8,881 research outputs found
Children, Young People and Social Inclusion: Participation for What? by E. Kay M. Tisdall, and John M. Davis, and Alan Prout, and Malcolm Hill
No full textReviewed Work: Children, Young People and Social Inclusion: Participation for What? by E. Kay M. Tisdall, and John M. Davis, and Alan Prout, and Malcolm Hil
Entrevistando o prof. Alan Prout através de seu texto: "Reconsiderando a Sociologia da Infância"
No full textProf. Alan Prout
A partir de uma proposta do editor da ZERO-A-SEIS, professor João Josué da Silva Filho, as doutorandas Elaine de Paula e Roseli Nazário do Programa de Pós-Graduação em Educação da UFSC, elaboraram alguns questionamentos ao texto “ Reconsiderando a Sociologia da Infância” escrito pelo professor Alan Prout
Barndommens kroppe: Konstruktion, handling og hybriddannelse
No full textAlan Prout:
Childhood bodies: construction, agency and hybridity
This paper explores the relationship between the sociology of childhood and the sociology of the body. Noting that the two fields are marked by mutual neglect, it reviews some of the theoretical issues that underlie the enterprise of bringing them together. Three key themes emerge from this discussion. The first concerns social constructionism. Both fields draw on this theoretical approach and, it is argued, both meet its limits. The paper argues that social constructionist accounts of both childhood and the body tend to exclude (or at least de-emphasize) the possibility that social life has a material as well as discursive (or representational) component. The second theme is that of children’s agency in the interpretation, negotiation and utilisation of their bodies. Seeing children as social actors balances a former emphasis on the socialization of children by highlighting the ways in which they are also agents, participants shaping as well as being shaped by society. However, it is argued that the sociology of childhood has tended to essentialise children’s agency rather than decentering it and analyzing it as an effect. The third theme draws on actor network theory in order to unravel some of the ways in which children’s bodies are inextricably interwoven with other aspects of the material environment – artifacts, machines and technologies. Children’s bodies emerge as hybrid entities. They are inseparable from, produced in, represented by and performed through their connections with other material objects. This line of enquiry feeds back into the question of children’s agency by reconstituting it less as an essential attribute of children and more as an effect of the connections made between a heterogeneous array of materials including bodies, representations and technologies
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Ante-Autobiography and the Archive of Childhood
No full textThis essay examines the concept of children’s autobiography via several autobiographical extracts
written by the author as a child. Although only a small proportion of people will compose and
publish a full-length autobiography, almost everyone will, inadvertently, produce an archive of
the self, made from public records and private documents. Here, such works are seen as providing
access to writing both about and by children. The essay explores the ethics and poetics of
children’s writing via the key debates in life writing; in particular, the dynamic relationship
between adults and children, both as distinct stages of life and dual parts of one autobiographical
identity. The term “ante-autobiography” is coined to refer to these texts which come before or
instead of a full-length narrative. They are not read as less than or inadequate versions of
autobiography, but rather as transgressive and challenging to chronological notions of the genre
In Alan Turing’s Name: Pardoning the Dead, Forgetting the Living
No full textThis special panel discussion brought together authorities on Alan Turing and the statutory pardon legislation intended to honour him. Leading academics, in conversation with those who have unsuccessfully petitioned to have offences disregarded, were joined by the Turing Bill’s author
Bernard Williams
No full textAn edited multi-author volume assessing the moral philosophy of the late British philosopher Bernard Williams. Contributors: Adrian Moore, John Skorupski, Alan Thomas, Robert B Louden, Michael Stocker, A. A. Long, Edward Crai
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
Elements of Abstraction: Space, Line and Interval in Modern British Art
No full textThe book is the catalogue of the exhibition Elements of Abstraction: Space, Line and Interval in Modern British Art, which the author curated from the collections of the Tate Gallery, London, the Arts Council, London, Southampton City Art Gallery and private collections. The author provided three essays, 'The Geometry of Modern British Art', 'West Country Constructivism', and 'Abstract Art and the Decline of Modernism' to advance critical histories of three distinct moments of importance in the development of British abstract art. A fourth, edited by him, was by a research student under his supervision (Alan Fowler) and covered Systems Art and Constructionism
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