90,304 research outputs found
Portrait of Aurelia George Mulgan, National Library of Australia Harold White Fellow, 29 February, 2005 [picture] /
No full textPart of collection of: Collection of photographs of 2005 Harold White Fellows, Thien Do, Aurelia George Mulgan and Paul Humphries.; Title devised by cataloguer.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web
Portrait of Thien Do, National Library of Australia Harold White Fellow, 29 February 2005 [picture] /
No full textPart of collection of: Collection of photographs of 2005 Harold White Fellows, Thien Do, Aurelia George Mulgan and Paul Humphries.; Title devised by cataloguer.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web
Professor Paul Kennedy – The power game
No full textPaul Kennedy has spent the last academic year as LSE’s Philippe Roman Chair in History and International Affairs, based in LSE IDEAS. Here the author of ‘The Rise and Fall of the Great Powers’ summarises his lectures to IDEAS on American power, and you can hear the podcasts of the lectures using the link at the top of the page
Divine and Imperial power: A comparative analysis of Paul and Josephus
No full textThe overall purpose of this study is to investigate Paul's construal of divine and imperial power in order to analyse to what extent he may be judged pro-Roman, anti-Roman or in some alternative relationship with Roman power. In order to provide development and sharper focus to this question Josephus and his work The Jewish War is examined alongside Paul and his letters to the Romans and the Philippians for the purpose of comparative analysis.EThOS - Electronic Theses Online ServiceGBUnited Kingdo
Conversations with Paul Auster
No full textInterviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Cover -- Contents -- Introduction -- Chronology -- Translation -- Interview with Paul Auster -- An Interview with Paul Auster -- Memory's Escape-Inventing the Music of Chance: A Conversation with Paul Auster -- The Making of Smoke -- The Manuscript in the Book: A Conversation -- An Interview with Paul Auster -- The Futurist Radio Hour: An Interview with Paul Auster -- Paul Auster: Writer and Director -- Off the Page: Paul Auster -- Paul Auster: The Art of Fiction -- Jonathan Lethem Talks with Paul Auster -- A Conversation with Paul Auster -- The Making of The Inner Life of Martin Frost -- Interview: Paul Auster -- A Connoisseur of Clouds, a Meteorologist of Whims: The Rumpus Interview with Paul Auster -- Interview: Paul Auster on His New Novel, Invisible -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZInterviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Portrait of Paul Ham at the National Library of Australia, 15 November 2011 /
No full textTitle from nformation supplied by photographer.; Part of the collection: Podcast photograph of author Paul Ham at the National Library of Australia, 15 November 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Rob Power and Friends: Rob Power, percussion; Christine Gangelhoff, flute; Paul Bendzsa, woodwinds; Bill Brennan, Ed Squires, Phil Yetman, percussion
No full textRob Power and Friends: Rob Power, percussion; Christine Gangelhoff, flute; Paul Bendzsa, woodwinds; Bill Brennan, Ed Squires, Phil Yetman, percussio
Author, Dr. Paul Wehr. c. 1980
No full textDr. Paul Wehr, as he appeared c. 1980. Dr. Wehr was a professor of history at UCF and the author of Like a Mustard Seed: the Slavia Settlement (1982 - Mickler Publishing House), a history of the early years of Slavia and St. Luke\u27s history.https://stars.library.ucf.edu/cfm-images/1413/thumbnail.jp
Michael Rodriguez interviews author Paul Clemens
No full textAuthor Paul Clemens talks about his book "Made in Detroit," the genre of memoir, and writing about race. Clemens is interviewed by Michigan State University Librarian Michael Rodriguez for the MSU Libraries' Michigan Writers Series. Held in the MSU Main Library
The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship
No full textRecent revisionist studies have argued that much of what is known about music known as the blues’ has been 'invented' by the writing of enthusiasts far removed from the African American culture that created the music. Elijah Wald and Marybeth Hamilton in particular have attempted to sift through the clouds of romanticism, and tried to unveil more empirical histories that were previously obscured by the fallacious genre distinctions conjured up during the 1960s blues revival. While this revisionist scholarship has shed light on some previously ignored historical facts, writers have tended to concentrate on the romanticism of blues writing strictly from an American perspective, failing to acknowledge the genesis and influence of transatlantic scholarship, and therefore ignoring the work of the most prolific and influential blues scholar of the twentieth century, British writer Paul Oliver. By examining the core of Oliver’s research and writing during the 1950s and 1960s, this study aims to place Oliver in his rightful place at the centre of blues historiography. His scholarship allows a more detailed appreciation of the manner in which the blues was studied, through lyrics, recordings, oral histories, photography and African American literature. These historical sources were interpreted in accordance with the author’s attitudes to the commercial popular music, which allowed the ‘reconstruction’ of an African American ‘folk’ culture in which the blues became the antithesis of pop. Importantly, this study seeks to transcend dominant discourses of national cultural ownership or ethnocentrism, and demonstrate that representations of African American music and culture were constructed within a transatlantic context. The blues is music with roots in the African American experience within the United States; however, as Paul Oliver’s writing shows, its reception and representation were not limited by the same national, cultural or racial boundaries
- …
