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A trajet?ria e as colunas cinematogr?ficas de Ironides Rodrigues para a marcha (1954-1962)
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Previous issue date: 2019-01-11Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPqThis study aims to analyze the cinematographic columns that Ironides Rodrigues (1923-1987) wrote for the newspaper A Marcha, the official organ of the Partido de Representa??o Popular, of conservative tendencies and political heir of A??o Integralista Brasileira, fascist inspired movement of the 1930?s. It aims to comprehend, through the author?s trajectory, marked by his involvement within the Black Movement, mainly the Teatro Experimental do Negro, funded by Abdias Nascimento, the relations between integralism and the racial question, as his political tendencies and catholic faith. Through his cinematographic columns, the study aims to analyze the author?s insertion in the cinematographic criticism, Besides the Catholicism that in his columns, its distances and approximations with the organized groups in relation to cinema and the presence of the racial question in his columns.Este estudo objetiva analisar as colunas cinematogr?ficas de Ironides Rodrigues (1923-1987) para o jornal A Marcha, ?rg?o oficial do Partido de Representa??o Popular, de tend?ncias conservadoras e herdeiro pol?tico da A??o Integralista Brasileira, movimento de inspira??o fascista da d?cada de 1930. Busca-se compreender, mediante a an?lise da trajet?ria do autor, marcada por seu envolvimento no movimento negro, notadamente com o Teatro Experimental do Negro fundado por Abdias Nascimento, a rela??o entre o integralismo e a quest?o racial, assim como seu pensamento pol?tico e sua f? cat?lica. Com base em suas colunas cinematogr?ficas, busca-se analisar a inser??o do autor na cr?tica cinematogr?fica, al?m de tentar compreender seu pensamento pol?tico por interm?dio de sua sociabilidade com diversos escritores cat?licos conservadores ligados ao integralismo. Tamb?m se analisa o catolicismo presente nas colunas, suas aproxima??es e seus distanciamentos em rela??o aos grupos cat?licos organizados em rela??o ao cinema, e a presen?a da quest?o racial em suas colunas
A trajetória e as colunas cinematográficas de Ironides Rodrigues para a marcha (1954-1962)
Get PDFEste estudo objetiva analisar as colunas cinematográficas de Ironides Rodrigues (1923-1987) para o jornal A Marcha, órgão oficial do Partido de Representação Popular, de tendências conservadoras e herdeiro político da Ação Integralista Brasileira, movimento de inspiração fascista da década de 1930. Busca-se compreender, mediante a análise da trajetória do autor, marcada por seu envolvimento no movimento negro, notadamente com o Teatro Experimental do Negro fundado por Abdias Nascimento, a relação entre o integralismo e a questão racial, assim como seu pensamento político e sua fé católica. Com base em suas colunas cinematográficas, busca-se analisar a inserção do autor na crítica cinematográfica, além de tentar compreender seu pensamento político por intermédio de sua sociabilidade com diversos escritores católicos conservadores ligados ao integralismo. Também se analisa o catolicismo presente nas colunas, suas aproximações e seus distanciamentos em relação aos grupos católicos organizados em relação ao cinema, e a presença da questão racial em suas colunas.This study aims to analyze the cinematographic columns that Ironides Rodrigues (1923-1987) wrote for the newspaper A Marcha, the official organ of the Partido de Representação Popular, of conservative tendencies and political heir of Ação Integralista Brasileira, fascist inspired movement of the 1930’s. It aims to comprehend, through the author’s trajectory, marked by his involvement within the Black Movement, mainly the Teatro Experimental do Negro, funded by Abdias Nascimento, the relations between integralism and the racial question, as his political tendencies and catholic faith. Through his cinematographic columns, the study aims to analyze the author’s insertion in the cinematographic criticism, Besides the Catholicism that in his columns, its distances and approximations with the organized groups in relation to cinema and the presence of the racial question in his columns
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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