1,721,069 research outputs found
F. R. Cowell, The Revolutions of Ancient Rome
No full textLiebmann-Frankfort Thérèse. F. R. Cowell, The Revolutions of Ancient Rome. In: L'antiquité classique, Tome 32, fasc. 1, 1963. pp. 333-334
F. R. Cowell, Cicero and the Roman Republic
No full textLambrechts P. F. R. Cowell, Cicero and the Roman Republic. In: L'antiquité classique, Tome 18, fasc. 2, 1949. pp. 446-447
F. R. Cowell, Cicero and the Roman Republic
No full textLambrechts P. F. R. Cowell, Cicero and the Roman Republic. In: L'antiquité classique, Tome 18, fasc. 2, 1949. pp. 446-447
F. R. Cowell, Cicero and the Roman Republic (A pelican book), 1955
No full textRambaud Michel. F. R. Cowell, Cicero and the Roman Republic (A pelican book), 1955. In: Revue des Études Anciennes. Tome 59, 1957, n°1-2. pp. 168-169
F. R. Cowell, Cicero and the Roman Republic (A pelican book), 1955
No full textRambaud Michel. F. R. Cowell, Cicero and the Roman Republic (A pelican book), 1955. In: Revue des Études Anciennes. Tome 59, 1957, n°1-2. pp. 168-169
F. R. Cowell, Everyday life in ancient Rome. Illustrated from Drawings by Sredder Bist, 1962
No full textDoignon Jean. F. R. Cowell, Everyday life in ancient Rome. Illustrated from Drawings by Sredder Bist, 1962. In: Revue des Études Anciennes. Tome 64, 1962, n°3-4. pp. 490-491
" Identification and Separation of DNA Mixtures using Peak Area Information"
No full textWe introduce a new methodology, based upon probabilistic expert systems, for analysing forensic identification problems involving DNA mixture traces using quantitative peak area information. Peak area is modelled with conditional Gaussian distributions. The expert system can be used for ascertaining whether individuals, whose profiles have been measured, have contributed to the mixture, but also to predict DNA profiles of unknown contributors by separating the mixture into its individual components. The potential of our probabilistic methodology is illustrated on case data examples and compared with alternative approaches. The advantages are that identification and separation issues can be handled in a unified way within a single probabilistic model and the uncertainty associated with the analysis is quantified. Further work, required to bring the methodology to a point where it could be applied to the routine analysis of casework, is discussed
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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