1,720,967 research outputs found
The Historical Contribution of Black Musicians to Orchestral Classical Music around Johannesburg and the Implications for Cultural Policy
No full textA thesis submitted for the degree of Doctor of Philosophy in Cultural Policy and Management, in the Faculty of Humanities, Wits School of Arts, at the University of the Witwatersrand, Johannesburg, 2023.This study documents the historical contribution of black musicians to classical music in Johannesburg. It places the spotlight on South Africa’s cultural policy (explicitly or implicitly) over the last century and provides ongoing reflections on this period. The thesis analyses the conditions, within and beyond the prevailing policy that enabled black orchestral musicians to practice this art form. By exploring the complex origins of these practices, the study suggests that the dichotomous thinking about culture as either Eurocentric or Afro-centric may be misplaced due to the possibility that Western classical music may have become part of black South African cultural life as a result of having been translated, transferred, hybridised or acculturated. In addition, the study places the government’s arm’s length funding model under scrutiny and finds this approach continues to be applied inconsistently since it was first presented in the White Paper on Arts, Culture and Heritage (1996). As both a classical musician and orchestral administrator, the author has lived part of the history described in the thesis and, through analysis, attempts to establish a dialogue between professional experience and what scholarly reflection can do to that practice. He presents narratives through insider lenses, with carefully selected interviewees, and interrogates situations and sites over a century-long period of the history of black orchestral music practice in South Africa.MM202
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Public Culture, Sociality, and Listening to Jazz: Aural Memorialisation in the Time of COVID
Get PDFTaking its cue from two instances of hyper-local jazz sociability along one street in Mamelodi, five years apart, the focus of this article is on three instances of public memorialisation and, through them, on how listening can be socialised and enculturated. It is an exploration both of how sociality is co-constituted through listening, and of how listening is socially constructed, attending to how people become members of aural collectives in distinctive ways. It foregrounds how mostly working-class people living under conditions seldom of their own making continue, in the avowedly postapartheid context, at least partially to remake their worlds sonically, foregrounding the public cultures that they thereby aurally co-create as a notable cultural expression in and of themselves. Methodologically, it considers how recourse to non-elite aesthetics, viewed as repertoires of living, offer alternatives to the claims of both ethnographies and social histories ‘from below’ to present ‘the word’ of the community’ in an authoritative sense
"You can't listen alone": Jazz, listening and sociality in a transitioning South Africa
No full textThis is a study of contemporary jazz culture in post-apartheid South Africa. It demonstrates that the significance of jazz can productively be understood from the perspective of listeners, complementing the necessary attention that has historically been afforded to the creators and performers of the music. It describes the rich social life that has emerged around the collecting and sharing of jazz recordings by associations of listeners in this country. In these social contexts, a semi-public culture of listening has been created, it is argued, that is distinct from the formal jazz recording, broadcast and festival sectors, and extends across various social, cultural, linguistic and related boundaries to constitute a vibrant dimension of vernacular musical life. South African jazz appreciation societies illustrate that collecting may be a global phenomenon but that recordings can take on quite particular social lives in specific times and places, and that the extension of consumer capitalism to places like South Africa does not always automatically involve the same kinds of possessive individualism that they do in other settings, and might even serve as a catalyst for new forms of creativity. The study demonstrates, moreover, that what is casually referred to as "the jazz public" is an internally variegated and often enduringly segregated constellation of scenes, several of which remain quite intimate and, indeed, beyond the view of the "general public." The study foregrounds how one specific dimension of jazz culture – the modes of sociability with which the music has become associated among its listening devotees – can assume decidedly local forms and resonances, becoming part of the country's jazz heritage in its own right and throwing into relief the potential breadth, range and contrasts in the ways that jazz writ large can be figured and recontextualised as it is vernacularized around the world. The study recognizes the significant role that jazz appreciation societies play in creating culturally resonant grassroots social settings for this music, documents and analyses the creativity with which they do so, and considers the broader implications of their contribution to the musical elaboration of public space in contemporary South Africa
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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