1,720,959 research outputs found

    Renaissance de la sociologie en Union soviétique

    No full text
    Pronteau Jean. Renaissance de la sociologie en Union soviétique. In: L'Homme et la société, N. 2, 1966. pp. 149-152

    Présentation

    No full text
    Pronteau Jean. Présentation. In: L'Homme et la société, N. 21, 1971. Colloque de Cabris : sociologie et révolution. pp. 3-4

    Ota Klein (1921-1968)

    No full text
    Jonas Serge, Pronteau Jean. Ota Klein (1921-1968). In: L'Homme et la société, N. 9, 1968. Sociologie tchéquoslovaque et renouveau de la pensée marxiste. pp. 5-6

    Ota Klein (1921-1968)

    No full text
    Jonas Serge, Pronteau Jean. Ota Klein (1921-1968). In: L'Homme et la société, N. 9, 1968. Sociologie tchéquoslovaque et renouveau de la pensée marxiste. pp. 5-6

    Table Ronde : Pourquoi les étudiants ? 1ère réunion tenue le 23 mai

    No full text
    Berque Jacques, Bon Frédéric, Goldmann Lucien, Jonas Serge, Lefebvre Henri, Lourau René, Peter Jean-Pierre, Pronteau Jean. Table Ronde : Pourquoi les étudiants ? 1ère réunion tenue le 23 mai. In: L'Homme et la société, N. 8, 1968. Au dossier de la révolte étudiante. pp. 3-24

    Table ronde : La Tchécoslovaquie et les nouvelles perspectives du socialisme

    No full text
    Bartosek Karel, Houska Jiri, Jonas Serge, Nicolon Fernand, Pronteau Jean, Sochor Lubomir, Strmiska Zdenek, Vincent Jean-Marie. Table ronde : La Tchécoslovaquie et les nouvelles perspectives du socialisme. In: L'Homme et la société, N. 10, 1968. colloque de cerisy : marx et la sociologie. pp. 229-260

    Table Ronde : Pourquoi les étudiants ? 2ème réunion tenue le 11 juin

    No full text
    Berque Jacques, Bottigelli Émile, Chesneaux Jean, Conein Bernard, Fournié Henri, Glucksmann Christine, Jonas Serge, Lefebvre Henri, Pronteau Jean, Sanvoisin Jean, Vincent Jean-Marie. Table Ronde : Pourquoi les étudiants ? 2ème réunion tenue le 11 juin. In: L'Homme et la société, N. 8, 1968. Au dossier de la révolte étudiante. pp. 25-43

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore