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    Аналіз просторового розповсюдження кам'яних артефактів на поселенні т рипільської культури Ожеве-острів / Spatial organization of the stone implements from Trypillian settlement Ozheve-ostriv

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    Дослідження трипільської культури триває вже понад 100 років. За цей час відкрито багато трипільських поселень. Проте поселення-гіганти (Трипілля В/ІІ – С/І) виявились найбільш дослідженими за площею та кіль- кістю об’єктів. За результатами всебічних досліджень останніх, зокрема, визначається планування цих посе- лень, орієнтація споруд, інтер’єри будівель тощо. За планіграфією керамічних матеріалів у спорудах томашів- ської локальної групи західнотрипільської культури, В.О. Шумова визначила, що деякі категорії посуду були стаціонарними і їх, в певній мірі, можна відносити до елементів інтер’єрів. Дослідники неодноразово зверта- ються до планіграфічного методу стосовно керамічних комплексів трипільської культури. Проте планіграфія кам’яних матеріалів на “площадках” є рідкісним явищем (винятком є робота Є.В. Пічкура та П.С. Шидловського за матеріалами Пекарів ІІ). Це обумовлено в першу чергу тим, що на поселеннях-гігантах крем’яні матеріали є скоріше виключенням, а ніж типовою категорією інвентарю. Проте ця теза не стосується ранніх періодів іс- нування культури. Досвід планіграфії кам’яних матеріалів був отриманий під час досліджень поселення Друци, що за від- носною хронологією датується періодом В/І. Під час польових досліджень детально фіксувався весь кам’яний інвентар з вказанням глибин, що дало можливість встановити на якому з поверхів розміщувались вироби. Так, А.В. Енговатова визначила в якій частині споруди проходили виробничі та господарчі операції. Також, за на- прямком залягання та розташуванням вістер метальної зброї, автори досліджень припустили, що поселення зазнало нападу. Поселення Ожеве-острів датується кінцем періоду В/І. В цей час різко збільшується кільскість фортифі- кованих поселень та зброї на пам’ятках. Автор ставить на меті визначити як кам’яні вироби співвідносяться у просторі. А також, чи є однаковим використання внутрішнього простору споруд на поселенні. Отримані результати порівнюються з вище згаданим поселенням Друци. Investigation of Trypilia culture lasts for over 100 years. Many Trypillia settlements have been opening during this time. But settlements-giants (Trypillia B/II – C/I) are the most studied by area and the number of objects. For results of detailed investigations it is determined the planning of settlements, оrientation structures, interiors of buildings etc. For spatial organization of ceramic materials in buildings Tomaszewkа local group, V.O. Shumova determined that some categories of dishes were stationary and they in certain degree could be attributed to the elements of interiors. Researchers often refer to spatial organization method. But spatial organization of stone materials concerning the “platforms” is rare (exception: E.V. Pichkur and P.S. Shydlovskyi by materials Pekari II). This is primarily due to the fact that flint materials on the settlements-giants are rather the exception than the typical categories of implements. However, this thesis does not apply to the early period of the existence of the culture. Spatial organization experience of stone materials was obtained during the research of the settlement Druce (Trypillia B/I). During the excavations all stone tools were fixed in details with leveling. In this way A.V. Engovatova has determined in which part of the building there were production and household operations. Also according to the direction and location of arrowheads, the authors of investigations have shown that the settlement was attacked. The Ozheve-Ostriv settlement dates back to the late phase В/І. At this time increased a number of the fortified settlements and weapons on a lot of sites. The author aims to determine how the stone products were correlated in space. And also whether identical the use of internal space buildings on the settlement. The results are compared with the above noted settlement Druce

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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