19 research outputs found
LAPORAN PRAKTEK KERJA LAPANG PT. PETROKIMIA GRESIK DEPARTEMEN PROSES & PENGENDALIAN KUALITAS
Full text linkPT Petrokimia Gresik merupakan pabrik pupuk terlengkap di Indonesia, yang pada awal berdirinya disebut Proyek Petrokimia Surabaya. Kontrak pembangunannya ditandatangani pada tanggal 10 Agustus 1964, dan mulai berlaku pada tanggal 8 Desember 1964. Pada tanggal 10 Juli 1972, Presiden RI H.M
Soeharto meresmikan proyek ini. Sehingga tanggal tersebut ditetapkan sebagai hari jadi PT Petrokimia Gresik
PABRIK AMONIUM NITRAT DARI AMONIA DAN ASAM NITRAT DENGAN PROSES STENGEL KAPASITAS 87.000 TON/TAHUN
Full text linkPra Rencana Pabrik Amonium Nitrat akan didirikan di daerah Kawasan Industri Kujang Cikampek, Kecamatan Cikampek, Kabupaten Karawang, Jawa Barat dengan pertimbangan lokasi pabrik yang strategis berpengaruh terhadap kelangsungan dan keberhasilan produksi
SINTESIS SILIKA XEROGEL DARI SABUT KELAPA
Full text linkSabut kelapa merupakan bagian dari tanaman kelapa yang diketahui memiliki kandungan silika sekitar
69% yang dapat dimanfaatkan sebagai bahan baku pembuatan silika xerogel. Silika dengan rumus kimia SiO2
banyak digunakan di industri maupun di kehidupan sehari – hari. Penelitian ini bertujuan untuk menentukan
konsentrasi pelarut dan waktu aging terbaik dalam sintesis silika xerogel dari sabut kelapa dengan metode
sol-gel. Dimulai dengan mengabukan sabut kelapa dalam furnace pada suhu 600oC selama 2 jam. Kemudian
untuk membuat sol, abu sabut kelapa diekstraksi menggunakan pelarut NaOH dengan variasi konsentrasi 1,5;
2; 2,5; 3; 3,5 N pada suhu 100oC selama 1 jam. Sol larutan natrium silikat diasidifikasi menggunakan HCl 1N
hingga terbentuk gel pada pH 7. Gel yang terbentuk di-aging selama variasi waktu 12; 15; 18; 21; 24 jam,
lalu dikeringkan hingga membentuk xerogel. Hasil sintesis berupa silika xerogel berwarna putih dan
dikarakterisasi menggunakan FT-IR, XRD dan SAA. Hasil analisa FTIR menunjukkan silika xerogel
mengandung gugus fungsi silanol dan siloksan dan analisa XRD menunjukkan silika memiliki struktur amorf.
Kondisi terbaik yang didapatkan untuk sintesis silika yaitu pada waktu aging 18 jam yang menghasilkan luas
permukaan paling besar sebesar 414,046 cm-1, dan pada konsenentrasi pelarut NaOH 3,5N dengan yield
terbesar sebesar 90,39%
ANALISIS STRATEGI PERUSAHAN INFORMASI DAN KOMUNIKASI PADA WILAYAH TELEKOMUNIKASI MALANG
No full textJika membutuhkan abstrak atau isi jurnal silahkan menghubungi author melalui email [email protected], [email protected], [email protected]
REVEALING THE IMPLIED MEANINGS OF THE CHARACTERS’ UTTERANCES IN MEG CABOT’S VALENTINE PRINCESS
No full textThe object of this thesis is a young-adult genre novella written by an
American author Meggin Patricia Cabot, or well-known as Meg Cabot, entitled
Valentine Princess. This novella tells about a young princess Mia in facing her first
Valentine’s Day with her first boyfriend at that time, Michael Moscovitz. Judging
from the genre of the novella itself, it can be concluded that there will be a lot of
communication among the characters, mainly young people with their tendency to
make snarky comments.
