2,305,394 research outputs found
Presentation: Presser
Presentation by Harriet B. Presser on Working in a 24/7 Economy: Challenges for American Families, for the event: The Great American Time Squeeze: The Politics of Work and Family in a 24/7 World on March 3, 2005
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
Adam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
Steve Presser interview, 2012
Steve Presser, owner of Big Fun, describes his life in Cleveland Heights, being owner of a toy store, and his love for Coventry. He begins by giving a brief history of the path he took to owning Big Fun. He also talks about the renovations and construction he did to open the original store and then the current store. After that, Steve discusses his affinity for locally owned business and his affiliation with the Cash Mob, which is a group of people who go to locally owned stores and spend money.He ends by talking about how special Coventry is and how each store and restaurant has a story
Steve Presser interview, 2012
Steve Presser, owner of Big Fun, describes his life in Cleveland Heights, being owner of a toy store, and his love for Coventry. He begins by giving a brief history of the path he took to owning Big Fun. He also talks about the renovations and construction he did to open the original store and then the current store. After that, Steve discusses his affinity for locally owned business and his affiliation with the Cash Mob, which is a group of people who go to locally owned stores and spend money.He ends by talking about how special Coventry is and how each store and restaurant has a story
How Might Adam Smith Pay Professors Today?
Adam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
The conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
John Adam Street [Adelphi development]
Number 8 John Adam Street (Royal Society for the Encouragement of Arts, Manufactures and Commerce), detail, medallion; Adam House (7-10 John Adam Street) is part of the Adelphi development designed in 1768-1772 by brothers Robert and John Adam. In addition to individual town houses, Robert Adam engaged in a number of urban-planning schemes. He often introduced varied shapes, including squares, crescents and circuses, although his long terraces of juxtaposed houses or unified façades on the sides of a square were more common. For these, he took the principles of his individual town-house compositions and adapted them to large and more complex groupings, often applying the delicate ornamentation in Liardet’s cement. The grandest of Adam’s schemes was the Adelphi, built on leased land between the Strand and the Thames. He embanked the Thames, raising the Royal Terrace’s houses (destroyed) above vaulted warehouses that he hoped the Government would lease. For this, and for the rest of this H-shaped development, he employed his favourite decorative elements, but in a composition without an obvious central emphasis. Though aesthetically satisfying, the Adelphi was a failure financially for the brothers. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/17/2010
Adam Geibel : Nocturne in E Flat
Nocturne in E Flat for the Pianoforte by Adam Geibel;No. 771
Adam Smith on public expenditure and taxation
This paper presents Adam Smith’s view on taxation and public expenditure, by means of an almost literal reading of the Wealth of Nations famous passages on the "duties of the sovereign" and on the "maxims of taxation". Contrarily to the commonest usage of these passages, we will show that their core is the preoccupation with the public expenditure soaring and the defence of decentralisation. Furthermore and also contrarily to the existing interpretations we defend the non-existence of any contradiction between Smith’s income and price theory (and the incidence hypothesis), provided due attention is paid to the guiding role of the "maxims".Adam Smith, taxation, public expenditure
Portrait of Mary Emma Smith, 1874 [picture] /
Title devised by cataloguer based on information from acquisitions documentation.; "Portrait of Adam Forster's wife to be"--Information from acquisitions documentation.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4975057; Donated by Mrs Florence Walker, nee Forster, grand-daughter of the artist, Adam Forster, 2010
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