71,339 research outputs found
Macrobrachium tenuipes Zhu & Chen & Zheng & Chen & Guo 2020, sp. nov.
No full textMacrobrachium tenuipes sp. nov. urn:lsid:zoobank.org:act: 8E619D49-C101-44C5-8205-BAA3097E0CB2Published as part of Zhu, Xiao-Ping, Chen, Qing-Hua, Zheng, Xiao-Zhuang, Chen, Wen-Jian & Guo, Zhao-Liang, 2020, Macrobrachium tenuipes, a new stygophile freshwater prawn specie (Crustacea: Caridea: Palaemonidae) from a karst cave of Guangxi, southwestern China, pp. 511-529 in Zootaxa 4759 (4) on page 512, DOI: 10.11646/zootaxa.4759.4.3, http://zenodo.org/record/374102
Bai yi lu jin shi cong shu [10 zhong]
No full textv. 1-2. Xiao tang ji gu lu 2 juan, Wang Qiu (Song) bian--3. Zhong ding kuan shi 1 juan, Wang Houzhi (Song) ji--4. Jiaoshan ding ming kao 1 juan, Weng Fanggang (Qing) bian--5 Huan hua bai shi xuan jing ming ji lu 2 juan, Qian Dian (Qing) ji--6. Ji gu hu fu yu fu kao 1 juan, Qu Zhongrong (Qing) bian--7. Han Xiping shi jing can zi 1 juan, Chen Zongyi (Qing) ji--8. Shu shi jing can zi 1 juan, Chen Zongyi (Qing) ji--9. Yi he ming kao 1 juan, Wang Shihong (Qing) bian--9. Kongzi miao tang bei Tang ben cun zi 1 juan, Weng Fanggang (Qing) ji--10. Cangyu dong Song ren ti ming 1 juan, Liu Xihai (Qing) ji.Mode of access: Internet
The Study on a Talented Poetess of Qing Dynasty, Chen Yunlian and Her Work Poetry Drafts from the Xinfang Pavilion
No full textChen Yunlian, a poetess from a distinguished family in Dao Xian Reign Periods of Qing Dynasty, was born gifted, and was good at writing. Through writing, Chen not only reflected on herself, recording her homeland and time but also defended gender rights, trying to overturn the distress and changing of her belonging era. Taking Chen Yulian as the study object, in this dissertation the writer probes into Chen\ue2s unique life experiences by analyzing her texts. Also, from the contents, topics, writing styles, preface and postscripts of her work Poetry Drafts from the Xinfang Pavilion, the writer deliberates on how Chen, as a female, entered the dominant male dialect system to construct a world of knowledge familiar to her, how she turned writing into an access to prestige and expanding the social circle, and even how she made writing the practice of power, reshaping herself and revealing her true colors.This dissertation comprises six chapters\ue2the preface, conclusion and four main chapters to discuss and analyze Chen Yunlian and her work Poetry Drafts from the Xinfang Pavilion. The second chapter tracks down Chen\ue2s family circle to construct her family background and network. Chapter three and four look into the contents of her work Poetry Drafts from the Xinfang Pavilion. The writer classifies Chen\ue2s works into several literary forms, and through the occurrence of certain subjects in her works, the writer observes how Chen manipulated creation and innovation in the traditional poetry and in the knowledge system of her familiar world. Chapter five reasons out how Chen molded herself with language and images and interprets the meaning of her works and her performance in terms of literary creation. The writer chooses the Qing Dynasty poetess Chen Yunlian as the study target, who has gradually received attention, yet out of whom relatively few studies has been made. It is hoped that the dissertation can provide some insight into how a poetess in the Dao Xian Reign Periods expressed herself and concern about her homeland
Apomerantzia Fan & Chen, 2005, gen. n.
