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    Habitat-correlated seed germination behaviour in populations of wood anemone (Anemone nemorosa L.) from northern Italy

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    Although various aspects of the biology of Anemone nemorosa have been examined, few studies present data on seed germination, and even then information tends to be rather contradictory. A. nemorosa L. is a spring-flowering, woodland geophyte, widely distributed across much of Europe. Germination phenology, including embryo development and radicle and shoot emergence, were investigated in one mountain and three lowland populations from northern Italy. Immediately after harvest, seeds were either sown on agar in the laboratory under simulated seasonal temperatures, or placed in nylon mesh sachets and buried in the wild. Embryos, undifferentiated at the time of dispersal, grew under summer conditions in the laboratory and in the wild. However, seeds did not germinate under continuous summer conditions. Radicle emergence in the field was first recorded at the beginning of autumn, when soil temperatures had dropped to c. 15°C in the case of the three lowland populations, and to c. 10°C at the mountain site. Shoot emergence was delayed under natural conditions until late autumn/early winter, when soil temperatures had dropped to c. 10°C in the lowlands and c. 6°C at the mountain site. In the laboratory, a period of cold stratification was required for shoot emergence, and this requirement was more pronounced in the mountain population. Seeds of the mountain population completed embryo development, radicle emergence and shoot emergence at cooler temperatures compared with the lowland populations. These results suggest that germination in A. nemorosa is highly adapted and finely tuned to local climate. We conclude that seeds of A. nemorosa display deep, simple epicotyl, morphophysiogical dormancy, and this is the first report of such dormancy for the genus Anemone. However, the continuous development and growth of embryos from the time of natural dispersal, and the lack of evidence of developmental arrest under natural conditions, suggests that radicles are non-dormant

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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