1,721,107 research outputs found
Studio d'architettura civile sopra gli ornamenti di porte e finestre, tratti da alcune fabbriche insigni di Roma, con le misure piante modini, e profili : opera de piu celebri architetti de nostri tempi
No full textIn-flow physical-morphological analysis of PBMC in microfluidic device by light scattering
No full textMorphological detailed informations of living blood cell are retrieved with an approach based on light scattering coupled to a cell 3D alignment in a centreline of a microfluidic self made apparatus. Cell’s informations are collected over a widespread angle, spanning from 2 to 30 degrees, with an angular resolution of 0.1022 degrees. Cells are investigated in their natural state, and such "label-free" approach of analysis significantly differs from other technique based on scattering of light, such as flow cytometry. Such a characterisation permits to obtain detailed informations, giving the possibility to discriminate cells with very similar physical characteristics between each other. Morphological analysis of single Red Blood Cells have been performed, obtaining precise determination in terms of dimension. Single White Blood Cells have been investigated as well , obtaining precise diameter characterization together with information regarding Refractive Index and amount of nucleus relative to the overall dimension of
the cell (Nucleus/Cytosol ratio). White Blood Cells have been also analysed in pathological conditions
- Schede su Bizzaccheri Carlo Francesco, Asprucci Antonio, Barigioni Filippo, Costanzi Simone, De Rossi Domenico, De Rossi Giovanni Antonio, De Rossi Matthia, Patriarca Vincenzo, Torrone Angelo, Valeri Antonio, in B. Contardi, G. Curcio, a cura di, In Urbe Architectus, catalogo della mostra Roma Museo Nazionale di Castel Sant’Angelo 12 dicembre 1991 – 29 febbraio 1992, Roma, Argos, 1991, pp. 316-317, 319-320, 323-324, 345-346, 355-356, 357-360, 419, 451-452, 452-453
No full textNelle schede si analizzano le carriere Bizzaccheri Carlo Francesco, Asprucci Antonio, Barigioni Filippo, Costanzi Simone, De Rossi Domenico, De Rossi Giovanni Antonio, De Rossi Matthia, Patriarca Vincenzo, Torrone Angelo, Valeri Antoni
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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