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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Misimplikasi kata fitnah pada term “Fitnah Lebih Kejam Daripada Pembunuhan” QS. Al Baqarah:191 Analisa Ma'na Cum Maghza
Get PDFABSTRAK
Penelitian ini dilakukan atas dasar adanya ketidaktepatan dalam penggunaan kata fitnah pada kalimat “fitnah lebih kejam daripada pembunuhan” yang diangkat dari QS Al Baqarah ayat 191. Serta terdapat pemahaman yang bertentangan dengan adanya hadist yang berkaitan tentang dosa dosa besar yang tidak disebutkan kata fitnah dalam hadist tersebut. Untuk mengetahui makna sebenarnya kata fitnah dalam QS Al Baqarah ayat 191 penulis menggunakan pendekatan interpretasi Ma’na Cum Maghza yang memiliki tahapan teoritis Analisa linguistik, historis dan Ma’na cum maghza yang menggali maksud dan tujuan ayat tersebut.
Metode penelitian yang digunakan adalah jenis penelitian kepustakaan dengan pendekatan kualitatif untuk menganalisa lebih dalam berkaitan dengan kata fitnah dari sumber data primer yaitu QS Al Baqarah ayat 191 dan dari data sekunder yaitu kamus Bahasa Arab, kitab – kitab tafsir, dan literatur – literatur yang bersangkutan dengan kata fitnah tersebut baik dari buku, jurnal maupun artikel.
Hasil analisa linguistik, ditemukan adanya penyempitan makna yang terjadi pada kata fitnah yang direduksi di Indonesia hanya satu makna dari banyaknya makna yang termuat dalam kata fitnah Bahasa Arab. Sedangkan yang dimaksud dari kata fitnah dalam QS. Al Baqarah ayat 191 adalah kesyirikan. Adapun hasil Analisa historis dan ma’na cum maghza maksud dari ayat tersebut diantaranya adalah pesan utama perdamaian dan menjaga jiwa dan agama adalah termasuk tujuan syariat. Maka dari itu terjadi kesalahan penggunaan kata fitnah pada term fitnah lebih kejam daripada pembunuhan di Indonesia yang berdampak pada adanya distorsi pemaknaan agama, kesalahpahaman dalam etika sosial, serta menimbulkan kebingungan dalam memahami proporsi keadilan.
ABSTRACT
This research was conducted based on the misuse of the word fitnah in the phrase “slander is worse than murder,” which is derived from Surah Al-Baqarah, verse 191. Additionally, there is a conflicting understanding regarding a hadith about major sins, in which the word fitnah is not mentioned. To uncover the true meaning of the word fitnah in Surah Al-Baqarah, verse 191, the author applied the Ma’na Cum Maghza interpretive approach. This approach involves theoretical stages of linguistic and historical analysis, as well as Ma’na Cum Maghza, which delves into the purpose and intent of the verse.
The research methodology employed is a library-based study using a qualitative approach to analyze the word fitnah more comprehensively. Primary data sources include Surah Al-Baqarah, verse 191, while secondary sources consist of Arabic dictionaries, tafsir books, and various literatures related to the word fitnah, including books, journals, and articles.
The linguistic analysis reveals a narrowing of meaning for the word fitnah in Indonesia, where it has been reduced to a single meaning, unlike the multiple meanings encompassed in the original Arabic word. In the context of Surah Al-Baqarah, verse 191, fitnah refers to polytheism (shirk). The historical and Ma’na Cum Maghza analysis highlights the verse's primary messages, including the importance of peace and the protection of life and religion as central objectives of Islamic law. Therefore, the misuse of the word fitnah in the phrase “slander is worse than murder” in Indonesia has led to a distortion of religious meaning, misunderstandings in social ethics, and confusion in comprehending justice proportionately.
مستخلص البحث
أُجريَ هذا البحث استنادًا إلى الاستخدام غير الدقيق لكلمة "فتنة" في العبارة "الفتنة أشد من القتل"، المأخوذة من سورة البقرة، الآية 191. بالإضافة إلى وجود فهم متعارض مع حديثٍ يتعلق بالكبائر، حيث لم تُذكر كلمة "فتنة" في ذلك الحديث. ولكشف المعنى الحقيقي لكلمة "فتنة" في سورة البقرة، الآية 191، استخدم الباحث منهج التفسير "معنى مع مغزى" الذي يشمل مراحل نظرية من التحليل اللغوي والتاريخي، بالإضافة إلى منهج "معنى مع مغزى" الذي يتعمق في مقصد الآية وغايتها
استخدمت الدراسة منهج البحث المكتبي باستخدام المقاربة النوعية لتحليل كلمة "فتنة" بشكل أعمق. وتمثلت مصادر البيانات الأساسية في سورة البقرة، الآية 191، بينما شملت المصادر الثانوية القواميس العربية وكتب التفسير والأدبيات المتعلقة بكلمة "فتنة"، بما في ذلك الكتب والمجلات والمقالات
أظهرت نتائج التحليل اللغوي وجود تضييق في معنى كلمة "فتنة" في اللغة الإندونيسية، حيث تم اختزالها إلى معنى واحد فقط، خلافًا لمعانيها المتعددة في اللغة العربية. أما في سياق سورة البقرة، الآية 191، فإن كلمة "فتنة" تشير إلى الشرك. وأظهرت نتائج التحليل التاريخي ومنهج "معنى مع مغزى" أن الرسائل الرئيسية للآية تشمل أهمية السلام وحماية النفس والدين كأهداف رئيسية للشريعة الإسلامية. ومن ثم، فإن الاستخدام الخاطئ لكلمة "فتنة" في العبارة "الفتنة أشد من القتل" في إندونيسيا أدى إلى تشويه معنى الدين وسوء الفهم في الأخلاقيات الاجتماعية وخلق ارتباك في فهم التناسب العاد
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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