1,721,032 research outputs found
Lieux de rencontre et backs-rooms
Busscher Pierre-Olivier de, Mendès-Leite Rommel, Proth Bruno. Lieux de rencontre et backs-rooms. In: Actes de la recherche en sciences sociales. Vol. 128, juin 1999. Sur la Sexualité. pp. 24-28
"Parcours de l'exilé : du refuge à l'installation" / Deschamps, Catherine ; Proth, Bruno ; LAE, Jean-François ; Overney, Laetitia ; Programme de recherche “L’accueil, la circulation et l’installation des migrants” ; France. Plan Urbanisme construction architecture, La Défense : Plan Urbanisme Construction Architecture (PUCA), 2018
"Parcours de l'exilé : du refuge à l'installation" / Deschamps, Catherine ; Proth, Bruno ; LAE, Jean-François ; Overney, Laetitia ; Programme de recherche “L’accueil, la circulation et l’installation des migrants” ; France. Plan Urbanisme construction architecture, La Défense : Plan Urbanisme Construction Architecture (PUCA), 2018 Accédez au document en ligne en version intégrale : Parcours de l'exilé : du refuge à l'installation L'exemplaire papier est consultable au centre de recherche doc..
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Urban guidelines to become European Capital of Culture : from the desired city to the reinvented territory
Cette thèse analyse la construction des candidatures des villes françaises au label Capitale Européenne de la Culture pour l'année 2028 jusqu’à la désignation de Bourges au mois de décembre 2023 après une compétition nationale exacerbée. Ces candidatures sont étudiées comme des initiatives capables de construire des récits établissant les lignes directrices de la production urbaine, ce label étant un outil exaltant l’image prospective d’une ville. La recherche interroge sur la manière dont la préparation d’un projet culturel d’envergure internationale permet de réfléchir aux conditions contemporaines du processus de fabrication des villes et de ses espaces, matériellement ou socialement conçus.En complément des études urbaines s’intéressant à l’héritage post-événement et à travers l’analyse à vif de neuf villes candidates, et plus spécifiquement des finalistes Bourges, Clermont-Ferrand, Montpellier et Rouen, nous explorons les stratégies pour élaborer un discours prétendument fédérateur s’adressant néanmoins à des publics variés aux attentes divergentes. À cet égard, ce label est un catalyseur d'analyse édifiant, dans la mesure où nous nous intéressons aussi aux instrumentalisations possibles de ce narratif qui, puisant dans la force symbolique de l'art et de la culture pour asseoir certains agendas politiques, contribuerait à pacifier les tensions sans pour autant dépasser les clivages partisans, territoriaux et sociaux. Notre étude est plus particulièrement orientée vers deux sujets : la construction territoriale et la stratégie urbaine pour pouvoir accueillir l’événement. Dans un contexte marqué par l’imbrication de crises – territoriale, économique et environnementale –, nous questionnons les paradigmes perceptibles dans les dossiers de réponse à l’appel à candidatures et les positionnements des villes candidates face aux enjeux urbains contemporains. Pour ce faire, nous portons notre attention sur les projets imaginés déconnectés ou en lien avec les politiques publiques existantes et les images et références urbaines évoquées, l’objectif étant de vérifier si le concept de « ville réussie », cher au discours européen, se traduit par une unique réponse politique, sociale, économique et urbaine.This thesis analyses the construction of French cities' bids for the European Capital of Culture title for the year 2028, up to the designation of Bourges in December 2023, after an intense national competition. These bids are studied as initiatives capable of constructing narratives that set out the guidelines for urban production, the title being a tool that exalts a city's forward-looking image. This research looks at how the preparation of a cultural project on an international scale makes it possible to reflect on the contemporary conditions of the process of making cities and their spaces, whether materially or socially designed.In addition to urban studies looking at the post-event legacy, and through an in-depth analysis of nine candidate cities, and more specifically the finalists Bourges, Clermont-Ferrand, Montpellier and Rouen, we explore the strategies used to develop this supposedly unifying discourse, which nonetheless appeals to a variety of audiences with divergent expectations. In this respect, the title is an enlightening catalyst for analysis, in that we are also interested in the possible instrumentalisation of this narrative which, drawing on the symbolic power of art and culture to underpin certain political agendas, would help to pacify tensions without overcoming partisan, territorial and social divisions. Our study focuses on two subjects in particular: the territorial and symbolic construction and the urban strategy for hosting the event. In a context marked by the interweaving of crises - territorial, economic and environmental - we are questioning the paradigms perceptible in the submissions to the call for applications and the positioning of the candidate cities in relation to contemporary urban issues. To do this, we are focusing on the projects imagined, whether disconnected from or linked to existing public policies and the urban images and references evoked, the aim is to veify wether the concept of a “successful city”, as empahsized in European discourse, is reflected in a singular political, social, economic, and urban response
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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