In the field of social life, people do not always utter the utterances
straightforwardly and honestly toward their opponent, they often modify their words
in order to get what they want or get their point crossed without having to explain
clearly to the other communicators. That is called implicature. This study is meant to
reveal the characters’ implied meanings.
In order to solve the problems created by implicature, such as
misunderstanding in communication, misleading, ambiguity, and so on, there is a tool
called cooperative principles as the basic thought of the creation of four maxims
proposed by Grice. Unfortunately, the four maxims which are supposed to be the
“rules” to make communication good are often disobeyed by the communicators in
the field of social life. Therefore, Grice also proposed the opposite of four maxims
called non-observance of maxims which consists of five parts: flouting maxim,
suspending maxim, violating maxim, infringing maxim, and opting out maxim.
Flouting maxim would be the main tool in this study. Using Grice’s flouting maxim
the writer tries to uncover the implied meanings of characters’ utterances.
The data collecting is held by using sampling method in order to get the
suitable utterances of flouting maxim. There are total 244 utterances uttered by the characters. After being examined using Grice’s flouting maxim, only 27 of them are
considered flout the maxims.
The result tells that all four maxims are flouted in this novella. They flout the
maxim of quality by stating something untrue, maxim of quantity by giving
information more than is required, maxim of relevance by giving irrelevant
comebacks, and maxim of manner by giving unclear answers. The characters flout the
maxim for many reasons, mostly because they are not comfortable to directly say
what they really mean and they mean to express sarcasms
Mathematics and statistics related studies in Indonesia using co-authorship network analysis
Full text linkIndonesian scholars have published a numbers of articles in numerous international publications, however, it still lags behind other Singapore, Malaysia, and Vietnam. This article performs a bibliometrics analysis and examine the collaboration network in Mathematics and Statistics related subject of scholars with Indonesian affiliation as recorded in Web of Science. In total, based on article publications during 2009-2017, 426 articles were retrieved. Bandung Institute of Technology (ITB) was the affiliation with the highest number of articles (48%) and number of authors (27%). Using Social Network Analysis to examine co-authorship networks, this research shows that the co-author network has the highest centrality in the ITB affiliation. Meanwhile, dependency of foreign affiliation is still high, shown as a high percentage (84% of all articles) of international co-authorship. Co-authorship network of Mathematics and Statistics related studies in Indonesia possesses as a scale-free network and followed the power law distribution. This research showed the achievement of Indonesian scholars of Mathematics and Statistics, and can be used to evaluate the knowledge transfer in these subjects and related areas
Female Role in the Selected Novels by Susanna Tamaro
No full textIn questa tesi di laurea sono analizzati tre romanzi di autrice Susanna Tamaro; Va’ dove ti porta il cuore, Ascolta la mia voce e Per sempre. I primi due romanzi hanno la voce narrante femminile, mentre nel terzo romanzo la voce narrante è un uomo. Tutti i romanzi menzionati fanno parte della letteratura italiana contemporanea. Analizzando il romanzo, l’accento era sull’analisi profonda dei personaggi femminili. Nella parte iniziale si spiega lo scopo di questa tesi di laurea. Poi segue la biografia dell’autrice e una breve rappresentazione delle sue opere più importanti. Per facilitare a un lettore la comprensione dei rapporti tra i personaggi, c’è un riassunto di ogni romanzo con le citazioni dal testo. Poi segue