112,454 research outputs found
Dedication Program of the Florence B. Price School, November 24, 1964, Including Performances of Works by Florence Price
No full textPiano Concerto No. 1; It's Snowing; Violin Concerto No. 2, or Concertos, Piano, Orchestra, D MinorDedication program of the Florence B. Price School, November 24, 1964.Lists Chicago Board of Education members, teachers, and staff of the school.Dedication Program
of the
Florence B. Price School
Tuesday, November 24, 1964
1:00 P.MCHICAGO BOARD OF EDUCATION
Mr. Frank W. Whiston. President
Mr. Thomas J. Murray. V ice-President
Mr. Cyrus H. Adams III
Mr. Warren H. Bacon
Mr. James W. Clement
Mr. Bernard S. Friedman Mrs. Wendell E. Green Mrs. Louis A. Malis Mr. Raymond W. Pasnick Mr. Edward S. Scheffler Mrs. W. Lydon Wild
Dr. Benjamin C. Willis General Superintendent of Schools
Dr. James H. Smith Deputy Superintendent of Schools
Dr. Milton J. Cohler
Associate Superintendent in charge of administration Mrs. Evelyn F. Carlson
Associate Superintendent in charge of curriculum development Dr. Eileen C. Slack
Associate Superintendent in charge of higher education Dr. James H. Smith
Associate Superintendent in charge of instruction (south section) Dr. Edwin C. Lederer
Associate Superintendent in charge of operation services
Dr. John F. Erzinger Superintendent of District ThirteenProgram
POSTING OF COLORS.........................................................Color Guard
PLEDGE OF ALLEGIANCE
NATIONAL ANTHEM .................................................................Audience
Mr. Melvin J. Widman, Music Supervisor
INVOCATION Reverend Augustus Bennett
Retired Pastor, Grace Presbyterian, Church
WELCOME Pupil, Grade 6
SELECTION: PIANO CONCERTO NO. 1 (Florence B. Price)
1st Piano—Eugenia Wright Anderson 2nd Piano—Judith Hulse Hill
ACKNOWLEDGEMENT OF GUESTS
INTRODUCTION OF GUEST SPEAKER Dr. John F. Erzinger
DEDICATORY ADDRESS ........................................Dr. Eileen C. Stack
Associate Superintendent
SONG................................................................................Pupils of Grade 2
Miss Joannilou Huff Conducting “It’s Snowing” ( Florence B. Price)
FLORENCE B. PRICE Mrs. Mary A. Saxton
Principal
SELECTION: VIOLIN CONCERTO NO. 2 (Florence B. Price)
Minnie Cedargreen Jernberg Evelyn Nelson Russell at the Piano
PRESENTATION OF MEMORIAL Bernice Nelson Skooglund
SONG Price Chorus
“Bless Our School'’FLORENCE B. PRICE ELEMENTARY SCHOOL
Mary A. Saxton. Principal
Paul R. Barnett Adele Beaton Norma C. Brown Ann S. Cabaniss Agnes L. Carter Hannah H. Christian Charon Deruisa Addie N. Dunlap Vivian E. Gilliam Alice R. Harris Toni Y. Hornsberger Raymel Horton Joannilou Huff Elouise P. Johnson Leroy L. Johnson Hettie F. Jones Laura A. Keeter Bernice E. Kerr Frances W. Larrieu
Lillian Y. McCoy Helen B. Murray Violet Nathan Mary V. Pitts Patricia C. Potter Leona J. Qualls Lula L. Rucker Edith R. Scheer Naomiruth M. Scott Iva Nell Slack Henry A. Spaulding Dixie W. Taylor Marjorie D. Taylor Nancy B. Taylor Edyth M. Tillman Laurita E. Towles Miriam E. Turner Barbara J. Walker Katherine A. Watkins
Lovelace Lee
Clerks
Christine J. Downz
Thelma Perkins
Engineering Staff
Franklin Trauscht, Engineer Charles Bradley
Richard Joslyn, Fireman George Morgan
Perry Jefferson Rosa Thornton
Luncheon
Augustine Dixon. Cook-Manager Roberta Broome Orvetta Johnson
Melvin J. Widman. Music Supervisor Joseph Young, Art Supervisor Roxie Monroe, Attendance Officer Bertha Johnson, Nurse Rosa Brown, Psychologist Nevis Phillips. Speech Therapis
Violin Concerto No. 2, by Florence B. Price, Violin II Part, with Handwritten Notation
No full textViolin Concerto No. 2Music manuscript for Violin Concerto No. 2 written by Florence B. Price, May 1952.VIOLIN II.
