15,491 research outputs found
Liu wang qu: ge, ge ju.
No full text江陵詞 ; 雪厂曲 ; 集體編劇雪厂, 葉瓊, 江凌.Music in number notation.Jiang Ling ci ; Xuechang qu ; ji ti bian ju Xuechang, Ye Qiong, Jiang Ling
Jiang nan di qu ge qu feng ge jie shao
No full text1. 摔琴 -- 2. 江南地區歌曲風格介紹.Possibly reproduced from other commercial recording or radio broadcast (Pending for review)Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Performers, unknown.Sung in Chinese.1. shuai qin -- 2. Jiang nan di qu ge qu feng ge jie shao
Xin jiang kao gu lun wen ji
No full textBen shu fen wei zong shu, shi qian shi qi, li shi shi qi san bu fen, shou lu liao " xin jiang gu dai jiao tong lu xian zong shu "" lue lun xin jiang de cai tao "" guan yu xin jiang yuan gu wen hua de ji ge wen ti "" guan yu xin jiang shi qi shi dai wen hua de xin ren shi "" tu lu fan di qu de shi qian wen hua "" tang lun tai zai na li "" xin jiang mi gu guan gai qu dao ji qi xiang guan de yi xie wen ti " deng wen zhan
Traditions and Transitions in Eighteenth-Century Qu Poetry: The Case of Jiang Shiquan (1725-1785)
No full textThe 18th century marks a significant transitional period in the development of classical Chinese theater. It witnessed the decline of the yabu or ‘elegant drama’ (referring to Kun-style theater) and the rise of the huabu or ‘miscellaneous drama’ (also known as luantan, ‘cacophonous strumming’, referring to all other styles of regional theater). It also signalled a shift of focus from the page to the stage, with increasing attention given to the performance aspects of theater as opposed to drama as a form of literary composition. Jiang Shiquan (1725-1785) serves as an illuminating case study for our understanding of this transitional period. On the other hand, he was renowned as a classical poet, a master of qu poetry, and the last major playwright in the Qing dynasty. Yet, on the other hand, one can see clearly in his works new trends and styles of writing responding to the rise of local theaters. Focusing on Jiang Shiquan’s works, this paper aims to explore the competing styles of qu poetry as well as the changing roles and self-perception of a playwright in 18th century China
Jiang Shiquan ji qi xi qu yan jiu
No full textM.Phil.Ancient literati in China who engaged in the creation of drama most likely suffered from multiple pressures. The first is the pursuit of the realm of life. In the Confucian tradition, compared with literature, morality is regarded as the primary value for intellectuals. The second is from the norm of the concept of literary genre. Due to the strict regulation of the stylistic order, drama is regarded as a technique. The anxiety caused by morality and the stylistic order is fully reflected in the important playwright Jiang Shiquan in the Qing Dynasty.This dissertation aims to explore how Jiang Shiquan expresses self-awareness, constructs self-image, or demonstrates self-identity in his plays, and the various entanglements with himself when he is engaged in related creative activities. Chapter Two focuses on Jiang’s literary theory and his stylistic choice. The author points out that the poetic basis and the aesthetic principle of his concept of didacticism in drama. Chapter Three traces the genre origin of the play Yipian shi, and deeply explores the historical reflection of the playwright. Chapter Four integrates the play Linchuan meng and related biographies to examine Jiang's personal interpretation of Tang Xianzu. Chapter Five and Six try to discuss the self-presentation of Jiang in his plays Sixian qiu and Dier bei from the perspective of interaction between individuals and groups. Due to the complexity of the genre, it is not easy to outline the author's self-consciousness in his plays. Therefore, researchers must pay attention to the application of methodologies. In order to get close to the real Jiang Shiquan in history, this dissertation is trying to overcome the obstacle.從事戲曲創作的古代文人至少遭受到雙重的壓力。其一是人生境界的追求。在「三不朽」傳統下，「德先於言」無異於金科玉律，「遊藝屬餘事」成為社會上普遍的價值判斷。其二是文章觀念的規範。在森嚴的文體秩序中，戲曲被視為技藝，品位卑下。道德與文章共同引發的焦慮意識，在清代重要戲曲家蔣士銓（1725-1785）身上一覽無遺。本研究肇端於蔣士銓「道德化」的戲曲創作，相對而言，探討他從事相關創作活動時與自我的種種糾葛，以及如何在劇中表現自我意識、建構自我形象或展示自我認同，更是本文的關懷所在。第二章梳理蔣士銓文章觀念及其文體選擇，指出其曲教說的詩學根據，以及背後的審美原則。第三章追溯《一片石》與懷古詩的詩體淵源，並深入探討劇作家的歷史反思。第四章結合《臨川夢》及相關傳記，考察蔣士銓對湯顯祖的個性化詮釋。第五章、第六章嘗試從個人與群體互動的角度，分別討論蔣士銓於《四絃秋》、《第二碑》雜劇的自我呈現。由於戲曲文體的複雜性，要為作者發皇心曲或勾勒其自我意識，研究者必須在方法論上有所警惕。此一過程也許困難重重，若非如此，我們將無從接近那個歷史上真正的蔣士銓。邱嘉耀."2019年9月".Thesis M.Phil. Chinese University of Hong Kong 2019.Includes bibliographical references (leaves 177-189).Abstracts in Chinese and English.Title from PDF title page (viewed on February 16, 2022).Qiu Jiayao