l’analisi dei personaggi femminili osservando i loro ruoli nei romanzi. Si può concludere che la Tamaro per lo più crea i personaggi femminili che hanno i destini tragici, sono infelici, si potrebbe anche dire inerti perché non hanno il coraggio di cambiare la loro vita. Per questo alcuni dei personaggi assecondano l’adulterio, la depressione, la dipendenza e le menzogne. L’unico personaggio che la Tamaro abbia creato in un modo diverso è il personaggio della nipote nel romanzo Ascolta la mia voce. L’autrice le ha dato la forza femminile che si può notare nel desiderio di abbandonare il processo dell’autocommiserazione e di provare a trovare i suoi parenti all’estero. Tuttavia, osservando i tre romanzi menzionati, può darsi che il ruolo della donna sia stato quello di essere quasi invisibile e di non occuparsi di sé stessa. Le donne erano convinte che il destino tragico era una cosa ereditaria e che non potevano cambiarlo. Oggi possiamo dire che fortunatamente è cambiata tale comprensione della donna.U ovom diplomskom radu analizirana su tri romana autorice Susanne Tamaro; Va’ dove ti porta il cuore, Ascolta la mia voce i Per sempre. Prva dva romana imaju ženskog pripovjedača, dok je u trećem romanu pripovjedač muškarac. Svi spomenuti romani pripadaju talijanskoj suvremenoj prozi. Prilikom analize romana, naglasak je na dubinskoj analizi ženskih likova. U uvodnom dijelu objašnjava se cilj ovog diplomskog rada. Nakon toga slijedi biografija autorice i kratki prikaz njenih najznačajnijih djela. Kako bi se čitatelju olakšalo razumijevanje odnosa među likovima, daje se sažetak radnji svakog romana s citatima iz teksta. Zatim slijedi analiza ženskih likova promatrajući njihove uloge u romanima. Može se zaključiti da Tamaro pretežno stvara ženske likove koji imaju tragične sudbine, nesretne su, no moglo bi se reći i inertne jer nemaju hrabrosti promijeniti svoj život. Zbog toga se neki od likova prepuštaju preljubu, depresiji, ovisnosti i lažima. Jedini ženski lik kojeg je Tamaro stvorila drugačije je lik unuke iz romana Ascolta la mia voce. Njoj je autorica dala žensku snagu koja se može primijetiti u želji da prekine proces samosažaljenja i pokuša pronaći svoje rođake u inozemstvu. Ipak, promatrajući spomenuta tri romana, može se zaključiti da je uloga žene biti gotovo nevidljiva i ne zauzimati za sebe. Žene su uvjerene da se tragična sudbina nasljeđuje i da to ne mogu promijeniti. Danas se takvo poimanje žene promijenilo.In this thesis three novels of Susanna Tamaro are analyzed; Va’ dove ti porta il cuore, Ascolta la mia voce and Per sempre. The first two novels have a female narrator, while the narrator in the third novel is a male. All of the mentioned novels pertain to Italian contemporary prose. The accent during the analysis of the novels is put on the deep analysis of the female characters. There is an explanation of the object of this thesis in the introductory part. It is followed by the biography of the author and a short representation of her most important works. There is a summary of every novel with quotations which serves for reader’s better comprehension of the relationships between the characters. This is followed by the analysis of the female characters while observing their roles in the novels. It can be concluded that Tamaro mostly creates female characters with tragic destinies, they are unhappy but it could also be said that they are inert because they have no courage to change their life. Due to that, some of the characters indulge into adultery, depression, addiction and lies. The only female character created differently by Tamaro is the character of the granddaughter in the novel Ascolta la mia voce. The author gives her the female strength which can be noticed in a desire to interrupt a process of a self-pity and in the attempt to find her relatives in abroad. However, while observing three mentioned novels, it can be concluded that the female role is to be almost invisible and not to stand up for herself. The women are convinced that the tragic destiny is hereditary and that they could not change it. That type of women’s comprehension is changed today