VIOLIN CONCERTO
No. 2
Florence B. Price
ASCAP
Tempo moderato d -132
May, 1952
No. 1 THE KAYSER MUSIC BINDING CO. 12 staves 64 E. Jackosn Bl'd Chicago, Ill.
mf
mp
cresl
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66
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58
poco rrl
47
41
35
poco meno
27
19
10
4
3
2
mp
cresl
mf
5
f
11
20
mp
3
rit
mf
Pizz
28
rit
poco piu mosso
fit pizz
mp
a tempo
3
36
mf
arcg
mf
p
a tempo
2
mp
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42
48
60
54
59
p
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6
Adoration, by Florence B. Price, an Organ Score with Organ Stops Listed
No full textAdorationScore for Adoration by Florence B. Price.ADORATION
3 1/2 minutes
Sw. Horn D# Prepare b 13 3545 430
Gt. Dulc. D
Ped. Ged. Ped. 31, Chorus
FLORENCE B. PRICE
Andante = 84
Sw.
Gt.
p
rit.
a tempo
2nd time to Coda
poco rit.
a tempo
Sw.
Gt.
mf
mp
Gt.A little slower
Sw.Strings 8', 4', 16'
B p
f
poco riten.
rnf a tempo
D.C.
mp
Sw.
Horn
D#
CODA
mf
f
rit. e dim
Study of the decay mechanism for B+ -> p(p)over-barK(+) and B+ -> p(p)over-bar pi(+)
No full textWe study the characteristics of the low mass p (p) over bar enhancements near threshold in the three-body decays B+ -> p (p) over barK(+) and B+ -> p (p) over bar pi(+). We observe that the proton polar angle distributions in the p (p) over bar helicity frame in the two decays have the opposite polarity, and measure the forward-backward asymmetries as a function of the p mass for the p (p) over barK(+) mode. We also search for the intermediate two-body decays, B+ -> (p) over bar Delta(++) and B+ -> p (Delta) over bar (0), and set upper limits on their branching fractions. These results are obtained from a 414 fb(-1) data sample that contains 449 x 10(6) B (B) over bar events collected near the Gamma(4S) resonance with the Belle detector at the KEKB asymmetric-energy e(+)e(-) collider. (c) 2007 Elsevier B.V. All rights reserved.IPE
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Price hedonics: a critical review
No full textThis paper was presented at the conference "Economic Statistics: New Needs for the Twenty-First Century," cosponsored by the Federal Reserve Bank of New York, the Conference on Research in Income and Wealth, and the National Association for Business Economics, July 11, 2002. The main objective of this paper is to make a start in the evaluation of price hedonics. The author describes the hedonic model and reviews its main uses, because the credibility of price hedonics depends in part on the current state of academic research. This is a brief overview. The author then turns to some of the standard criticisms of price hedonics and moves into the uncharted waters of the political economy of price measurement.Statistics ; Prices ; Consumer price indexes
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Program, Honor Night Program, August 22, Including a Performance of Florence Price's Concerto in One Movement
No full textConcerto in One MovementNational Association of Negro Musicians, Inc. Honor Night Program, August 22. Florence Price was introduced, and then Nannie S. Reed, Grace W. Tompkins, and Wilhelmena Alexander performed her Concerto in One Movement.National Association of Negro Musicians, Inc.
HONOR NIGHT PROGRAM
THURSDAY, AUGUST 22, - 8:30 P. M.
MAUDE ROBERTS GEORGE, Presiding
Program
Piano: Concerto No. 3 in C Minor
Oland Gaston, The Florence B. Price Guild, Chicago Marl Young, Second Piano; Walter Gossette, Organ
Introduction of Madam Anita Patti Brown
Solo: Care Selve ..... Handel My Heart Ever Faithful . . . Bach
Clara Bolton
Introduction of William L. Dawson, Composer
Chorus: Out in the Fields . . . Dawson
William L. Dawson, Conductor
Introduction of Marion Adams
Martha Anderson J. Harold Brown, Composer
Solo: (recording) Return Victor . . . Verdi
Nadine Brewer
Recorded by Harold White McCoo, Hartford, Conn.
