1,721,100 research outputs found
Desanti, Lucetta, "Costantino, il ratto e il matrimonio riparatore.", SDHI, 52, 1986
Costantino, il ratto e il matrimonio riparatore
Dealing with Different Time Granularities in Formal Specifications of Real-Time Systems
The article presents a formalization of the notion of time granularity within a logical language for specifying real-time systems. It provides the specifier with the ability of dealing with different time granularities within a single specification. That is, it allows the specifier to describe the behavior and the properties of a system and its environment with respect to different time scales and to switch among them in a suitable way. The extended logical formalism is then embedded in an object oriented structure that enhances both the expressive power and the executability of the specification language. With regard to expressiveness, it enables one to subdivide a single specification of the system and its environment into different part and to provide a number of specifications of them at different levels of abstraction, each one referring to a different time granularity. With regard to executability, it allows one to verify the consistency and the adequacy of specifications at each step of their incremental development. It also suggests an enlargement of the notions of verification and validation that takes into account the stratified structure of the object oriented specifications
"Per provare l'innocenza" : ratto e stupro in un consilium di Giovanni Cefali
Un consilium del giurista ferrarese Giovanni Cefali (1511/12-1580/81) in difesa di un giovane accusato di complicità nei reati di ratto e stupro di una ragazza fidanzata con un suo amico
Ventricular septal defect: the three-dimensional point of view
This case highlights the clinical usefulness of three-dimensional (3D) echocardiography. The diagnosis of inter-ventricular septal defect associated with aortic regurgitation has been performed in a 50-year-old man using 3D echocardiography. This advanced echocardiography could accurately reproduce the anatomy of the defect and provide further insights in the mechanisms of aortic regurgitation showing an unusual non-coronary cusp prolapse. The routinely use of 3D echocardiography in clinics might allow a better characterization of cardiac anatomy, especially of aortic valve disorders
Il contenuto della forma filosofica : dall’interpretazione della metafora alla metafora dell’interpretazione
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Prevention and treatment of diabetic nephropathy: the program for irbesartan mortality and morbidity evaluation
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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