No full textApomerantzia gen. n. Type species: Pomerantzia prolata Price, 1971; by present designation. Diagnosis Each peritreme with 6–8 chambers; setae c 2 anterior to c 1; ventrolateral shields fused with coxae III; genital valves with no more than 4 pairs of setae; coxa I with 2 pegs; genu IV with 6 setae; tarsus II with 3–6 solenidia. Two species are known worldwide.Published as part of Fan, Qing-Hai & Chen, Yan, 2005, A review of the Pomerantziidae (Acari: Prostigmata: Pomerantzioidea), with the description of a new genus, pp. 1-22 in Zootaxa 1037 on page 5, DOI: 10.5281/zenodo.16976
Fin-de-Siècle Diplomat: Chen Jitong (1852-1907) and Cosmopolitan Possibilities in the Late Qing World
No full textThis dissertation explores Sino-Western interactions in the late Qing period through a biographical study of the diplomat-writer Chen Jitong (1852-1907). A flamboyant writer and self-appointed cultural mediator between China and France, Chen published, while serving as secretary in the Chinese legation in Paris in the 1880s, several books in French on Chinese culture and society. He also became a skilled public speaker at various learned societies and international congresses. In the last years of his life, Chen returned to China as a reformer, expectant official, and newspaper editor. With a colorful transnational life and career that was nevertheless heavily rooted in the late Qing self-strengthening and reform movements, Chen Jitong offers an exemplary case study for viability of late imperial Chinese literati culture in the modern world.
Chapter 1 discusses the confluence of local literati culture and the opportunities opened for a generation of late-Qing cultural figures in the cosmopolitan environment surrounding the Fuzhou Navy Yard. Chapter 2 shows that in his writings, Chen employed an innovative mélange of classical Chinese texts and references to European literature to capture the uniqueness of Confucian values while also emphasizing the universality of human feelings and shared literary values. Chapter 3 analyzes the ways in which Chen’s public activities constituted a significant discursive and personal presence for China in fin-de-siècle Paris and at the 1889 Universal Expositions. Chapter 4 reconnects Chen to the late Qing milieu by retracing his involvement in a number of political and social projects upon his return to China.
In mapping out Chen Jitong’s experiences as a cultural mediator and as a literatus-reformer, this study seeks to connect the dots between various studies of late Qing industrialization, social activism, cultural innovation, and political reform. It demonstrates that on the international stage, late Qing diplomats were highly conscious of their position not only as representatives of the Qing polity, but as bearers of Chinese civilization. Chen Jitong’s cross-cultural performance, in particular, is a reminder that the late nineteenth century was not only an age of imperialistic encroachment, but also a time of cosmopolitan encounters
Overseas Communication of Chinese Online Series. From the Perspective of The Untamed (Chen Qing Ling)
