32,438 research outputs found
SCHOLA PASTORIS Early Music Ensemble Tuesday, March 31, 1992 8:00 p.m. Alice Pratt Brown Hall
No full textRecording ends before performance finishes.Program: Gloria ad modum tubae / Guillaume Dufay -- Alma redemptoris mater / Guillaume Dufay -- Ave verum / Guillaume Dufay -- Vergine bella / Guillaume Dufay -- Hymn: Iste confessor / Guillaume Dufay -- Sanctus papale / Guillaume Dufay -- Dances from Terpsichore / Michael Praetorius
Brabeion Ehrendanck: oder Aller Edlestes Kleinoth : In welchem Die drey hochnützlichsten/ tewersten und höchsten Schetze/ Als nemblich: I. Das Vaterhertz Gottes des Vaters: II. Die Bruderschafft Jesu Christi: III. Die Gemeinschafft des H. Geistes ... / geschenckt und verfasset. Durch Doct. Andream Praetorium
No full textLeiturgodia Sionia Latina : Complectens Sub hoc Generali Titvlo, Omnes Ecclesiasticas Cantiones Latinas usitatiores & selectiores, quæ diebus Dominicis & Festis, In Officio Matuino, Smmo, & Vespertino, per annum in Ecclesia vocum harmoniâ (Chorali Melodiâ cumprimis observatâ) ita concinnatas, ut tàm in Chori, quàm Organo, etiam Motectarvm loco, non commodè usurpari possint / Avtore Michaële Prætorio, Creutzbergensi ...
No full textAssertiones De Opt. Artium Et Philosophiae Summa tàm in Ecclesia, quàm Repub. utilitate & necessitate : Ex Acad. Iuliae statutis verbotenus exscriptae, & bonae eruditionis criminatoribus oppositae
No full textQuas ... Praeside Conrado Horneio ... Ad diem XVI. K. Sextil. publice defendet Michael Praetorius Torgensis
Syntagma Musicum : ex Veterum et Recentiorum, Ecclesiasticorum autorum lectione, Polyhistorum consignatione, Variarum linguarum notatione, Hodierni seculi usurpatione, ipsius denique Musicae artis observatione: In Cantorum, Organistarum, Organopoeorum, caeterorumque ... gratiam collectum ... / a Michaele Praetorio Creutzbergensi ...
No full textTheatrum Instrumentorum Seu Sciagraphia Michaelis Praetorii C. : Darinnen Eigentliche Abriß und Abconterfeyung/ fast aller derer Musicalischen Instrumenten, so itziger zeit in Welschland/ Engeland/ Teutschland und andern Ortern ... vorhanden seyn ...
No full textNicht identisch mit VD17 12:651877H (dort Lagensignatur A2 unter dem Aufbau über der Zierleiste über den Tasten der Orgel)Auch in: Praetorius, Michael: Syntagmatis Musici Tomus ..., 2 (1620)Vorlageform des Erscheinungsvermerks: Wolffenbüttel/ Jm Jahr 1620
A Study of Michael Praetorius' Megalynodia Sionia: An Historical and Stylistic Analysis and Selective Performing Edition
No full textMichael Praetorius was one of the most prolific and innovative Lutheran composers of the early seventeenth century. His Megalynodia Sionia ("The Magnificats of Zion") is a collection of fourteen Magnificats for use in Vespers services. The compositions in the collection present a series of complicated issues that modern editors and performers must unravel to be able to perform this music. The most common method for performing Magnificats at this time was alternatim, in which different musical groups alternated in performing verses. For eleven of the Magnificats in Megalynodia, only six of the twelve verses are supplied by Praetorius. Appropriate sources for the other verses must be identified. Also, there was a tradition in the Lutheran church of inserting chorales between the verses of the Magnificat on feast days. The chorales would be songs associated with the occasion, for example Christmas or Easter. Praetorius gives important instructions to prospective performers as to how these insertions should be chosen and performed. Eleven of the Magnificats are parodies of works by other composers, Orlando di Lasso in particular. Parody technique is the use of polyphonic music by another composer as source material for a new composition. It was a very typical compositional method of the sixteenth century. Lasso started a Continental tradition of using parody technique in the Magnificat; in this collection Praetorius follows in his footsteps. One must take all these issues into account in attempting to create modern performing editions of this music. The study culminates in performing editions of two Magnificats from the collection.</p
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