1,721,135 research outputs found

    Neutralino cold dark matter in a one-parameter extension of the minimal supergravity model

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    Within the minimal supergravity model (mSUGRA) framework, the expectation for the relic density of neutralinos exceeds the WMAP determination, unless neutralinos (a) have a significant Higgsino component, (b) have a mass close to half that of a heavy Higgs boson, or (c) can efficiently coannihilate with a charged or colored particle. Within a one-parameter extension of the mSUGRA model which includes nonuniversal Higgs masses, we show that agreement with the WMAP data can be obtained over a wide range of mSUGRA parameters for scenarios (a) and (b), so that the phenomenological implications may be much more diverse than in mSUGRA. We show that direct and/or indirect detection of neutralino dark matter should be possible at various current and planned facilities.<br/

    Dark matter inelastic up-scattering with the interstellar plasma: A new source of x-ray lines, including at 3.5 keV DARK MATTER INELASTIC UP-SCATTERING with the ... D'ERAMO et al

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    We explore the phenomenology of a class of models where the dark matter particle can inelastically up-scatter to a heavier excited state via off-diagonal dipolar interactions with the interstellar plasma (gas or free electrons). The heavier particle then rapidly decays back to the dark matter particle plus a quasi-monochromatic photon. For the process to occur at appreciable rates, the mass splitting between the heavier state and the dark matter must be comparable to, or smaller than, the kinetic energy of particles in the plasma. As a result, the predicted photon line falls in the soft X-ray range, or, potentially, at arbitrarily lower energies. We explore experimental constraints from cosmology and particle physics, and present accurate calculations of the dark matter thermal relic density and of the flux of monochromatic X-rays from thermal plasma excitation. We find that the model provides a natural explanation for the observed 3.5 keV line from clusters of galaxies and from the Galactic center, and is consistent with null detections of the line from dwarf galaxies. The unique line shape, which will be resolved by future observations with the Hitomi (formerly Astro-H) satellite, and the predicted unique morphology and target-temperature dependence will enable easy discrimination of this class of models versus other scenarios for the generation of the 3.5 keV line or of any other unidentified line across the electromagnetic spectrum

    When the universe expands too fast: Relentless dark matter

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    We consider a modification to the standard cosmological history consisting of introducing a new species ϕ\phi whose energy density red-shifts with the scale factor aa like ρϕa(4+n)\rho_\phi \propto a^{-(4+n)}. For n>0, such a red-shift is faster than radiation, hence the new species dominates the energy budget of the universe at early times while it is completely negligible at late times. If equality with the radiation energy density is achieved at low enough temperatures, dark matter can be produced as a thermal relic during the new cosmological phase. Dark matter freeze-out then occurs at higher temperatures compared to the standard case, implying that reproducing the observed abundance requires significantly larger annihilation rates. Here, we point out a completely new phenomenon, which we refer to as relentless\textit{relentless} dark matter: for large enough nn, unlike the standard case where annihilation ends shortly after the departure from thermal equilibrium, dark matter particles keep annihilating long after leaving chemical equilibrium, with a significant depletion of the final relic abundance. Relentless annihilation occurs for n2n \geq 2 and n4n \geq 4 for s-wave and p-wave annihilation, respectively, and it thus occurs in well motivated scenarios such as a quintessence with a kination phase. We discuss a few microscopic realizations for the new cosmological component and highlight the phenomenological consequences of our calculations for dark matter searches

    Dark Matter Freeze-in Production in Fast-Expanding Universes

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    If the dark matter is produced in the early universe prior to Big Bang nucleosynthesis, a modified cosmological history can drastically affect the abundance of relic dark matter particles. Here, we assume that an additional species to radiation dominates at early times, causing the expansion rate at a given temperature to be larger than in the standard radiation-dominated case. We demonstrate that, if this is the case, dark matter production via freeze-in (a scenario when dark matter interacts very weakly, and is dumped in the early universe out of equilibrium by decay or scattering processes involving particles in the thermal bath) is dramatically suppressed. We illustrate and quantitatively and analytically study this phenomenon for three different paradigmatic classes of freeze-in scenarios. For the frozen-in dark matter abundance to be as large as observations, couplings between the dark matter and visible-sector particles must be enhanced by several orders of magnitude. This sheds some optimistic prospects for the otherwise dire experimental and observational outlook of detecting dark matter produced by freeze-in

    Singlet scalar dark matter: Monochromatic gamma rays and metastable vacua

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    We calculate the pair-annihilation cross section of real scalar singlet dark matter into two monoenergetic photons. We derive constraints on the theory parameter space from the Fermi limits on gamma-ray lines, and we compare with current limits from direct dark matter detection. We show that the new limits, albeit typically relevant only when the dark matter mass is close to half the standard model Higgs mass, rule out regions of the theory parameter space that are otherwise not constrained by other observations or experiments. In particular, the new excluded regions partly overlap with the parameter space where real scalar singlet dark matter might explain the anomalous signals observed by CDMS. We also calculate the lifetime of unstable vacuum configurations in the scalar potential, and show that the gamma-ray limits are quite relevant in regions where the electroweak vacuum is metastable with a lifetime longer than the age of the Universe. © 2010 The American Physical Society

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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