1,438 research outputs found
The symbols in the poetry of ruben dario
No full text碩士本論文主要分為三個章節，第一章，何為象徵符號？本章節主要藉由象徵理論學家，威爾伯 (Wilbur Marshall Urban)、弗萊(Northrop Frye)、托多羅夫(Tzvetan Todorov)、賽洛特(Juan-Eduardo Cirlot)以及其他學者的相關文獻解釋象徵符號的定義以及象徵符號在文學作品中的定義。
第二章針對達里歐的生平、作品以及達里歐在現實主義時期的重要性為論述重點。筆者根據達里歐的生平以及生長年代來了解他的作品特色，達里歐一生多采多姿，尤其感情方面更為豐富，這些人生際遇皆影響達里歐的寫作風格。達里歐不只是詩人，也是歷史的見證者，從他的作品中可以看到政治歷史的變化趨勢。達里歐著作極為豐富，筆者在本章節挑選三本可以代表達里歐的作品：《藍》(Azul)、《每日詩》(Prosas profanes)以及《生命與希望之歌》(Cantos de vida y esperanza)。達里歐與現實主義有著密不可分的關係，他的寫作風格不僅受到現實主義作家的影響，同時也是影響現實主義作家的重要人士之一。
第三章筆者不僅針對達里歐的詩集作品分析，同時也分析其散文作品，如《稀奇》(Los raros)。筆者將經常出現於達里歐作品中的象徵符號分為三個部分：顏色符號、禽鳥符號和寶石符號。顏色符號部分主要分析的顏色為藍色、綠色、白色以及黑色。禽鳥符號則針對天鵝、鴿子、孔雀和老鷹。而最後的寶石符號則以珠寶、寶石、鑽石、琥珀、黃金和水晶為主要分析內容。
最後筆者希望藉由這篇論文的研究，能讓大家了解象徵符號經由作家的詮釋，即使相同的符號，也擁有不同的意義。此外也希望大家能透過此篇論文認識文學史上重要的拉丁美洲作家盧本達里歐先生。In this thesis we explore definitions of symbols and the life of the author in the book of Ruben Dario. Dario is an author who emphasized the importance of the use of symbols though out his books. Therefore we might consider him as a master specialized in writing with symbols.
We divide the thesis into three chapters. In the first chapter, we give details to the definition of the symbols. According to scholars like Urban, Frye, Todorov and Cirlot, we are able to understand symbols in forms of signs, images and words. The concept of the symbols is relatively comprehensive, taking into consideration that a symbol is not always a sign; in fact, it is much more than a sign.
In the second chapter, we describe Ruben Dario about his life, literary works and the times when he lived. His life was interesting, colorful and varied. He was not only a poet but a public figure, having been an ambassador of Nicaragua in Spain. Dario wrote many pieces and each was important to him. Based on his narration, there are three books that can represent Ruben Dario, Azul, Prosas profanas and Cantos de vida y esperanza.
Dario was the master of Modernism, mainly because of the great influence of Latin America. Not only did Ruben Dario influence the poets of Modernism but was influenced by other poets in the same period.