Introduction of W. C. Handy Cornet Solo
Introduction of Florence B. Price Three Piano Ensemble
Concerto in One Movement . . F. B. Price
Nannie S. Reed Grace W. Tompkins Wilhelmena Alexander
Introduction of Scholarship Winners
Peggy Pierson Nadine Brewer Annie Dolly Thoma
Program, The Chicago Music Association, Dorothy Jordan, November 1, 1959, Including a Performance of a Work by Florence Price
No full textI'm Workin' on My Buildin'Concert program hosted by the Chicago Music Association, November 1, 1959. Jordan, accompanied by Eleanor Paschal, performed Price's "I'm Workin' on My Buildin'."THE CHICAGO MUSIC ASSOCIATION
Presents
DOROTHY JORDAN
Soprano
ALYCE M. MEINE
Organist
In JOINT RECITAL
Sunday Nov. 1st, 1959
at 5 P.M.
ABRAHAM LINCOLN CENTER 700 East Oakwood Boulevard
Chicago
Theodore Charles Stone, President Clarice Saunders, Secretary
Ruth P. Henderson, Chairman
William Robinson, Co-Chairman
A Branch of the National Association of Negro Musicians, Inc.; Kenneth B. Billups, PresidentPrelude in G Major
I
Bach
Komm, Susser Tod, Komm, Sel ‘gi Ruh’........................................Bach
(arranged by Virgil Fox)
Toccata and Fugue in D Minor......................................................Bach
II
Widmung ......................................................................................Schumann
Thou my soul, my heart, my joy, my pain, my heaven, my grave for my woes, my peace, my better self.
Zueignung..........................................................................Richard Strauss
Beloved you know that I suffer when I am far from you. But even this suffering is exultation. Thank you! Once I lived a full life, but you have understood and blessed me. Thank you! You have freed me from evil and in your sacred love. I have been reborn. Thank You!
Chanson Norvegienne..............................................................Fourdrain
I am seized with a sadness which presses heavily. He whom I love tenderly hath betrayed me. There is a fete in the village and I dance to hide my sorrow, but it seems to me, at every step I turn in a flood of tears.
Quelle Souffrance......................................................................Lenormand
Fair and winsome maiden how your beauty haunts me! Only could I whisper how completely you entrance me! I’d tell you my love, but when ever I try, my voice is strangely stilled by that something divine about you; untold hopes, I keep them, lips dare not speak them. Oh! saddest of sorrows! my fainting heart’s fondness I cannot tell.III
Song of the Basket Weaver
Russell
(An old French-Canadian woman sits at the door of her cabin singing a song of long ago, while her deft fingers fashion a basket
of river grasses. St. Lawrence Sketches)
Starlight......................................................................................Karg - Elert
(Unter dem gestirnten Himmel)
Romance Sans Paroles....................................................................Bonnet
(Sixth Symphony)
Intermezzo ...........................................................................................Widor
IV
Aria: Adieu, Forets from “Jeanne d’Arc”............P I Tchaikowsky
Recitative: So will the Lord! I must obey Him, obey the call of her, the Holy Virgin! But whence this fear within my heart? Why fails my soul, and wherefore doth she tremble?
Aria: Farewell, ye mountains, ye beloved meadows! Ye
smiling valleys, fare ye well for aye! No longer now among ye may I wander, to all today I bid a long farewell.
INTERMISSIONV
Scherzo ...............................................................................................Rogers
Thou Art The Rock........................................................................Mulet
(Tu Es Petra) from Esquisses Byzantines
VI
Sea Moods.............................................................................................Tyson
Song of the Palanquin Bearers........................................................Shaw
Since You Went Away........................................J. Rosamond Johnson
I’m Workin’ On My Buildin’...................................Florence B. Price
Ride On, Jesus............................................................R. Nathaniel Dett
ELEANOR PASCHAL, is the accompanist for Miss Jordan . .
COMING EVENTS . . . The annual presentation of HANDEL’S MESSIAH, Sunday, December 6, at 5 p.m. at St. James Methodist Church, 46th at Ellis Avenue; Calvin B. Williams, director; Florence Stith, chairman; Curtiss T. Jackson, co-chairman . . . The Chicago Music Association welcomes you at all of its programs
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