No full text In 2019, the online series the Untamed (Chen Qing Ling), adapted from the online novel the Founder of the Devil's Path, not only achieved a good harvest of popularity and good reputation in China, but also spread to Thailand, South Korea and other places， successfully landed on Netflix, YouTube and other foreign websites, aroused attention and heated discussion in overseas markets. Now the online series the Untamed (Chen Qing Ling) becomes another successful example of overseas communication of Chinese online series. This paper is mainly aimed to interpret the Untamed (Chen Qing Ling) from the internal driving force such as elaborately polish and create high-quality scripts and overseas adaptation reduces cultural discount, and external driving force of overseas communication of online series, to analyze its success from the aspects of content and marketing, and to explore the causes of its strong overseas influence in order to provide ideas for the future overseas communication of domestic online series
Chen wai xia ju jian
No full text[v.1]. 總目 -- [v.2- 3]. 卷一至二. 清修妙論牋 : [二卷] -- [v.4-7 ]. 卷三至六. 四時調攝牋 : [四卷] -- [v.8-9 ]. 卷七至八. 起居安樂牋 : [二卷] -- [v.10-11 ]. 卷九至十. 延年却病牋 : [二卷] -- [v.12- 14]. 卷十一至十三. 飲饌服食牋 : [三卷] -- [v.15-17]. 卷十四至十六. 燕閑清賞牋 : [三卷] -- [v.18-19]. 卷十七至十八. 靈秘丹藥牋 : [二卷] -- [v.20]. 卷十九. 塵外遐舉牋.[v.1]. Zong mu -- [v.2- 3]. juan yi zhi er. Qing xiu miao lun jian : [er juan] -- [v.4-7 ]. juan san zhi liu. Si shi diao she jian : [si juan] -- [v.8-9 ]. juan qi zhi ba. Qi ju an yue jian : [er juan] -- [v.10-11 ]. juan jiu zhi shi. Yan nian que bing jian : [er juan] -- [v.12- 14]. juan shi yi zhi shi san. Yin zhuan fu shi jian : [san juan] -- [v.15-17]. juan shi si zhi shi liu. Yan xian qing shang jian : [san juan] -- [v.18-19]. juan shi qi zhi shi ba. Ling mi dan yao jian : [er juan] -- [v.20]. juan shi jiu. Chen wai xia ju jian.[高濂編] ; 鍾惺較閱.綫裝, 2函.框20.3x12.2公分, 9行18字. 白口, 四周黑邊, 單黑魚尾. 版心上鐫"遵生八牋", 中鐫卷次及子目題, 下鐫葉次.内封頁題"增補遵生八牋, 鍾伯敬先生重訂, 課花書屋藏板"前有高濓原序.《燕閑清賞牋》卷端題下鐫"古杭高濂深甫氏編次"《清修妙論牋》, 《起居安樂牋》, 《延年却病牋》, 《靈秘丹藥牋》分上, 下卷 ; 《飲饌服食牋》, 《燕閑清賞牋》分上, 中, 下卷 ; 《四時調攝牋》分春, 下[即"夏"], 秋, 冬卷.見《香港中文大學圖書館古籍善本書錄》(2001, p. 139)Xian zhuang, 2 han.Kuang 20.3 x 12.2 gong fen, 9 hang 18 zi. Bai kou, si zhou hei bian, dan hei yu wei. Ban xin shang juan "Zun sheng ba jian", zhong juan juan ci ji zi mu ti, xia juan ye ci.Nei feng ye ti "Zeng bu zun sheng ba jian, Zhong Bojing xian sheng chong ding, Ke hua shu wu cang ban"Qian you Gao Lian yuan xu."Yan xian qing shang jian" juan duan ti xia juan "Guhang Gao Lian shen fu shi bian ci""Qing xiu miao lun jian", "Qi ju an yue jian", "Yan nian que bing jian", "Ling mi dan yao jian" fen shang, xia juan ; "Yin zhuan fu shi jian", "Yan xian qing shang jian" fen shang, zhong, xia juan ; "Si shi diao she jian" fen Chun, xia [ji "Xia"], Qiu, Dong juan.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 139)[Gao Lian bian] ; Zhong Xing jiao yue
Meiyingia jinyunensis Li & Chen, 2015 in Li, Tian & Chen 2015
No full textMeiyingia jinyunensis Li & Chen, 2015 in Li, Tian & Chen, 2015: 596, figs.1–3. (Figs. 35a, b) Type locality: China, Chongqing, Beibei, Mt. Jinyunshan. Gender: male. Altitude: 568m. Date collected: 2011.IV.24 Collector: Shu-Qing SHI. Paratypes: 1 female, same data with holotype (SWU); 1 male, same data with holotype but 2012. IV. 20 (SWU).Published as part of Li, Zhu & Chen, Li, 2020, Primary types of longhorned beetles (Coleoptera, Cerambycidae, Vesperidae and Disteniidae) of Southwest University (SWU), pp. 25-46 in Zootaxa 4718 (1) on page 34, DOI: 10.11646/zootaxa.4718.1.2, http://zenodo.org/record/360220
Book: Ming and Qing Paintings & Calligraphic Works on Folding Fans
No full textBoxed copy of "Ming and Qing Paintings and Calligraphic Works on Folding Fans" edited by Chen Zhenga and published by the Shanghai Museum
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