27,475 research outputs found
George R.R. Martin presents: Winter is Coming
No full textGeorge R.R. Martin presents: Winter is Coming, Invitational International, Ltd Art Gallery, Seattle, WA, “Beyond the Wall.” March 1–23, 2014. Curators: James Monosmit
Religion in George R.R. Martin\u27s A Song of Ice and Fire Franchise
Get PDFThis thesis is a study of religion in George R.R. Martin\u27s A Song of Ice and Fire franchise. Specifically, George R.R. Martin\u27s use of medievalisms, his interpretation of the Middle Ages, when creating the religions in A Song of Ice and Fire
[Reviews.] Joseph Rex Young: George R.R. Martin and the Fantasy Form, New York: Routledge, 2019
No full textJoseph Rex Young’s book titled George R.R. Martin and the Fantasy Form fills a tremendous gap that has been present in contemporary fantasy studies: while several books have been written about the study of Martin’s A Song of Ice and Fire that focus on the different readings of the fantasy series, and the success of the mega-franchise that grew out of the narrative, Young’s monograph attempts to find Martin’s place in the modern fantasy genre. One of the most refreshing aspects of the book is that instead of treating Tolkien and his work as the exemplar of fantasy, Young highlights how while it is to some extent understandable (since Tolkien’s popularity in the genre is beyond dispute), “Tolkien was a hugely idiosyncratic writer whose inspirations, motives and methodologies bear little resemblance to those of the authors of genre fantasy, much of which consists of narrative iterations of pre-existing intellectual properties” (4–5). While several comparisons have been made in fan circles between The Lord of the Rings and A Song of Ice and Fire, and how Martin has changed the rules of the fantasy genre, Young argues that instead of abandoning the rules of the fantasy formulae, Martin followed them very strictly. Thus, George R.R. Martin and the Fantasy Form is about the analysis of how Martin’s epic saga relates to the genre of fantasy
Knighthood in George R.R. Martin\u27s series of novels A Song of Ice and Fire.
Get PDFDiplomsko delo se osredotoča na predstavitev in analizo motiva viteštva v zbirki romanov Pesem ledu in ognja ameriškega pisatelja Georgea R. R. Martina. Predstavljeni sta avtorjeva biografija in bibliografija ter literarni in zgodovinski kontekst romanov. Sledi razlaga pojma medievalizem in utemeljitev stališča, da Martinove romane uvrščamo med dela s to oznako. Viteštvo je temeljna značilnost evropske srednjeveške družbe in eden od glavnih elementov, ki sestavlja medievalistična dela, kamor spadata tudi Maloryjeva Smrt Arturja in Scottov Ivanhoe. Martin se je pri prikazu viteštva v svojem literarnem svetu opiral na zgodovinsko tradicijo viteštva z nekaterimi spremembami, ki sem jih opisala v nadaljevanju naloge. Nekaj vitezov in nevitezov iz romanov sem podrobneje analizirala glede na pet vrlin viteštva iz študije Viteštvo v Zahodnjem in glede na Martinovo sintagmo \u27pravi vitez\u27.The thesis focuses on the portrayal and theme of knighthood in the series of novels A Song of Ice and Fire by the American author George R.R. Martin. Beginning with the author\u27s biography and bibliography, then describing the literary and the historical context of the novels and why Martin\u27s novels are examples of medievalism. Knighthood was an important facet of European medieval society and a key element of medievalist works, such as Malory\u27s Le Morte d\u27Arthur and Scott\u27s Ivanhoe. Martin was influenced by the historical tradition of knighthood, but he added some of his innovations, which I described in the next section. I analysed some knight and non-knight characters from the novels according to five virtues of knighthood from Chivalry in Westeros and according to Martin\u27s syntagma \u27true knight\u27
Butler (D.E.) ed. - Elections abroad. (By) D.E. Butler, Philip M. Williams, Martin Harrison, Zbigniew Pelczynski, Basil Chubb, R.R. Farquharson
No full textRanger Jean. Butler (D.E.) ed. - Elections abroad. (By) D.E. Butler, Philip M. Williams, Martin Harrison, Zbigniew Pelczynski, Basil Chubb, R.R. Farquharson. In: Revue française de science politique, 12ᵉ année, n°4, 1962. p. 996
El fenómeno literario de best-seller de George R.R. Martin «Canción de hielo y fuego»
No full textEn el artículo se considera el fenómeno de best-seller del cinclo de las novelas de George R.R Martin "Canción de hielo y fuego". El libro cautivó la
atención de los lectores por todo el mundo y está traducido en más que 20 lenguas por su increible popularidad. La compañía HBO había comprado los
derechos para adaptar las novelas al cine. La serie tiene el nombre del primer libro de novela "Juego de tronos" y tiene muchos admiradores de todos los
países
George R.R. Martin and the Fantasy Form (2019) by Joseph Rex Young and Tweaking Things a Little: Essays on the Epic Fantasy of J.R.R. Tolkien and G.R.R. Martin (2023), by Thomas Honegger
Get PDFBook review by Andrew Higgins of George R.R. Martin and the Fantasy Form (2019) by Joseph Rex Young and Tweaking Things a Little (2023) by Thomas Honegge
The Female Bildungsroman in George R.R. Martin\u27s A Song of Ice and Fire
Get PDFThis project examines the concepts of the female bildungsroman in literature. In particular it looks at two female characters created by George R.R. Martin, the sisters, Sansa and Arya Stark. The project focuses on the characteristics of the female bildungsroman and whether or not the female bildungsroman is a valid literary concept. This has been done by examining what is a bildungsroman and is there a difference between male and female bildungsroman. The goal is to show that the female bildungsroman is valid and that Sansa and Arya are perfect examples
Discerning the Future: Prophecy in George R.R. Martin's A Song of Ice and Fire
No full textA Song of Ice and Fire (1996-Present) is a series of fantasy books written by George R.R. Martin. In this series, the concept of ‘prophecy’ plays a major role, as it does in many works of literature, both within the fantasy genre and in literary fiction in general. This essay defines prophecy in a literary context, looking at how prophecies are used to drive a narrative and what other purposes the inclusion of prophecies may serve in any given story. These definitions are then applied to A Song of Ice and Fire in order to analyze the ways in which George R.R. Martin both conforms to and breaks with literary conventions relating to the concept of prophecy. The conclusion is made that Martin weaves prophecy into the fabric of his story in a way that is all-encompassing: prophecy stands at the center of the narrative and affects it on nearly every level
Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden
No full textThis essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.
- …