Female Role in the Selected Novels by Susanna Tamaro
No full textIn questa tesi di laurea sono analizzati tre romanzi di autrice Susanna Tamaro; Va’ dove ti porta il cuore, Ascolta la mia voce e Per sempre. I primi due romanzi hanno la voce narrante femminile, mentre nel terzo romanzo la voce narrante è un uomo. Tutti i romanzi menzionati fanno parte della letteratura italiana contemporanea. Analizzando il romanzo, l’accento era sull’analisi profonda dei personaggi femminili. Nella parte iniziale si spiega lo scopo di questa tesi di laurea. Poi segue la biografia dell’autrice e una breve rappresentazione delle sue opere più importanti. Per facilitare a un lettore la comprensione dei rapporti tra i personaggi, c’è un riassunto di ogni romanzo con le citazioni dal testo. Poi segue l’analisi dei personaggi femminili osservando i loro ruoli nei romanzi. Si può concludere che la Tamaro per lo più crea i personaggi femminili che hanno i destini tragici, sono infelici, si potrebbe anche dire inerti perché non hanno il coraggio di cambiare la loro vita. Per questo alcuni dei personaggi assecondano l’adulterio, la depressione, la dipendenza e le menzogne. L’unico personaggio che la Tamaro abbia creato in un modo diverso è il personaggio della nipote nel romanzo Ascolta la mia voce. L’autrice le ha dato la forza femminile che si può notare nel desiderio di abbandonare il processo dell’autocommiserazione e di provare a trovare i suoi parenti all’estero. Tuttavia, osservando i tre romanzi menzionati, può darsi che il ruolo della donna sia stato quello di essere quasi invisibile e di non occuparsi di sé stessa. Le donne erano convinte che il destino tragico era una cosa ereditaria e che non potevano cambiarlo. Oggi possiamo dire che fortunatamente è cambiata tale comprensione della donna.U ovom diplomskom radu analizirana su tri romana autorice Susanne Tamaro; Va’ dove ti porta il cuore, Ascolta la mia voce i Per sempre. Prva dva romana imaju ženskog pripovjedača, dok je u trećem romanu pripovjedač muškarac. Svi spomenuti romani pripadaju talijanskoj suvremenoj prozi. Prilikom analize romana, naglasak je na dubinskoj analizi ženskih likova. U uvodnom dijelu objašnjava se cilj ovog diplomskog rada. Nakon toga slijedi biografija autorice i kratki prikaz njenih najznačajnijih djela. Kako bi se čitatelju olakšalo razumijevanje odnosa među likovima, daje se sažetak radnji svakog romana s citatima iz teksta. Zatim slijedi analiza ženskih likova promatrajući njihove uloge u romanima. Može se zaključiti da Tamaro pretežno stvara ženske likove koji imaju tragične sudbine, nesretne su, no moglo bi se reći i inertne jer nemaju hrabrosti promijeniti svoj život. Zbog toga se neki od likova prepuštaju preljubu, depresiji, ovisnosti i lažima. Jedini ženski lik kojeg je Tamaro stvorila drugačije je lik unuke iz romana Ascolta la mia voce. Njoj je autorica dala žensku snagu koja se može primijetiti u želji da prekine proces samosažaljenja i pokuša pronaći svoje rođake u inozemstvu. Ipak, promatrajući spomenuta tri romana, može se zaključiti da je uloga žene biti gotovo nevidljiva i ne zauzimati za sebe. Žene su uvjerene da se tragična sudbina nasljeđuje i da to ne mogu promijeniti. Danas se takvo poimanje žene promijenilo.In this thesis three novels of Susanna Tamaro are analyzed; Va’ dove ti porta il cuore, Ascolta la mia voce and Per sempre. The first two novels have a female narrator, while the narrator in the third novel is a male. All of the mentioned novels pertain to Italian contemporary prose. The accent during the analysis of the novels is put on the deep analysis of the female characters. There is an explanation of the object of this thesis in the introductory part. It is followed by the biography of the author and a short representation of her most important works. There is