3,225 research outputs found

    Rapport Bernier

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    Vol. 1. Dix ans d'enquête -- v. 2. Dossier homophilie -- v. 3. Dossier suicide -- v. 4. Dossier politique -- v. 5. Dossier valeurs -- v. 6. Dossier lectures -- v. 7. Dossier finances -- v. 8. Dossier sexualit

    Juan Bernier: sujeto lector

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    Ilustración: "Nude", AMMLVersión del editor: http://ojs.impossibilia.org/index.php/impossibilia/article/view/121La publicación en 2011 de su Diario contribuye a completar el perfil intelectual de un escritor de la importancia de Juan Bernier. A su interés literario, hay que añadir su utilidad como instrumento para el estudio de su figura y de su obra. El presente artículo propone un acercamiento al Diario y al autor cordobés a partir de las lecturas que en él se consignan.The publication in 2011 of his diary helps to complete the intellectual profile of a writer of the importance of Juan Bernier . To the value as a literary work, it must be added its usefulness as a tool for the study of his figure and his work. This article proposes an approach to the Diary and the author from Cordoba from his readings

    A NUDO! Introduzione delle traduttrici

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    Riflessioni delle traduttrici del volume di Myriam Daguzan Bernier con considerazioni sul volume stesso ma anche sulle difficoltà e strategie traduttive adottat

    Five object-based sound compositions

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    This text is a commentary on the nature of my principle artistic preoccupations over a period of research-creation spanning 2011 and 2013. The works discussed cover, each in their own way, various approaches to sound composition linked to physical objects. In effect, the object proves to be a fundamental element at the heart of discourse, which, though anchored in sound, is often multi-disciplinary. The object here is thus taken apart in its affective, conceptual, performative, visual, as well as sonic properties. The first part of this text illustrates the nature of the relationship between the physical object and the works submitted for this doctoral thesis. It focuses on the journey of the works: from their genesis in the artist’s collections of objects to their life on stage where the objects are used as visual elements in a performative context. The second part is dedicated to the conceptual and aesthetic content of the works, from which flow the principal elements of their discourse. Here, the relationships between the work, the concept and the sonic material are established, which together make up their aesthetic
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