In the last chapter we examine the symbols in the poetry of Dario and we divided the symbols into three parts: the colors, birds and precious stones. The first part, we examine the colors. There are blue, green, and black. In the second part, we deal with the symbols of birds, including swans, pigeons, peacocks and eagles. And in the last part, we talk about precious stones. We analyze the symbols of agate, ruby, diamond, crystal and gold. Finally, we end up with the conclusions and bibliography.INTRODUCCION 1
Motivo y objetivo 1
Metodologia de trabajo 3
CAPITULO I: ¿QUE SON LOS SIMBOLOS? 5
1.1 Teorias del simbolo 6
1.2 Los simbolos en la literatura 15
CAPITULO II: RUBEN DARIO Y SU OBRA POETICA 22
2.1 Vida 22
2.2 Obra literaria 28
2.3 Ruben Dario y el Modernismo 35
CAPITULO III: LOS SIMBOLOS EN LA POESIA DE RUBEN DARIO 40
3.1 Colores 40
3.2 Aves 45
3.3 Piedras preciosas 59
CONCLUSION 72
BIBLIOGRAFIA 77
ANEXOS 83學號: 698120028, 學年度: 10
{Au(IPr)}(2)(mu-OH) X Complexes: Synthetic, Structural and Catalytic Studies
No full textThe synthesis of a series of dinuclear gold hydroxide complexes has been achieved. These complexes of type [{Au(IPr)}2(mu-OH)]X (X =BF4, NTf2, OTf, FABA, SbF6; IPr =2,6-bis(disopropylphenyl)imidazol-2-ylidene; NTf2= bis(trifluoromethanesulfonyl)imidate; OTf = trifluoromethanesulfonate; FABA = tetrakis(pentafluorophenyl)borate) are easily formed in the presence of water and prove highly efficient in the catalytic hydration of nitrites. Their facile formation in aqueous media suggests they are of relevance in gold-catalyzed reactions involving water. Additionally, a series of [Au-(IPr)(NCR)][BR4] (R = alkyl, aryl) ficient in the catalytic hydration of nitrites. Their facile formation in aqueous media suggests they are of relevance in gold-catalyzed reactions involving water. Additionally, a series of [Au-(IPr)(NCR)][BR4] (R= alkyl, aryl) complexes was synthesized as they possibly occur as intermediates in the catalytic reaction mechanism. H-1 and C-13 NMR data as well as key bond lengths obtained by X-ray diffraction studies are compared and reveal an interesting structure activity relationship. The collected data indicate a negligible effect of the nature of the nitrite on the reactivity of [Au(L)(NCR)][X] complexes in catalysis
Erratum: Author Correction: A Lab-in-a-Fiber optofluidic device using droplet microfluidics and laser-induced fluorescence for virus detection (Scientific reports (2022) 12 1 (3539))
No full textCorrection to: Scientific Reports https://doi.org/10.1038/s41598-022-07306-0, published online 03 March 2022
The original version of this Article contained an error in the spelling of the author Ruben R. G. Soares, which was incorrectly given as Ruben G. Soares
Evaluación de cultivares de raigrás anual (Lolium multiflorum Lam.) en vertisoles de Entre Ríos: Campaña 2022-2023-2024.
No full textCon la finalidad de disponer de información para una correcta elección y manejo de cultivares comerciales de raigrás anual para uso como verdeo de invierno, en la EEA Concepción del Uruguay se conducen anualmente ensayos de evaluación de cultivares comerciales para poder caracterizar el comportamiento productivo de los mismos en los vertisoles de Entre Ríos. El presente trabajo muestra los resultados obtenidos de 3 ciclos de evaluación de un mismo set de cultivares de raigrás anual.EEA Concepción del UruguayFil: Re, Alejo Esteban. Instituto Nacional de Tecnología Agropecuaria (INTA). Estación Experimental Agropecuaria Concepción del Uruguay; ArgentinaFil: Pinget, Daniela. Instituto Nacional de Tecnología Agropecuaria (INTA). Estación Experimental Agropecuaria Concepción del Uruguay; ArgentinaFil: Pinget, Daniela. Universidad en Concepción del Uruguay. Facultad de Ciencias Agrarias; ArgentinaFil: Diaz, Juan Ramon. Instituto Nacional de Tecnología Agropecuaria (INTA). Estación Experimental Agropecuaria Concepción del Uruguay; ArgentinaFil: Cimino, Hector Ruben. Instituto Nacional de Tecnología Agropecuaria (INTA). Estación Experimental Agropecuaria Concepción del Uruguay; Argentin
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
Peru
No full textRuben Mamani, oldest son of Ramon and Lucila.https://digitalcommons.georgefox.edu/nwym_photos/3117/thumbnail.jp
Replication data for: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples
No full textThis dataset contains the data and code for the publication: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples.
Code Repository
A dynamic version of the code repository can be found at https://github.com/rbnbr/VoroParaSense.
The version presented in this dataset corresponds to the version used in the corresponding paper (referenced as v1.0.0) and does not contain post-publication changes to the repository.
Figures
Some of the figures contained in the Jupyter Notebooks were used to generate the CC BY 4.0 licensed figures in https://doi.org/10.1111/cgf.70122. The figures here are the raw .png figures. The published figures are mostly vector graphics and were slightly modified compared to the figures rendered in the Jupyter notebooks.
