1,337 research outputs found

    The role of educative thought in the life and work of Antonio Gramsci

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    Many philosophers have propounded a vision of an improved society, what distinguishes Antonio Gramsci is his continuous effort to make it happen by understanding the process in order to put into practice. Gramsci's conviction about the importance of educative development came from both theory and experience. While there has been considerable examination of Gramsci's work in relation to the Prison Notebooks, this study will seek to address a lacuna in Gramsci scholarship. Using Gramsci's philological method, I analyse Gramsci's pre-prison activity; his pre-prison articles and letters, which, together with his letters from prison, formed part of his educative mission. This educative process was necessary, in order to construct a new party which would develop a collective will, collaboratively, with the masses.In this study therefore, I explore the contexts and formative experiences of the first part of his life together with the intellectual sources from which Gramsci developed his later theories, making central hitherto underemphasised connections between them which informed his writing and ideas. I intend to illustrate that Gramsci's underlying purpose in his writing, and political activity, was not only practical, on how to create a new socialist ruling class, but also educative in forming the mindset and values of his comrades. So that in addition to outlining his vision of a new order, he implicitly guided or explicitly explained the processes by which the necessary changes in social relations and moral climate could be made in order to achieve it. Each person had to engage with the values of the new order so that each could contribute to the construction of a new robust state. It was essential to build a hegemony at the most profound level, one which was dependent on collective understandings and a collective will

    Evening with the Reverend and Mrs. Herbert V. Nicholson

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    Program for a talk by Reverend Nicholson sponsored by several Los Angeles area Japanese community organizations. Introduction to "Valient Odyssey, Herbert Nicholson in and out of America's concentration camps" by Michi Weglyn and Betty E. Mitson is featured.The Japanese American Relocation Collection is composed of ephemera related to the relocation program during World War II. Items include the official government report of Manzanar Relocation Center, a photo album, post-war activism materials related to preserving and remembering the camps, various clippings, and documents. The strength of this collection is found in its many perspectives on the controversial relocation program and how it has been presented since World War II

    Some examples concerning left morphic elements in corner rings

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    AbstractAn element a of a ring R is left morphic if R/Ra≅annl(a). If every element of a ring R is left morphic, we call R a left morphic ring. Nicholson and Sánchez Campos prove that, for any left morphic ring R and any idempotent e∈R, the corner ring eRe is left morphic. In this note, we correct Nicholson and Sánchez Campos' elementwise version of this statement, giving examples to illustrate the novel behaviors that arise

    Crank-Nicholson difference scheme for the system of nonlinear parabolic equations observing epidemic models with general nonlinear incidence rate

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    In this work, we study second order Crank-Nicholson difference scheme (DS) for the approximate solution of problem (1). The existence and uniqueness of the theorem on a bounded solution of Crank-Nicholson DS uniformly with respect to time step τ is proved. In practice, theoretical results are presented on four systems of nonlinear parabolic equations to explain how it works on one and multidimensional problems. Numerical results are provided. © 2021 the Author(s), licensee AIMS Press

    A more comprehensive and commanding delineation: Mary Shelley's narrative strategy in Frankenstein

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    This thesis argues that the first edition of Frankenstein challenges conventional reading by employing what Simpson in Irony and Authority in Romantic Poetry calls Romantic irony, where the absence of a stable 'metacomment' precludes an authoritative reading. The novel hints at such readings but prevents them. The insights offered by Tropp's Mary Shelley's Monster, Baldick's In Frankenstein's Shadow, Poovey's The Proper Lady and the woman writer and Swingle's, 'Frankenstein's Monster and its Relatives: Problems of Knowledge in English Romanticism' are considered, but none recognises the full implications of the instability deriving from multiple first- person narratives. Clemit's The Godwinian Navel acknowledges the novel's indeterminacy, but reads a specific ideological purpose in it. Paradise Last provides a language to describe the relationship between the monster and Frankenstein, but proves too unstable to fix identity or establish moral value. Similarly, Necessity ultimately fails to provide a stable explanation in terms of cause and effect. The status of nature shifts between foreground and background, never allowing final definition. These uncertainties destabilise knowledge which is compromised by its provisional nature: no authoritative reading is possible, yet the novel has narrative coherence. The reader is encouraged to try to develop a reading the structure prevents. The radical nature of the first edition is highlighted by comparison with the 1831 edition, which removes much of the ambivalence and gives the novel a clearer morality. The novel challenges conventional methods of deriving authority by disturbing the reader's orthodox orientation in the world around him' (Simpson) in order to afford 'a point of view to the imagination for the delineation of human passions more comprehensive and commanding than any which the ordinary relations of existing events can yield' (Mary Shelley)

    Architectural authorship in generative design

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    The emergence of evolutionary digital design methods, relying on the creative generation of novel forms, has transformed the design process altogether and consequently the role of the architect. These methods are more than the means to aid and enhance the design process or to perfect the representation of finite architectural projects. The architectural design philosophy is gradually transcending to a hybrid of art, engineering, computer programming and biology. Within this framework, the emergence of designs relies on the architect- machine interaction and the authorship that each of the two shares. This work aims to explore the changes within the design process and to define the authorial control of a new breed of architects- programmers and architects-users on architecture and its design representation. For the investigation of these problems, this thesis is to be based on an experiment conducted by the author in order to test the interaction of architects with different digital design methods and their authorial control over the final product. Eventually, the results will be compared and evaluated in relation to the theoretic views. Ultimately, the architect will establish his authorial role

    Virus shedding and environmental deposition of novel A (H1N1) pandemic influenza virus: interim findings

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    The finding that over 30% of infected individuals have infectious virus in their noses for 5 days or more has infection control implications. The data suggest that contact transmission of pandemic influenza via fomites may be less important than previously thought, but transmission via bioaerosols at short range may be possible, meaning that high-level personal protective equipment may be needed by health-care workers when attending patients with pandemic influenza. Further work is being undertaken to consolidate these findings, as they have important potential implications for the protection of health-care workers and the formulation of advice to households, nationally and internationally

    Contributions to geology

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    by Isaac LeaHandschriftliches Geschenkexlibris: "For Edward Bury with the...f the Author" 002181188_0001 Exemplar der ETH-BIBExlibrisetikette: "Edward Bury" 002181188_0002 Exemplar der ETH-BIBExlibrisetikette: "Alan George Nicholson" 002181188_0003 Exemplar der ETH-BI

    Two tales of a city: Salford in regional filmmaking, 1957-1973

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    This discussion considers the role of moving image in constructing aspects of regional identity, with particular reference to footage produced by two very different filmmakers who filmed in Ordsall, Salford during the 1960s. Their respective footage covers a period of profound social and physical change associated with housing clearance and urban renewal schemes. This article, which is based upon archival film footage in the North West Film Archive at Manchester Metropolitan University, seeks to convey the richness and multi-facetted nature of this footage and to highlight its value in the historical exploration of identity formation. The piece begins with a brief consideration of archival film as a source of historical evidence and associated issues of interpretation. This is followed by an introduction to the locality that features in the two filmmakers’ work and brief reference to how it has been represented in the past. Attention then turns to each of the filmmakers: first, John Michael Goodger, former lecturer at the University of Salford, who made a trilogy of films to chart the changing character of Ordsall in the late 1960s; second, Ralph Brookes, an amateur home movie maker who also documented the transformation of the terraced streets around where he lived. These contrasting versions of Ordsall highlight some of the challenges offered by using film in a study of regional identities. They also illustrate the enormous potential of such material in helping to elucidate the shifting and multiple nature of place meanings
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