a summary of every novel with quotations which serves for reader’s better comprehension of the relationships between the characters. This is followed by the analysis of the female characters while observing their roles in the novels. It can be concluded that Tamaro mostly creates female characters with tragic destinies, they are unhappy but it could also be said that they are inert because they have no courage to change their life. Due to that, some of the characters indulge into adultery, depression, addiction and lies. The only female character created differently by Tamaro is the character of the granddaughter in the novel Ascolta la mia voce. The author gives her the female strength which can be noticed in a desire to interrupt a process of a self-pity and in the attempt to find her relatives in abroad. However, while observing three mentioned novels, it can be concluded that the female role is to be almost invisible and not to stand up for herself. The women are convinced that the tragic destiny is hereditary and that they could not change it. That type of women’s comprehension is changed today
The search for identity and homeland in the works of Marica Bodrožić and Jagoda Marinić
No full textIm Roman Tito ist tot (2002) von Marica Bodrožić wird die Kindheit des Mädchens Jelena aus Dalmatien in 24 Kurzgeschichten beschrieben. Sie erzählt eine Reihe von Geschichten, die die Lebensweise der Dorfbewohner und ihre Alltagsprobleme zeigen. Die Rahmenhandlung spielt in einem Sommer ihrer Kindheit. In mehreren Geschichten werden Jelenas Erlebnisse dargestellt, die Trennung von Mutter und Vater und das Zusammenleben mit dem Großvater. Die Emotionen des Mädchens und seine Einsamkeit kommen besonders durch Bodrožićs Naturschilderungen in den Vordergrund. Bodrožić beschreibt im Roman Der Spieler der inneren Stunde (2005) die Stille der Natur und ihren Abschied. Es wird auch das Leben von Jelenas Familie beschrieben, aber die Familienmitglieder und ihre Beziehungen unterscheiden sich etwas vom Roman Tito ist tot. In diesem Roman verlässt Jelena die warme Persönlichkeit ihres Großvaters und fährt nach Deutschland. Der Kulturschock und die graduelle Art und Weise sich der neuen Welt anzupassen werden dargestellt, während gleichzeitig ihre Erinnerungen an die schönen im Dorf verbrachten Tage wiederkehren. Jagoda Marinić beschreibt im Roman Restaurant Dalmatia (2013) die zweite Generation der Gastarbeiter. Die wichtigste Protagonistin ist Mia, die nach einer Sinnkrise Kanada verlässt und wieder nach Deutschland und Kroatien zurückkehrt. So beginnt sie ihre Reise, während der sie ihre Identität sucht und erkennt, und eine Art Versöhnung mit der Vergangenheit und mit ihrer Familie erlebt. Beide Autorinnen erzählen über ihrer Kindheit, die eng an Dalmatien wie auch an Deutschland gebunden ist. Ihre Familienbeziehungen werden in drei Generationen dargestellt. Die Identitätsfragen und Anpassung an die neue Kultur sind die zentralen Motive in diesen Werken.U djelu Marice Bodrožić Tito je mrtav (2002) (Tito ist tot) opisano je djetinjstvo djevojčice Jelene u Dalmaciji kroz 24 priče. Kroz niz priča ona prikazuje način života u selu u vremenskom razdoblju od jednog ljeta. Bodrožić progovara o problemima koje donosi njihova svakodnevnica. Radnja je smještena u jedno ljeto Jeleninog djetinjstva i tako je pojačana poetičnost opisanih trenutaka. Kroz nekoliko priča izneseno je Jelenino proživljavanje obiteljskih situacija i razdvojenost od roditelja te suživot sa djedom. Emotivnost djevojčice i njena usamljenost dolaze do izražaja na poseban način u opisima prirode. Bodrožić u romanu Tišina, rastanak (2005) (Der Spieler der inneren Stunde) opisuje tišinu prirode i svoj rastanak od djeda. Opisuje se također život Jelenine obitelji, ali članovi obitelji i njihovi odnosi se ponešto razlikuju od onih u romanu Tito je mrtav. Jelena u ovom romanu napušta djeda i putuje iznenadno u Njemačku. Dok se nakon početnoga kulturnoga šoka polagano prilagođava