6,725 research outputs found
R. Rotondo, L'habitat rupestre tra storiografia e archeologia in Puglia, in Puglia rupestre inedita. Archeologia Arte Devozione [Marenostrum. Segmenta, 4 ], a cura di M. Mignozzi, R. Rotondo, Mario Adda Editore, Bari 2016, pp. 15-31. ISBN 9788867172924
No full textThis paper aims to present a brief history of the different studies on the rupestrian habitat in Southern Italy spread during the late nineteenth century, and, in particular,
in Puglia, retracing some main stages that coincide with some fundamental changes in historiographical trends. The interest of scholars, initially focused only on the pictorial evidence, has gradually extended on the themes of architecture of the churches in the caves, rupestrian habitat and, ultimately, to the landscape in which these settlements are inserted
Audiomobiles, Sculptures and Conundrums
No full textRoberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Introduzione, in Puglia Rupestre Inedita. Archeologia Arte Devozione
No full textGli studi sul rupestre, pur se spesso datati e autorevoli, necessitano di una serie di correzioni concettuali e metodologiche che vengono presentate in questa introduzione al volume "Puglia rupestre inedita", all'interno di un discorso più ampio, relativo alla progettualità e alle possibilità che la promozione del patrimonio rupestre dovrebbero sfruttare. Il punto di partenza è la conoscenza, spesso appannaggio unico degli esperti di settore, che non riescono a divulgare quanto scoperto negli ultimi decenni e che, invece, se noto, cambierebbe le prospettive anche delle amministrazioni pubbliche
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
No full textThis research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Puglia Rupestre Inedita. Archeologia Arte Devozione
No full textVolume dedicato all'habitat rupestre pugliese e alle sue inedite attestazioni in ambito archeologico e storico-artistico. Suddiviso in tre sezioni: Archeologia, Arte, Devozione, ognuna includente quattro contributi di autori diversi operanti nelle università del Sud Italia (Bari, Salento, Napoli)
Filologia editoriale, Roberto Calasso in dialogo con Paola Italia e Francisco Rico
No full textPaola Italia e Francisco Rico intervengono sul libro di Roberto Calasso, presidente e fondatore di Adelphi Edizioni, L'impronta dell'editore, e discutono di problemi di filologia delle forme editoriali, dal punto di vista dell'autore, del lettore e dell'editore.Paola Italia and Francisco Ricos interview Roberto Calasso, Publisher, Writer, and Founder of Adelphi Edizioni, about his book: L'impronta dell'editore, talking about philology, publishing and editing, from the author, the reader and the publisher's point of view
Roberto Tibau and the process of making architecture
No full textEste estudo documenta a vida e a obra de Roberto José Goulart Tibau (1924-2003), arquiteto brasileiro. O objetivo fundamental - e mais importante - é reunir informações sobre os projetos e obras mais significativos desenvolvidos durante sua atividade profissional, tornando-os acessíveis através dessa pesquisa. O trabalho baseou-se em pesquisa bibliográfica, levantamento e registro das obras e projetos realizados, currículo profissional, e depoimento de Tibau, concedido ao autor, em 1998. Em Roberto Tibau e o fazer arquitetura são descritos os caminhos percorridos pelo arquiteto; o contexto histórico de sua formação e atuação profissional; a relação de sua produção arquitetônica com outras obras da época; e eventuais referências projetuais utilizadas na criação dos seus projetos. Este trabalho vem preencher uma lacuna bibliográfica considerável, trazendo à luz, a obra deste significativo arquiteto, que dedicou sua vida ao trabalho na prancheta, na qual deixou sua marca de humanista.This study documents the life and work of Roberto José Goulart Tibau (1924-2003), a Brazilian architect. It aims to collect information about the most significant projects developed during the years of his professional career, which will become available through this research. The present study based on bibliographical research, examination and registration of the projects executed by the architect, his resumé, and his testimonial to the author of this research, in 1998. In Roberto Tibau and the process of making architecture there is a description of the ways in which his projects were conceived; the historical context through his professional activity since graduation, the relation between his own production and the production of other architects of the same period, and the projecting references used for his creations. This research is also an attempt to fill a signicant bibliographical gap of architecture history in Brazil by bringing to light the work of this relevant architect, who dedicated his life to working on his drawing table, leaving to us his humanistic style
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