1,677 research outputs found
Architektur x Architektur x Architektur = Architektur3 Projekte der Meisterklasse Wolf D. Prix, 1990 - 1995
No full textArchitecture in Art
No full text"16 January 2007: Architecture and theatre
Wolf D. Prix, Coop Himmelbau - Architect, Vienna
Luc Bondy, Wiener Festwochen - Artistic Director, Vienna
Wolf D. Prix and Luc Bondy undertake mental meanderings through the worlds of architecture and theatre. They explore the role of space, resp. of architecture in theatre. What is the impact of the stage set, the architecture within the architecture, the transient, shifting space?
17 January 2007: Architecture and film
Will Alsop , Alsop Architects - Architect, London
Hark Bohm - Actor and director, Hamburg
Will Alsop and Hark Bohm take you deep into the worlds of film and architecture. What can film mean for architecture? How does film make use of architecture, how does it convey stone, wood or metal? How can film portray architecture as a live element?
18 January 2007: Architecture and music
Lars Spuybroek, NOX - Architect, Rotterdam
Tateo Nakajima, Artec Consultants Inc - Managing Director and conductor, New York
Lars Spuybroek and Tateo Nakajima address the themes of music and architecture. Both disciplines are mathematical, both are precisely measured forms. Music takes place within architecture, which is created specifically for it. How do the world of sound and physical shapes influence one another, what unites them and what separates them?
Translating the Author-Function: The (Re)Narration of Christa Wolf
No full textNarrative theory continues to offer new perspectives on the intercultural transfer of texts. Embedded in new narratives, the text opens up to new interpretations, resulting in the loss and acquisition of meaning. The writer’s persona or author-function (Foucault 1977) is also renegotiated by cultural transfer, as it is cumulatively and dynamically constructed through readings of an author’s texts and literary or biographical contexts. The translated author-function may differ considerably from the domestic, and may also interact with it as in the case of the East German writer Christa Wolf, whose international author-function has served for contrast (if not conflict) with her reception in the German Democratic Republic and united Germany. This was particularly marked during the 1990s, when revelations about Wolf’s political activity led to censure by the German media and literati. This paper demonstrates how the translation of Wolf’s texts and the construction of her international author-function have renegotiated her position within her domestic literary field
architecture.world 2008
No full textArchitecture World.Interior World | Europas größter, jährlicher Architekturkongress
Konferenzen Architecture World und Interior World. Die Konferenzen Architecture World und Interior World werden vom 5. bis zum 7. Juni 2008 in Münster/Westfalen stattfinden. Beide Veranstaltungen bieten ein umfangreiches Vortrags-, Diskussions- und Workshop-Programm an. Einige der Referenten sind z.B. Greg Lynn, Tom Mayne, Peter Cook, Wolf D. Prix, Will Alsop, Massimiliano Fuksas, Ben van Berkel, Elke Delugan-Meissl, Mario Bellini, Karim Rashid, Graft Architekten, Lars Contzen und Michael Sieger. Alle Informationen und Anmeldung unter www.architectureworld.com oder www.interiorworld.comEurope's biggest, annual Architecture Conventio
Museum of Contemporary Art and Planning Exhibition. Shenzhen, China (2007-2016)
No full textThe Museum of Contemporary Art and Planning Exhibition (MOCAPE) is part of the master plan for the Futian Cultural District, the new urban center of Shenzhen. The project combines two independent yet structurally unified institutions: The Museum of Contemporary Art (MOCA) and the Planning Exhibition(PE) as a cultural meeting point and a venue for architectural exhibitions. The lobby, multifunctional exhibition halls, auditorium, conference rooms and service areas will be used jointly
D-Gene Pool And Coop Hımmelb(L)Au
No full textGünümüz mimarisi, özgün bir mimari tarz yerine çeşitli kavramlar ve sayısız tasarımlarla kurgulandığı için, artık mimarın kimliği ile tarif edilmektedir. Bununla birlikte, Karina Moraes Zarzar'ın d-gene havuzu teorisine göre bu kimlik, genellikle mimarın deneyimleri ile oluşan bir ana "gen"e göre şekillenmektedir. Bu araştırmada, Coop Himmelb(l)au'nun tasarım süreci ve kimliği irdelenerek, özellikle firmanın kurucusu olan Wolf Prix'in temel kavram olarak ele aldığı "bulut gen"i fikrini nasıl seçtiği ve tüm projelerinde mutasyonlarla nasıl uyguladığı sorgulanmaktadır. Analoji ve metaforların, görsel veya anlamsal olarak kullanılması ile, bulut kavramının mutasyonlarının tasarımın uygulandığı yer ile ilişkili olup olmadığı çalışmanın ana tartışma konusudur. Elde edilen veriler, Wolf Prix'in yersiz, her yere uygulanabilir proje yaklaşım tavrı nedeni ile, yapı kabuğunu oluşturan bulut fikrinin, genel olarak çevreyle tam olarak uyum sağlayamadığını göstermiştir. Wolf Prix kendi d-gen havuzunu geliştirerek bir mimari kimlik oluşturmayı başarmış, fakat bu kimliğin uygulamalarında genel olarak yer'le bütünleştirmeyi henüz gerçekleştirmemiştir.Because today's architecture is characterized with various concepts and numerous designs instead of a unique architectural style, it is heavily described by the identity of the architect. However, according to the d-gene pool theory of Karina Moraes Zarzar, this identity is in general created according to a basic gene, which is extracted from the experiences of the architect. In this dissertation, the design process and identity of Coop Himmelb(l)au was chosen to be studied. Specifically, this research answers the question of how Wolf Prix as the founder of Coop Himmelb(l)au (CH) and his partners have chosen the cloud gene as their basic concept and applied it in all of their projects but with mutations. By using analogy and metaphors, either visually or semantically, the dissertation searches if the mutations of the cloud concept are associated with the site where the design is located. The results have shown that the mutations of the cloud concept, which is the shell of the building, cannot be fully integrated in its surroundings as Wolf Prix gives more importance to the mutation of the concept that can be located everywhere. This last means that most of the projects are actually placeless. Wolf Prix managed to create his own identity by developing his d-gene pool but generally he could not yet realized the integration of this identity in practice into the place
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