1,720,978 research outputs found
RAFFARIN (Anne), « Une mémoire réinventée. Les antiquités imaginaires d'Annius de Viterbe », in RAFFARIN (Anne), MARCELLINO (Giuseppe) (dir.), La Mémoire en pièces, p. 465-483
International audiencela construction fantaisiste des antiquités étrusques par Annius de Viterb
RAFFARIN (Anne), « Roma triumphans, l'allégorie renversée. Interprétations philosophiques et morales du Sac de Rome dans la correspondance entre Jacques Sadolet et Érasme », in BOULÈGUE (Laurence), VEYRARD-COSME (Christiane), PERRIN (Michel Jean-Louis) (dir.), Ascèse et ascétisme de l'Antiquité tardive à la Renaissance. Traditions et remises en cause, p. 325-339
International audienc
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Morts des hommes et des femmes illustres: récits et illustrations dans les livres de portraits de la Renaissance
The theme of the illustrious men benefits from an extraordinary fortune from the beginning of the Renaissance. The works entitled "De uiris illustribus" are more an more numerous. The illustrious women are not forgotten since Boccacio dedicated them a whole work De mulieribus claris in 1375. This exempla are surrounded with a function of stimulant or unlike repulsive as their life was -or was not- an exemple. But it is to their death that we will dedicate ourselves, in particular in the representation of their death which carries a moral education clarified in their biographies and illustrated in the portraits which accompany the lives of the illustrious men and women from the beginning of the XVIth century. Portrait or absence of portrait moreover because the damnatio memoriae deprives certain characters of effigy or biograph
LA CÉLÉBRATION DES TRIOMPHES DE ROME PAR FLAVIO BIONDO DANS LA ROMA INSTAURATA ET LA ROMA TRIUMPHANS
International audienceLe 28 septembre 1443, le pape Eugène IV reprend possession de Rome après quelques années d'éloignement du siège pontifical, mais l'incurie des pouvoirs publics et les guerres intestines propres à cette époque avaient contribué à semer dans la ville un désordre comparable à celui des années avignonnaises. Dès lors, la volonté pontificale de reconstruire la Ville apparaît dans la littérature de l'époque en même temps que le dessein de la rétablir dans sa double autorité, terrestre et spirituelle. Dans ce contexte, les oeuvres de Flavio Biondo, secrétaire à la curie pontificale de 1435 à 1460, revêtent une importance cruciale puisqu'elles constituent un état des lieux détaillé et exhaustif ainsi qu'une restauration virtuelle, préalable nécessaire à la restauration matérielle que vont entreprendre les pontifes. Les titres des ouvrages de Flavio Biondo auxquels nous allons nous intéresser sont assez éloquents : Roma instaurata (1446), Rome restaurée dans sa topographie et sa splendeur antiques, et Roma triumphans (1459), Rome triomphante rétablie dans sa grandeur passée sur le plan institutionnel, politique, et religieux. Si instaurare implique, au sens premier, une restauration matérielle des monuments, qu'elle soit l'oeuvre des ouvriers ou de l'antiquaire, il faut également envisager l'instauratio au sens de refondation, de rétablissement de la Ville sur les fondements stables, en prélude à un nouvel essor, à une renaissance. La concomitance des deux projets se fait jour dans quelques passages des oeuvres de Biondo : quoique prépondérante, la restauration matérielle de la Ville n'exclut pas, elle introduit même sa refondation sur de nouvelles bases, non seulement matérielles, mais également institutionnelles et religieuses. Les deux textes s'achèvent su
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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