Author: Ruben Bauer
Source: https://doi.org/10.1111/cgf.70122
License: CC BY 4.0
The figures of the main paper are:
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 2
examples\notebooks\plot_examples\three_dimensional_case.ipynb used to generate Figure 3
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 4
examples\notebooks\plot_examples\two_d_major_transition_directions.ipynb used to generate Figure 5
examples\notebooks\single_dataset_convenience_plots\iris_conv_plot.ipynb used to generate Figure 6, 7, 8, 9, 10, 12
examples\notebooks\plot_examples\space_dividing_line.ipynb used to generate Figure 11
examples\notebooks\single_dataset_convenience_plots\semiconductor_conv_plot.ipynb used to generate Figure 14
examples\notebooks\single_dataset_convenience_plots\droplet_impact_conv_plot.ipynb used to generate Figure 15, 16
For the supplemental material:
examples\notebooks\plot_examples\normal_vectors_angle_vis.ipynb used to generate Figure 1
examples\notebooks\plot_examples\plane_plane_distance.ipynb used to generate Figure 2
examples\notebooks\plot_examples\runtime_experiments_2.ipynb used to generate Figure 3, 4
examples\notebooks\plot_examples\bandwidth_experiments.ipynb used to generate Figure 5 - 15
Install
Tested with Python 3.12.3.
Setup virtual environment with Python: python -m venv .venv
Activate the environment, then install the requirements via: pip install -r requirements.txt
Run python ./main.py to run the main example.
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The fantastic in Spain during the late- nineteenth and early-twentieth centuries
No full textThis thesis has as its primary objective the drawing together and subsequent theorisation of diverse texts which can be understood to be examples of Spanish fantastic literature. It demonstrates that from nineteenth-century Realism and Naturalism (exemplified in narratives by Pérez Galdós, Alarcón and Pardo Bazán), through turn-of-the-century modernismo (Valle-Inclán and Zamacois) to twentieth- century proto-existentialism (Unamuno), a significant number of texts were produced which, in spite of the obvious differences between them, refute the widely held idea that 'the fantastic' and Spanish literature share little common ground. The thesis is therefore one more step along the journey of establishing that Spanish fantastic literature is as important and integral to the whole swathe of Spanish cultural production as it is in many other European countries. The critical analyses of the narratives push at the boundaries of previous interpretative strategies both in terms of the fantastic and of the texts themselves. The exception to this interrogation and reinvigoration of earlier interpretations is to be found in the approach to the narratives by Zamacois, which have hitherto received very little critical attention. These detailed readings draw out the complexities and intriguing perspectives which the fantastic in Spain presents to the attentive reader. By means of these textual analyses, the thesis also explores some of the various possibilities presented by the fantastic itself, putting flesh on the theoretical bones of several different critical discourses. Ultimately, this thesis charts a dynamic and coherent corpus of material which represents the process of the psychologisation of the supernatural from Romanticism onwards. Each successive text more starkly expresses the unreal horrors of the fractured human mind, as well as the mutations of the body. As such, the evolutionary history of the fantastic in Spain is shown to be more gripping and relevant than has hitherto been understood to be the case
Cuentacuentos como estrategia para potenciar la comprensión lectora en estudiantes del nivel primario en la Institución Educativa Ramon Castilla, Perené
No full textEl trabajo de indagación tiene el propósito de establecer la efectividad del cuentacuentos como método en la comprensión lectora en alumnos del nivel primario de la I.E. Ramon Castilla de Perené, en donde se observó que los alumnos tienen poca inclinación por la lectura y así lo demuestra la prueba (ECE,2018) que demostró que la Institución logro un
nivel bajo en el ámbito de comunicación. Por tal motivo era necesario
insertar nuevas estrategias educativas que motiven la lectura y la
comprensión; por tal motivo se presentó la siguiente investigación que tiene
como propósito: Establecer la eficacia de los cuentacuentos como método
para potenciar la comprensión lectora en alumnos de educación primaria
en la I.E. Ramon Castilla de Perené, se empleó el enfoque cuantitativo, el
tipo fue aplicado y nivel experimental, con una comunidad de muestra de
18 alumnos de quinto grado, para recoger los datos se empleó la
observación como método y las fichas de observación como herramienta.
Los resultados se evidencian en tablas y figuras, donde se manifestó la
eficacia del cuentacuentos en la comprensión lectora, con el objetivo de
concluir en un aporte al desarrollo de la educación tecnológica e
innovadora
- …
