilibrium condition at given external strain and defect fluctuations is discussed on the level of arbitrary internal strain. This is expected to provide a straightforward access to the treatment of more complicated internal strains. The subsequent example includes only a single sublattice displacement as “optical” internal strain parameter. Its coupling to external strain is derived and related to results known from the classical low-temperature potential expansion. Whether this potential expansion approach has been correctly recovered by [Wal09] in the case of lattices without inversion symmetry is studied on the example of the honeycomb lattice.In a separate part, approaches to the description of acoustic phonons in quasicrystals within the same Zwanzig–Mori formalism are explored. The characteristic “dense” structure of the reciprocal lattice for such systems poses challenges to which no conclusive answer could be given. The author hopes that the approaches made may serve as a starting point for future research. Nonetheless, encouraged by earlier works in that direction, the thermodynamic approach to elasticity is modified from periodic crystals and applied to a specific two-dimensional quasicrystal example.publishe

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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