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Powell, V D, 422982
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/411427Surname: POWELL. Given Name(s) or Initials: V D. Military Service Number or Last Known Location: 422982. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 56535.227138
Item: [2016.0049.43691] "Powell, V D, 422982
Powell, V H, VX5739
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/411463Surname: POWELL. Given Name(s) or Initials: V H. Military Service Number or Last Known Location: VX5739. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 2427.227174
Item: [2016.0049.43727] "Powell, V H, VX5739
Powell, V J, WX990
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/411471Surname: POWELL. Given Name(s) or Initials: V J. Military Service Number or Last Known Location: WX990. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 6312.227182
Item: [2016.0049.43735] "Powell, V J, WX990
Comment on Powell v. McCormack
No full textThe rapid pace of constitutional change during the past decade has blunted our capacity for surprise at Supreme Court decisions. Nevertheless, Powell v. McCormack is a surprising decision. Avoidance of politically explosive controversies was not one of the most notable characteristics of the Warren Court. And yet, it is one thing for the Court to do battle with the Congress in the service of important practical ends or when the necessity of doing so is thrust upon it by the need to discharge its traditional responsibilities. It is quite another to tilt at windmills, especially at a time when the Court\u27s supply of lances is not overly large
Comment on Powell v. McCormack
No full textThe rapid pace of constitutional change during the past decade has blunted our capacity for surprise at Supreme Court decisions. Nevertheless, Powell v. McCormack is a surprising decision. Avoidance of politically explosive controversies was not one of the most notable characteristics of the Warren Court. And yet, it is one thing for the Court to do battle with the Congress in the service of important practical ends or when the necessity of doing so is thrust upon it by the need to discharge its traditional responsibilities. It is quite another to tilt at windmills, especially at a time when the Court\u27s supply of lances is not overly large
Comments on Powell v. McCormick
Get PDFPowell v. McCormack is an unfortunate decision, principally because the Supreme Court should never have exercised its jurisdiction over the case. The ruling, however, is chiefly open to criticism, not because it is demonstrably contrary to established rules of law, but because it runs counter to those less clearly articulated, and essentially precatory, admonitions of judicial restraint which are implicit in the separation of governmental powers. The crucial point is not the jurisdiction of the subject matter, the Speech or Debate Clause, the issue of mootness raised by Justice Stewart in dissent or the substantive merits of Adam Clayton Powell\u27s exclusion. Rather, the crucial point is justiciability—the problem of whether, out of a due regard for the separation of powers, the Court should refrain from exercising the jurisdiction which it otherwise might exercise
Earl Warren\u27s Last Civics Lesson: Powell V. McCormack
Get PDFThe legal opinions of Earl Warren were not such as to see the development of a well-grounded constitutional theory clearly established over the course of a judicial career. Typically, they present the basic facts of a case, usually within an ethical, rather than a legal, framework.1 Warren\u27s last opinion delivered on the Court, Powell v. McCormack,2 can in that sense be viewed as an archetype opinion
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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