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الميتاسيميوتيكية في فيلم أليفيا ٢٠٥٣ لجورج أبو محيا في منظور لويس هيجلمسليف
مستخلص البحث
استخدام الأفلام كوسيلة اتصال فعالة لنقل الرسائل الاجتماعية والسياسية والثقافية من خلال عناصر مختلفة. الغرض في هذ البحث تريد الباحثة لمعرفة شكل عناصر التعبير ومحتوى وعلاقتهافيلم أليفيا 2053 في سياق سيميائية لويس هجمسلف. ومنهجية البحث التي استخدمتها الباحثة هي بحث النوعي.ومصادر البيانات الأساسية هي حوار اللاعبين والمرئيات والموسيقى في فيلم "أليفيا 2053" لجرج أبو محيا.مصادر البيانات الثانوية هي الكتب والمجلات والمواقع الإلكترونية المتعلقة بالبحث.ولطريقة تحليل البيانات هناك 4 مراحل لتحليل البيانات ل Miles, Huberman, & Saldana, 2014 يعني عرض البييانات,جمع البييانات,تكثيف البييانات,وتلخيص نتائج البحث. أظهرت نتائج البحث أن فيلم أليفيا2053 اعتمد على نظرية الميتاسيميوتيكية لويس هيجلمسليف. أن هذا الفيلم يحمل معنى المقاومة ضد الحكومة الاستبدادية. العلاقة بين المحتوى والتعبير في هذا النص تخلق وحدة قوية لنقل الرسالة الأيديولوجية والاجتماعية. عناصر التعبير النصي والمرئي والموسيقي تعمل كنظام إشارات يعزز كل منها الآخر. المحتوى الذي يصور المقاومة والرحلة من القمع نحو التحرر يتعزز من خلال التعبير الذي الصراع بين السلطة والشعب. جميع العناصر تعمل معًا لخلق تجربة عميقة للجمهور، تثير التفكير حول الهوية، السلطة، والحرية، وتشجع الوعي الجماعي في النضال ضد القمع.
ABSTRACT
The use of film as an effective means of communication to convey social, political, and cultural messages through various elements. The purpose of this research is to understand the forms of content and expression elements and their relationship in the film Alephia 2053 within the context of Louis Hjelmslev's semiotics. The research methodology used by the researcher is qualitative research. And the main data sources are the actors' dialogues, visuals, and music in the film "Alephia 2053" by Jurj Abu Mahya. Secondary data sources are books, magazines, and websites related to the research. For the data analysis method, there are 4 stages of data analysis according to Miles, Huberman, & Saldana, 2014, namely data collection, data reduction, data presentation, and summarising research results. The research results show that the film Alephia 2053 relies on Louis Hjelmslev's metasemiotic theory. That this film contains a meaning of resistance against the authoritarian government. The relationship between content and expression in this text creates a strong unity to convey ideological and social messages. The elements of text, visual, and music expression work as a signalling system that reinforces each other. Content that depicts resistance and the journey from oppression to liberation is reinforced through expressions that illustrate the conflict between power and the people. All elements work together to create a profound experience for the audience, sparking thoughts about identity, power, and freedom, and encouraging collective awareness in the struggle against oppression.
ABSTRAK
Penggunaan film sebagai sarana komunikasi yang efektif untuk menyampaikan pesan sosial, politik, dan budaya melalui berbagai elemen. Tujuan dari penelitian ini untuk mengetahui bentuk elemen isi dan ekspresi serta hubunganya dalam film Alephia 2053 dalam prespektif semiotika Louis Hjelmslev. Metodologi penelitian yang digunakan oleh peneliti adalah penelitian kualitatif deskriptif. Sumber data utama adalah dialog para pemain, visual, dan musik dalam film "Alephia 2053" karya Jurj Abu Mahya. Sumber data sekunder adalah buku, majalah, dan situs web yang terkait dengan penelitian. Untuk metode analisis data, ada 4 tahap analisis data menurut Miles, Huberman, & Saldana, 2014, yaitu pengumpulan data, kondensasi data, penyajian data, dan ringkasan hasil penelitian. Hasil penelitian menunjukkan bahwa film Alephia 2053 mengunakan teori metasemiotika Louis Hjelmslev. Bahwa film ini mengandung makna perlawanan terhadap pemerintah otoriter. Hubungan antara konten dan ekspresi dalam teks ini menciptakan kesatuan yang kuat untuk menyampaikan pesan ideologis dan sosial. Elemen ekspresi teks, visual, dan musik bekerja sebagai sistem sinyal yang saling memperkuat satu sama lain. Konten yang menggambarkan perlawanan dan perjalanan dari penindasan menuju pembebasan diperkuat melalui ekspresi yang menggambarkan konflik antara kekuasaan dan rakyat. Semua elemen bekerja sama untuk menciptakan pengalaman mendalam bagi penonton, memicu pemikiran tentang identitas, kekuasaan, dan kebebasan, serta mendorong kesadaran kolektif dalam perjuangan melawan penindasan
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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