1,720,995 research outputs found
Boston Fingerprints 2014 - Raw Data
No full text<p>SPARC Project: BostonFingerprints_2014<br>
Principle Investigators: Joseph Bagley and Jennifer Poulsen<br>
Contributors: Rachel Opitz (SPARC)</p>
<p>Joseph Bagley and Jennifer Poulsen (Boston Landmarks Commission) and Rachel Opitz (SPARC researcher) used a structured light scanner to create detailed 3D models of ceramic artifacts featuring finger and hand prints from the Parker-Harris Pottery Site and Three Cranes tavern Site in Charlestown, Massachusetts. These sites were excavated in the early- and mid-1980s in advance of Boston’s Big Dig as part of the Central Artery North Area, and are now listed in the National Register of Historic Places as part of the City Square Archaeological District. The Parker-Harris Pottery Site was the location of early coarse earthenware (redware) ceramic production in Boston. It was destroyed on June 17, 1775 by British troops who burned Charlestown as part of the Battle of Bunker Hill. The Three Cranes Tavern was founded in the former Great House of Governor John Winthrop in the center of Charlestown, only 100 meters from the Parker-Harris property. The tavern passed through a series of owners resulting in a near-continual use of the property as a Tavern for 140 years. During archaeological investigation numerous privies and features were identified with tightly-dated ceramic assemblages, including numerous coarse earthenwares with the distinct decorative elements of the Parker or Harris pottery. This project aimed to establish that biometric identifiers directly connect pottery from consumption sites to production sites when there are known sales between production and consumption sites, tightly dated deposits that limit association of pottery to specific potters, and a limited number of potters producing these vessels. This type of research could establish previously-unknown associations and commercial networks of domestic redware potters across the eastern United States. With data as unique and personal as a fingerprint, the results of this analysis brings a personal and evocative light to these significant assemblages, allowing the public to appreciate these forgotten and sometimes nameless potters through the intimate association of their hands.</p>
<p>This project includes raw and processed data captured using a Breuckmann Smartscan HE structured light scanner with 250mm lenses using Optocat 2013 software. Sixty ceramics were scanned - 30 from Parker-Harris Kiln and 30 from Three Cranes Tavern.</p>
<p>This upload contains the raw Optocat 2013 data for each ceramic scanned. Parker-Harris ceramics are noted as 'ph' while Three Cranes ceramics are noted as 'tc'. Some ceramics have more than one set of raw data due to either having fingerprints on multiple sides (marked as 'sideA' or 'sideB') or to testing different parameters (noted as 'parameter1' or 'parameter2'). Each .zip file contains the complete raw data for each object as well as a FileList.txt file indexing all files that are included in the .zip file. <br>
<br>
Project Name: Boston Fingerprints<br>
Survey Location: City of Boston Archaeology Laboratory<br>
Survey Dates: 20 - 24 October 2014<br>
Scanner Details: Breuckmann Smartscan HE structured light scanner - 250mm lenses<br>
Operator Name: Rachel Opitz<br>
Calibration Files: BostonFingerprints2014_RawData_Calib2<br>
Total Number of Scans: 194<br>
Final Datasets for Archive: Raw scan data from Optocat<br>
Images from Survey: 388<br>
Software: Optocat 2013</p>
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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