37,864 research outputs found

    Heritage, ideology, and identity in Central and Eastern Europe : contested pasts, contested presents /

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    Essays looking at heritage practices and the construction of the past, along with how they can be used to build a national identity. The preservation of architectural monuments has played a key role in the formation of national identities from the nineteenth century to the present. The task of maintaining the collective memories and ideas of a shared heritage often focused on the historic built environment as the most visible sign of a link with the past. The meaning of such monuments and sites has, however, often been the subject of keen dispute: whose heritage is being commemorated, by whom and for whom? The answers to such questions are not always straightforward, particularly in Central and Eastern Europe, the recent history of which has been characterized by territorial disputes, the large-scale movement of peoples, and cultural dispossession. This volume considers the dilemmas presented by the recent and complex histories of European states such as Germany, Greece, Poland, Hungary, Romania and Bulgaria. Examining the effect ofthe destruction of buildings by war, the loss of territories, or the "unwanted" built heritage of the Communist and Nazi regimes, the contributors examine how architectural and urban sites have been created, destroyed, or transformed, in the attempt to make visible a national heritage. Matthew Rampley is Professor of History of Art at the University of Birmingham. Contributors: Matthew Rampley, Juliet Kinchin, Paul Stirton, SusanneJaeger, Arnold Bartetzky, Jacek Friedrich, Tania Vladova, George Karatzas, Riitta OittinenTitle from publisher's bibliographic system (viewed on 28 Feb 2023).Essays looking at heritage practices and the construction of the past, along with how they can be used to build a national identity. The preservation of architectural monuments has played a key role in the formation of national identities from the nineteenth century to the present. The task of maintaining the collective memories and ideas of a shared heritage often focused on the historic built environment as the most visible sign of a link with the past. The meaning of such monuments and sites has, however, often been the subject of keen dispute: whose heritage is being commemorated, by whom and for whom? The answers to such questions are not always straightforward, particularly in Central and Eastern Europe, the recent history of which has been characterized by territorial disputes, the large-scale movement of peoples, and cultural dispossession. This volume considers the dilemmas presented by the recent and complex histories of European states such as Germany, Greece, Poland, Hungary, Romania and Bulgaria. Examining the effect ofthe destruction of buildings by war, the loss of territories, or the "unwanted" built heritage of the Communist and Nazi regimes, the contributors examine how architectural and urban sites have been created, destroyed, or transformed, in the attempt to make visible a national heritage. Matthew Rampley is Professor of History of Art at the University of Birmingham. Contributors: Matthew Rampley, Juliet Kinchin, Paul Stirton, SusanneJaeger, Arnold Bartetzky, Jacek Friedrich, Tania Vladova, George Karatzas, Riitta Oittine

    Introduction

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    Introduction

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    Matthew Henry: The Bible, Prayer, and Piety – A Tercentenary Celebration

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    The summer of 2014 marked the tercentenary of the death of Matthew Henry (1662–1714), a leading figure among early eighteenth-century Dissenters and author of the six-volume Exposition of the Old and New Testaments (1707–1714/25). This monumental work, which by 1855 had already been published in twenty-five different editions, attempted a peculiarly practical approach to the biblical text and continues to be widely used and readily accessible even today in both print and online versions. The theme of foreign (or ‘strange’) wives and Israelite intermarriage is one which occurs throughout the Hebrew Bible and, accordingly, throughout Matthew Henry’s commentary upon it. Where it appears, the practice of intermarriage is characterized by Henry as (at best) unwise and (at worst) a very real threat to both social and religious cohesion. This essay explores how Henry deals with the issue of ‘strange wives’, why he believes they continue to pose a threat, and (in view of the overall intention of his commentary) what ‘practical observations’ he offers to his reader as a result. In doing so it is argued that Henry’s commentary traces a thematic thread from the ante-diluvian age to the post-exilic period of calamities resulting from mixed marriages between ‘professors of religion’ and their ‘strange wives’

    Citation expectations: are they realized? Study of the Matthew index for Russian papers published abroad

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    We consider the "Matthew effect" in the citation process which leads to reallocation (or misallocation) of the citations received by scientific papers within the same journals. The case when such reallocation correlates with a country where an author works is investigated. Russian papers in chemistry and physics published abroad were examined. We found that in both disciplines in about 60% of journals Russian papers are cited less than average ones. However, if we consider each discipline as a whole, citedness of a Russian paper in physics will be on the average level, while chemistry publications receive about 16% citations less than one may expect from the citedness of the journals where they appear. Moreover, Russian chemistry papers mostly become undercited in the leading journals of the field. Characteristics of a "Matthew index" indicator and its significance for scientometric studies are also discussed

    Art Historians in Romania

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    This review discusses Vlad Țoca’s outline of Romanian art history from 1919 to 1947. It considers the value and significance of scholarship on Romanian culture and the historiography of art, but also identifies a number of critical deficits in Țoca’s study, including a lack of concrete detail, a reluctance to engage with the cultural politics shaping the development of interwar Romanian art history, and an overly descriptive approach. Despite such flaws, the book remains, it argues, valuable for its role in opening up a new field of research and providing a useful introduction to its topic

    Report on Rudolf von Eitelberger: Netzwerker der Kunstgeschichte. Conference held for the 200th Anniversary of the birth of Rudolf Eitelberger (1817-1885). Museum of Applied Art, Vienna, 27-29 April 2017.

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    Rudolf von Eitelberger: Netzwerker der Kunstgeschichte was an important first step in gathering together the diverse array of projects that, different ways, refer to or focus on Eitelberger. Nevertheless, as with the best gatherings of this kind, it also highlighted how much more work there is to be done
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