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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Minnet av svunnen fantasi : Om det utopiska i Herbert Marcuses Eros and Civilization

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    As a member of the Institut für Sozialforschung, Herbert Marcuse wrote in 1955 Eros and Civilization in which he applied an elaborated and reformulated freudian meta-psychoanalytical perspective on the contemporary society, which both Freud and Marcuse had diagnosed as sick. Marcuse’s overall ambition was to seek man’s anamnestic abilities to negate contemporary capitalist society, re-structure the organization of products and reduce alienated labor and thereby liberate man from the most agonizing doing in life – living a life as an instrument. This political revolution Marcuse argues, would liberate man’s powerful subconscious energies stemming from Eros and mankind would no longer function as an alienated instrument. However, for the revolutionary agents to be conscious of their position, the mind of the human being must be transformed and only then a true negation of the prevailing system is possible. In his reading of Freud, Marcuse finds in the subconscious part of the mind a specific part that´s free from reality´s repression of the mind – fantasy. This essay seeks to illustrate and analyze how fantasy, alongside man’s ability of remembrance, has the ability to reform the consciousness of men, negate the structure of living imposed on them by capitalist domestic rationality and thereby formulate a new non-repressive society free from surplus repression and alienation. The overall purpose of this thesis is to explore and shed light on how the complex dynamic relation between memory and fantasy can achieve an intersubjective formulation of a new non-repressive society, free from the hegemony which is capitalist rationality

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Marcuse, maskinen och människan : Hur den moderna tekniken intensifierar förnuftets instrumentalisering

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    This paper considers the way Herbert Marcuse’s re-formulation of the instrumental reason as a technical reason can be understood as an intensification or acceleration of some of the themes presented by Theodor W. Adorno and Max Horkheimer in The Dialectics of Enlightenment. By reading Marcuse´s The One-Dimensional Man in dialogue with Martin Heidegger’s The Question Concerning Technology, the paper explores a thesis that Marcuse draws on concepts from Heidegger, especially Ge-stell and Bestand, in his notion of the “technical reason” and “technological rationality” to think and think beyond modern technology. By positing modern technology as the focal point of the instrumentalization of reason, Marcuse sheds light of historical and contemporary problems with human thinking. The staging of this conversation with Marcuse and Heidegger that never really took place allows the paper to fully explore and understand Marcuse’s invoking of the aesthetical dimension, as well as his re-appropriation of Freudian terminology, as a model to re-establish negative thinking as a necessary counteraction to the one-dimensional positive thinking that is dominating private and public sphere

    Marcuse, maskinen och människan : Hur den moderna tekniken intensifierar förnuftets instrumentalisering

    No full text
    This paper considers the way Herbert Marcuse’s re-formulation of the instrumental reason as a technical reason can be understood as an intensification or acceleration of some of the themes presented by Theodor W. Adorno and Max Horkheimer in The Dialectics of Enlightenment. By reading Marcuse´s The One-Dimensional Man in dialogue with Martin Heidegger’s The Question Concerning Technology, the paper explores a thesis that Marcuse draws on concepts from Heidegger, especially Ge-stell and Bestand, in his notion of the “technical reason” and “technological rationality” to think and think beyond modern technology. By positing modern technology as the focal point of the instrumentalization of reason, Marcuse sheds light of historical and contemporary problems with human thinking. The staging of this conversation with Marcuse and Heidegger that never really took place allows the paper to fully explore and understand Marcuse’s invoking of the aesthetical dimension, as well as his re-appropriation of Freudian terminology, as a model to re-establish negative thinking as a necessary counteraction to the one-dimensional positive thinking that is dominating private and public sphere

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Minnet av svunnen fantasi : Om det utopiska i Herbert Marcuses Eros and Civilization

    No full text
    As a member of the Institut für Sozialforschung, Herbert Marcuse wrote in 1955 Eros and Civilization in which he applied an elaborated and reformulated freudian meta-psychoanalytical perspective on the contemporary society, which both Freud and Marcuse had diagnosed as sick. Marcuse’s overall ambition was to seek man’s anamnestic abilities to negate contemporary capitalist society, re-structure the organization of products and reduce alienated labor and thereby liberate man from the most agonizing doing in life – living a life as an instrument. This political revolution Marcuse argues, would liberate man’s powerful subconscious energies stemming from Eros and mankind would no longer function as an alienated instrument. However, for the revolutionary agents to be conscious of their position, the mind of the human being must be transformed and only then a true negation of the prevailing system is possible. In his reading of Freud, Marcuse finds in the subconscious part of the mind a specific part that´s free from reality´s repression of the mind – fantasy. This essay seeks to illustrate and analyze how fantasy, alongside man’s ability of remembrance, has the ability to reform the consciousness of men, negate the structure of living imposed on them by capitalist domestic rationality and thereby formulate a new non-repressive society free from surplus repression and alienation. The overall purpose of this thesis is to explore and shed light on how the complex dynamic relation between memory and fantasy can achieve an intersubjective formulation of a new non-repressive society, free from the hegemony which is capitalist rationality

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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