Fig. 2. Key 1H–1H in A previously undescribed phenylethanoid glycoside from Callicarpa kwangtungensis Chun acts as an agonist of the Na/K-ATPase signal transduction pathway
No full textFig. 2. Key 1H–1H COSY and HMBC correlations of compounds 1 and 2.Published as part of Xu, Yunhui, Jiang, Xueyang, Xu, Jian, Qu, Wei, Xie, Zijian, Jiang, Ren-Wang & Feng, Feng, 2021, A previously undescribed phenylethanoid glycoside from Callicarpa kwangtungensis Chun acts as an agonist of the Na/K-ATPase signal transduction pathway, pp. 1-10 in Phytochemistry (112577) 181 on page 4, DOI: 10.1016/j.phytochem.2020.112577, http://zenodo.org/record/829084
Pi pa gu qu
No full textSide A : 古琴music by 二梁 ; 琵琶. 1. 夢蝶 / 梁越銘作曲. 2. 壯士行 / 梁在平作曲. 3. 塞上曲. 4. 春江花月夜 -- Side B. 1. Pian interview.Live recording.Possibly reproduced from other commercial recording or radio broadcast (Pending for review)"台北故宮博物院"--Spine."77.元.9"--Index.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Various composers.Performers, unknown.Spoken in Chinese."Taibei gu gong bo wu yuan"--Spine."77. yuan. 9"--Index.Side A : Gu qin music by er Liang ; pi pa. 1. Meng die / Liang Yueming zuo qu. 2. Zhuang shi xing / Liang Zaiping zuo qu. 3. Sai shang qu. 4. Chun jiang hua yue ye -- Side B. 1. Pian interview
Vrsanskysajda Jiang, Xing & Li, 2023, nom. nov.
No full textGenus Vrsanskysajda nom. nov. Sajda Vršanský, 2021: 27 (Blattaria: Corydiidae: Holocompsinae). Preoccupied by Sajda Dworakowska, 1981: 244 (Homoptera: Cicadellidae: Typhlocybinae). Type species: Vrsanskysajda equatorialis (Vršanský in Vršanský et al. 2021) comb. nov. Etymology. The replacement name for the genus is derived from the name of Peter Vršanský, the author of the genus Sajda. Gender: feminine. Distribution. Brezina, Algeria.Published as part of Jiang, Lina, Xing, Jichun & Li, Yujian, 2023, New replacement name for the genus Sajda Vršanský, 2021 (Blattaria: Corydiidae: Holocompsinae), pp. 343-344 in Zootaxa 5270 (2) on page 343, DOI: 10.11646/zootaxa.5270.2.10, http://zenodo.org/record/784970
A study on the immigrants’ social change of Qu-jiang River Valley in Sichuan Province, Qing Dynasty
No full text移民社会变迁是一个复杂的过程。本文以清代四川渠江流域移民社会为研究对象，以渠江上游的移民小城三汇作为田野点，从移民社会组织的变化入手，考察移民社会认同与社会关系的动态变迁过程。 清代渠江流域是一个以移民及其后裔为人口主体的移民社会。以湖广移民为主体的移民社会形成了以“张献忠屠蜀”为历史记忆和以“麻城孝感乡”为主要祖籍地的区域认同，这种认同受到王朝认同的引导，并逐渐成为移民社会形成的主要标志。移民社会形成后，经济、文教、社会等组织为融合各群体发挥了良好的凝结作用，社会活动空间和家庭生活当中的移民文化也在悄然形成。同时以不同社会关系为群体界限的社会组织的出现也为移民社会内部的竞争与冲突埋下伏笔。...Immigrant social change is complex process. This thesis inspects the dynamic process of immigrant social identity and social relationship, from the angle of the change of social organization, taking the immigrant society of Qu-jiang River Vally of Sichuan Province in Qing Dynasty, specifically the small immigrant town Sanhui on the upper reaches of Qu-jiang, as the field work object. Qu-jiang val...学位：法学博士院系专业：人文学院人类学研究所_人类学学号：2882006015344
Huang Bai bian qu
No full textSide A. 1. 乡村童趣 : 割豌豆 : 砍柴山歌 : 拍娃娃 : 对鸟 : 畋蛤蟆 / 黃自編曲 ; 儿童无伴奏合唱 -- 贊歌比羅多 / 程逸汝词 ; 黃白曲 ; 少儿合唱.Possibly reproduced from other commercial recording or radio broadcast (Pending for review)"素材运用 湖北潛江民歌'嗺喀官'等等"--Container."敬請 趙如蘭教授指正! 晚生黃白 92.11.30"--Side a label.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Performers: 上海楊浦区少年艺术学校16位小朋友.Sung in Chinese."Su cai yun yong Hubei Qian Jiang min ge 'cui ke guan' deng deng"--Container."Jing qing Zhao Rulan jiao shou zhi zheng! wan sheng Huang Bai 92.11.30"--Side A label.Performers: Shanghai Yangpu Qu shao nian yi shu xue xiao 16 wei xiao peng you.Detailed contents in vernacular field only
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