na novo okruženje, ona prebire svoja sjećanja na seoske dane. Jagoda Marinić u romanu Restoran Dalmacija (2013) (Restaurant Dalmatia) opisuje drugu generaciju migranata. Mia je glavna protagonistica, koja nakon emotivne krize napušta Kanadu i opet se vraća u Njemačku i Kanadu. Tako započinje putovanje, na kojem odgovara na pitanja o vlastitom identitetu te se uspijeva pomiriti s prošlošću svoje obitelji. Obje autorice pripovijedaju o djetinjstvu koje je povezano s Dalmacijom i Njemačkom. Njihovi obiteljski odnosi prikazani su kroz tri generacije. Pitanja identiteta i prilagodbe novoj kulturi najizraženiji su motivi u ovim djelima.In the work of Marica Bodrožić Tito is dead (2002) (Tito ist tot) is described the childhood of a girl Jelena in Dalmatian region of Croatia through 24 stories. Through a series of stories she depicts the life in her village, and the timeline is set in one summer. Bodrožić presents problems that their everyday life brings. The action is set in one summer of Jelena's childhood, and so the increased poetics of the moments described come to the fore. Through the short stories, Jelena's family situation and separation from her parents and coexistence with his grandfather are revealed. The emotions of the girl and her loneliness come to be expressed in a special way in Bodrožić's descriptions of nature. In the novel Spieler der inneren Stunde (2005) (Spieler der inneren Stunde), Bodrožić writes in a slightly different style which is no longer in form of short stories. The author continues to describe Jelena’s life, but family members and their relationships are slightly different. In this novel, Jelena abandons her grandfather and her village by her abrupt departure to Germany. After the initial cultural shock, she manages to adapt to the new surroundings. In this process, she reminisces of her days spent in the village. Jagoda Marinić describes in the novel Restaurant Dalmatia (2013) (Restaurant Dalmatia) the second generation of “Gastarbeiter”. Mia is the main protagonist who, after an emotional crisis, leaves Canada and returns to Germany and Canada. She begins her journey, where she searches after her identity and succeeds in reconciling with her family's past. Both authors write about their childhood, which is closely tied to Dalmatia as well as to Germany. Their family relationships are presented in three generations. The questions of identity and adaptation to the new culture are the strongest motives in these works
SINTESIS SILIKA XEROGEL DARI SABUT KELAPA DENGAN METODE SOL-GEL
Full text linkSabut kelapa merupakan bagian dari tanaman kelapa yang diketahui memiliki kandungan silika sekitar 69% yang dapat dimanfaatkan sebagai bahan baku pembuatan silika xerogel. Silika dengan rumus kimia SiO2 banyak digunakan di industri maupun di kehidupan sehari – hari. Penelitian ini bertujuan untuk menentukan konsentrasi pelarut dan waktu aging terbaik dalam sintesis silika xerogel dari sabut kelapa dengan metode sol-gel. Dimulai dengan mengabukan sabut kelapa dalam furnace pada suhu 600oC selama 2 jam. Kemudian untuk membuat sol, abu sabut kelapa diekstraksi menggunakan pelarut NaOH dengan variasi konsentrasi 1,5; 2; 2,5; 3; 3,5 N pada suhu 100oC selama 1 jam. Sol larutan natrium silikat diasidifikasi menggunakan HCl 1N hingga terbentuk gel pada pH 7. Gel yang terbentuk di-aging selama variasi waktu 12; 15; 18; 21; 24 jam, lalu dikeringkan hingga membentuk xerogel. Hasil sintesis berupa silika xerogel berwarna putih dan dikarakterisasi menggunakan FT-IR, XRD dan SAA. Hasil analisa FTIR menunjukkan silika xerogel mengandung gugus fungsi silanol dan siloksan dan analisa XRD menunjukkan silika memiliki struktur amorf. Kondisi terbaik yang didapatkan untuk sintesis silika yaitu pada waktu aging 18 jam yang menghasilkan luas permukaan paling besar sebesar 414,046 cm-1 , dan pada konsenentrasi pelarut NaOH 3,5N dengan yield terbesar sebesar 90,39%. DOI : https://doi.org/10.33005/jurnal_tekkim.v17i2.378
