1,720,980 research outputs found
Synchronization of EEG Alpha oscillations in Cued Visuospatial Attention is Associated With Suppression of Neural Parieto-Occipital Orienting
No full textERP indices of an orientation-dependent recognition of the human body schema
No full textWhile it is well-established that the face perception is orientation-dependent, less evidence has been provided on the effects of the orientation on the body schema processing and related attentive mechanisms. Poorer performance in same/different judgment tasks and increased occipito-temporal N1 response to the inverted (vs. upright) body schema seem to hint at an orientation-dependent perceptual mechanism. The present electrophysiological study investigated the role of attentive selection processes required to recognize the inverted (vs. upright) body schema by means of the event-related potentials (ERP). 320 different images depicting body shapes (wooden dummies) as opposed to random structures of cubes were created in 3D graphics. Thirty-two right-handed participants were presented with the stimuli in an upright and inverted orientation. They were required to alternatively recognize one of the two categories of stimuli (by button press) regardless of the orientation, during EEG recording. The body inversion led to increased reaction times during body schema recognition. A slower anterior N2, larger N1, Selection Negativity (SN), and increased parietal P300 components were elicited by the perception of the inverted body schema. Slower stimulus processing and increased attention allocation were associated with the processing of the inverted body schema. The swLORETA source reconstruction (in the SN time window) showed enhanced engagement of prefrontal, limbic, and temporal regions during the perception of the inverted body schema. At the same time, the cubes’ orientation did not affect ERP amplitudes. Overall, these pieces of evidence seem to suggest a crucial role of the upright orientation in the visual recognition of the human body schema
When neurons do not mirror the agent's intentions: Sex differences in neural coding of goal-directed actions
No full textElectroencephalogram (EEG) alpha power as a marker of visuospatial attention orienting and suppression in normoxia and hypoxia. An exploratory study
No full textWhile electroencephalogram (EEG) alpha desynchronization has been related to anticipatory orienting of visuospatial attention, an increase in alpha power has been associated to its inhibition. A separate line of findings indicated that alpha is affected by a deficient oxygenation of the brain or hypoxia, although leaving unclear whether the latter increases or decreases alpha synchronization. Here, we carried out an exploratory study on these issues by monitoring attention alerting, orienting, and control networks functionality by means of EEG recorded both in normoxia and hypoxia in college students engaged in four attentional cue-target conditions induced by a redesigned Attention Network Test. Alpha power was computed through Fast Fourier Transform. Regardless of brain oxygenation condition, alpha desynchronization was the highest during exogenous, uncued orienting of spatial attention, the lowest during alerting but spatially unpredictable, cued exogenous orienting of attention, and of intermediate level during validly cued endogenous orienting of attention, no matter the motor response workload demanded by the latter, especially over the left hemisphere. Hypoxia induced an increase in alpha power over the rightsided occipital and parietal scalp areas independent of attention cueing and conflict conditions. All in all, these findings prove that attention orienting is undergirded by alpha desynchronization and that alpha right-sided synchronization in hypoxia might sub-serve either the effort to sustain attention over time or an overall suppression of attention networks functionality
The effect of expertise on kinesthetic motor imagery of complex actions
Full text linkThe ability to mentally simulate an action by recalling the body sensations relative to the real execution is referred to as kinesthetic motor imagery (MI). Frontal and parietal motor-related brain regions are generally engaged during MI. The present study aimed to investigate the time course and neural correlates of complex action imagery and possible effects of expertise on the underlying action representation processes. Professional ballet dancers and controls were presented with effortful and effortless ballet steps and instructed to mentally reproduce each movement during EEG recording. Time-locked MI was associated with an Anterior Negativity (AN) component (400–550 ms) that was larger in dancers relative to controls. The AN was differentially modulated by the motor content (effort) as a function of ballet expertise. It was more negative in response to effortful (than effortless) movements in control participants only. This effect also had a frontal distribution in controls and a centro-parietal distribution in dancers, as shown by the topographic maps of the scalp voltage. The source reconstruction (swLORETA) of the recorded potentials in the AN time-window showed enhanced engagement of prefrontal regions in controls (BA 10/47) relative to dancers, and occipitotemporal (BA 20) and bilateral sensorimotor areas in dancers (BA6/40) compared with controls. This evidence seems to suggest that kinesthetic MI of complex action relied on visuomotor simulation processes in participants with acquired dance expertise. Simultaneously, increased cognitive demands occurred in participants lacking in motor knowledge with the specific action. Hence, professional dance training may lead to refined action representation processes
Scalp-recorded N40 visual evoked potential: Sensory and attentional properties
Full text linkN40 is a well-known component of evoked potentials with respect to the auditory and somatosensory modality but not much recognized with regard to the visual modality. To be detected with event-related potentials (ERPs), it requires an optimal signal-to-noise ratio. To investigate the nature of visual N40, we recorded EEG/ERP signals from 20 participants. Each of them was presented with 1800 spatial frequency gratings of 0.75, 1.5, 3 and 6 c/deg. Data were collected from 128 sites while participants were engaged in both passive viewing and attention conditions. N40 (30–55 ms) was modulated by alertness and selective attention; in fact, it was larger to targets than irrelevant and passively viewed spatial frequency gratings. Its strongest intracranial sources were the bilateral thalamic nuclei of pulvinar, according to swLORETA. The active network included precuneus, insula and inferior parietal lobule. An N80 component (60–90 ms) was also identified, which was larger to targets than irrelevant/passive stimuli and more negative to high than low spatial frequencies. In contrast, N40 was not sensitive to spatial frequency per se, nor did it show a polarity inversion as a function of spatial frequency. Attention, alertness and spatial frequency effects were also found for the later components P1, N2 and P300. The attentional effects increased in magnitude over time. The data showed that ERPs can pick up the earliest synchronized activity, deriving in part from thalamic nuclei, before the visual information has actually reached the occipital cortex
Automatic stimuli classification from ERP data for augmented communication via Brain-Computer Interfaces
No full textBrain-computer interfaces (BCIs) are systems initially designed to compensate for motor disabilities affecting people whose control of the muscular system is compromised. However, recent developments open the BCIs market to a wide range of medical and non-medical applications. This raises the need for systems capable of interpreting more and more stimuli, even from different sensory domains. In this work, we design a machine-learning system able to fit both application domains accurately recognizing visual and auditory stimuli starting from the event-related potentials (ERPs) they generate. The obtained results are promising and some practical and realization aspects are discussed
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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