1,720,968 research outputs found
Valutazioni di rumorosita' presso unita' estrattive: risultati nell'ambito dei disposti normativi
La miniera come origine e palestra dei primordi della meccanizzazione moderna: vestigia storiche in Cornovaglia
Analisi delle condizioni di microclima e di inquinamento particolato in una miniera di talco
Boll. Ass. Min. Subalpin
The use of rubber tyred LHDs in Fontane Talc Mine, Italy
The authors describe the introduction of rubber-tyred LHD vehicles into the stoping method used at the Fontane talc mine. They indicate the problems of low adhesion and the low load-bearing properties of the talc, which forms the floors of the roadways, and show how these problems were satisfactorily overcome
Evoluzione storica dei valori limite di esposizione e cambiamento della percezione del rischio in campo amianto
Controllo del particolato aerodisperso in ambienti indoor dell'A.S.L.1 (Torino) in relazione alla presenza di coibentazioni in lana minerale
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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