21,967 research outputs found
SHEPHERD SCHOOL PERCUSSION ENSEMBLE Thursday, November 16, 2006 8:00 p.m. Stude Concert Hall
Program: Septet / Daniel Levitan -- Dance of the Comedians from "The Bartered Bride" / Bedrich Smetana -- Pieces of Wood / Steve Reich -- Crossing Boundaries / Christopher Coleman -- Lift Off! / Russell Peck -- Kinematic / Scott Higgins -- Ellegua / Afro-Cuban traditional -- Ogun / Afro-Cuban traditional -- Ogoun Badagris / Christopher Rouse
The historical imagination of Christopher Dawson
Christopher Dawson (1889-1970) was one of his generation's most
important historians and religious thinkers, and was a significant
influence on many contemporaries including T.S. Eliot, C.S. Lewis,
and Russell Kirk. This dissertation is a study of his most
fundamental ideas concerning history and culture.
Chapter one examines Dawson’s sociological view of history.
Convinced that history was more than a scientific enterprise, he
believed that the true historian is one who reaches beyond the
material world to understand the essence of history’s dynamics. In
this way, the world can be conceptualized as a united whole,
separated by regional differences as a result of environment, race,
material, psychological, and religious factors. Dawson believed
that the political histories of the past several centuries failed to
grasp the undercurrents of historical change, and that the best way
to understand the past is to appreciate culture as an expression of
primeval religious traditions.
Chapter two treats Dawson’s understanding of progress. Dawson
was convinced that progress had become the “working-religion” of our
age. This secular faith, founded on scientific rationalism, first
pledged to fix the material failures of Western culture, but
unwittingly eroded its faith in God, and eventually, its moral
fiber. Dawson believed that true progress was progress of the soul
in its ordering toward the Creator.
Chapter three is a study of Dawson’s Christian, and more
specifically, his Catholic beliefs. Informed by religion, his
historical and cultural visions are not dogmatic, nor are they
polemical. He conceived of history as the unfolding of a divine
economy in the temporal world. Although Dawson is a proponent of
Roman Catholicism, his scholarship is an objective treatment of
history shaped by an undisguised, Christian worldview.
Additionally, the appendix is an introduction to Dawson’s life
and the circumstances surrounding his conversion to Roman
Catholicism. Particular attention is paid to the development of his
moral and historical imagination — both of which became intertwined to
form the basis of all of his scholarship
Saint Christopher in medieval Spanish literature
The thesis explores the legend of Saint Christopher as presented in four fourteenth- and fifteenth-сеntury manuscripts, the oldest extant Castillan accounts. Chapter One outlines the legend's origins in fourth-century Eastern Mediterranean culture, and its trajectory as far as its appearance in Jacobus de Voragine's Legenda aurea, commenting on the changes made to content and emphasis as the account evolved. The focus narrows in Chapter Two, where the transmission from Latin to Castillan is considered in detail, and comparisons drawn between the four vernacular accounts. Chapter Three and Four deal with thematic aspects of the legend as they appear in Spanish, including an exploration of die nature of Christopher in his dual portrayal as saint and monster, and the notions of fear, power and voice as they are depicted in the texts. The four medieval Spanish accounts are edited and presented here (three of them for the first time) in an appendix, complete with critical apparatus
Trees on the bluff #2
From the Christopher Russell photograph collection.https://digitalcommons.subr.edu/bob_images/1010/thumbnail.jp
1961-12-30, Russell to Christopher Knowles
This collection contains 38 correspondence written by Lieutenant Russell Knowles, Jr., United States Navy Reserve to his family during the Cold War.https://digitalcommons.chapman.edu/rknowles_correspondence/1012/thumbnail.jp
Beauty on the Bluff: The Minidome at Night
Photographs are from the Christopher Russell Collection.https://digitalcommons.subr.edu/bob_images/1013/thumbnail.jp
Beauty on the Bluff: Train 2
Photographs are from the Christopher Russell Collection.https://digitalcommons.subr.edu/bob_images/1012/thumbnail.jp
Beauty on the Bluff: Rabbit
Photographs are from the Christopher Russell Collection.https://digitalcommons.subr.edu/bob_images/1014/thumbnail.jp
Beauty on the Bluff: Harrison Street at Night
Photographs are from the Christopher Russell Collection.https://digitalcommons.subr.edu/bob_images/1019/thumbnail.jp
Beauty on the Bluff: The Mississippi River
Photographs are from the Christopher Russell Collection.https://digitalcommons.subr.edu/bob_images/1017/thumbnail.jp
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