1,720,970 research outputs found
Paysages sans paysans
No full textPrado Patrick. Paysages sans paysans. In: L'Homme, 1996, tome 36 n°138. pp. 111-120
Michèle Fiéloux & Jacques Lombard, Les Mémoires de Binduté Da
No full textPrado Patrick. Michèle Fiéloux & Jacques Lombard, Les Mémoires de Binduté Da. In: L'Homme, 1999, tome 39 n°151. Récits et rituels. pp. 299-301
Sic transit... Un « roman » iconographique : Et in Arcadia Ego de Nicolas Poussin
No full textPrado Patrick. Sic transit... Un « roman » iconographique : Et in Arcadia Ego de Nicolas Poussin. In: L'Homme, 1994, tome 34 n°131. pp. 121-127
P. Schneider, Le commencement et la suite. Le dualisme illustré
No full textPrado Patrick. P. Schneider, Le commencement et la suite. Le dualisme illustré. In: L'Homme, 1995, tome 35 n°135. La formule canonique des mythes. pp. 147-149
Y. Nakamura, D. Frieling, J. Hunt, Trois regards sur le paysage français
No full textPrado Patrick. Y. Nakamura, D. Frieling, J. Hunt, Trois regards sur le paysage français. In: L'Homme, 1997, tome 37 n°142. pp. 136-138
Paysage au pluriel. Pour une approche ethnologique des paysages
No full textPrado Patrick. Paysage au pluriel. Pour une approche ethnologique des paysages. In: L'Homme, 1997, tome 37 n°142. pp. 138-140
A. Berque, M. Conan, P. Donadieu, B. Lassus & A. Roger, Cinq propositions pour une théorie du paysage
No full textPrado Patrick. A. Berque, M. Conan, P. Donadieu, B. Lassus & A. Roger, Cinq propositions pour une théorie du paysage. In: L'Homme, 1997, tome 37 n°142. pp. 134-135
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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