1,721,049 research outputs found
[Randall Jones Monument in Richmond]
No full textPhoto of the Randall Jones Monument (Bend of River, Richmond)
Randall Jones Theatre Construction
No full textPhotograph of several construction workers smoothing concrete on a angled platform as part of the construction of the Randall Jones Theatre
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["Poets N' Jazz #2" opening with poet Randall Jones]
No full textVideo recording from The Black Academy of Arts and Letters recorded during "Poets N' Jazz #2" featuring the second set of poets including Randall Jones, Ms. Ironic, GF Solider, and Lady B Smoove on December 5-6th, 2008 at the Clarence Muse Café Theatre. The tape begins abruptly with Randall Jones and ends with Lady B Smoove
["Poets N' Jazz #2" opening with poet Randall Jones]
No full textVideo recording from The Black Academy of Arts and Letters recorded during "Poets N' Jazz #2" featuring the second set of poets including Randall Jones, Ms. Ironic, GF Solider, and Lady B Smoove on December 5-6th, 2008 at the Clarence Muse Café Theatre. The tape begins abruptly with Randall Jones and ends with Lady B Smoove
Letter from Sam Houston to Captain Randall Jones
No full textSAM HOUSTON, February 7, 1837, Col [Columbia] T [Texas], letter to Captain Randall Jones, Fort Bend, Texas. “Bravo is at Matamoros…..For God’s sake, be up and doing. Let those who can be spared turn out as spies.” Captain J.O. Elliot’s name is also on envelope. 2pp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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