1,721,498 research outputs found
Richard Edwards, The Art of Wen Cheng-ming (1470-1559)
No full textGirard-Geslan Maud. Richard Edwards, The Art of Wen Cheng-ming (1470-1559). In: Arts asiatiques, tome 34, 1978. pp. 249-251
20th Anniversay of ATS-Stangers with Richard Edwards and Jim Selby
No full text20th Anniversay Celebrtions of Asbury Theological Seminary -Stangers with Richard Edwards and Jim Selbyhttps://place.asburyseminary.edu/atshistory/1353/thumbnail.jp
20th Anniversay of ATS-Stangers with Richard Edwards and Jim Selby
No full text20th Anniversay Celebrtions of Asbury Theological Seminary -Stangers with Richard Edwards and Jim Selbyhttps://place.asburyseminary.edu/atshistory/1352/thumbnail.jp
The works of Richard Edwards politics, poetry and performance in sixteenth-century England
No full textThis work combines a study of pre-Shakespearean theatre with an edition of the known works of Richard Edwards, a poet beloved by his contemporaries and regarded as the most influential dramatist before Shakespeare
Review of Ros King The Works of Richard Edwards: Politics, Poetry, and Performance in Sixteenth-century England The Revels Plays Companion Library (Manchester: Manchester University Press, 2001)
Full text linkReview of Ros King The Works of Richard Edwards: Politics, Poetry, and Performance in Sixteenth-century England The Revels Plays Companion Library (Manchester: Manchester University Press, 2001
Letter from Richard Edwards and G. B. Suggs to S. B. Simmons. Letter from S. B. Simmons to G. B. Suggs
No full textLetter from Richard Edwards and G. B. Suggs to S. B. Simmons, sending in money. Letter from S. B. Simmons to G. B. Suggs, thanking him for letter and money
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
GREAT PLAINS RESEARCH, 23-2 Fall 2013, Editorial Matter
Full text linkMasthead
Contents
Volume Introduction, by Richard Edwards & Peter Longo
Instructions to author
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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