7,667 research outputs found
Ivor Ross Powell
No full text"[120703] 452. Squadron Spitfires 1942 - 1943. Strauss. Darwin. Melville. Bay L.A.C. Ivor. Ross. (Ian) Powell [obscured]".[120703] 452. Squadron Spitfires 1942 - 1943. Strauss. Darwin. Melville. Bay Leading Aircraftman Ivor Ross (Ian) Powell [obscured]
The Role of Evidence in Establishing Trust in Repositories
No full textThis article arises from work by the Digital Curation Centre (DCC) Working Group examining mechanisms to roll out audit and certification services for digital repositories in the United Kingdom. Our attempt to develop a program for applying audit and certification processes and tools took as its starting point the RLG-NARA Audit Checklist for Certifying Digital Repositories. Our intention was to appraise critically the checklist and conceive a means of applying its mechanics within a diverse range of repository environments. We were struck by the realization that while a great deal of effort has been invested in determining the characteristics of a 'trusted digital repository', far less effort has concentrated on the ways in which the presence of the attributes can be demonstrated and their qualities measured. With this in mind we sought to explore the role of evidence within the certification process, and to identify examples of the types of evidence (e.g., documentary, observational, and testimonial) that might be desirable during the course of a repository audit.
Jim Powell Caricature
No full textJim Powell is the target of a carnival game, where the participant has a chance to throw balls to "Hit the Gazette Editor--10 cents a throw." Inscription on recto: "To Margaret Ross, herself--Jim Powell."Jim Powell (1919-2010) was a journalist who served as Arkansas Gazette editorial page editor from 1960-1985, and later as a columnist for the paper
, Ross Laird
No full textRoss Laird, PhD RCC is a clinical consultant focused on trauma, addictions, and social vulnerability. He is also a best-selling author, award-winning scholar and educator, and clinical supervisor for BC’s largest licensed non-profit program in addictions, trauma, and mental health. Dr. Laird focuses particularly on traumatized and marginalized client populations — those navigating homelessness, mental illness, and complex trauma — and provides professional development training for organizations that serve them: social service agencies, first responders, cultural groups, nonprofits, and educational institutions. He also works extensively with organizations in arts and culture and Indigenous communities to develop trauma-informed practices for cultural programming, museum exhibitions, and community initiatives
Arta Powell
No full textArta Powell is pictured her sophomore year at Altamont High School. She is the daughter of Arthur E. and Edna Powell of Mount Emmons, Utah. She married Max Ross in 1941. She was born November 9, 1921 and died May 8, 2014
Antibes Jazz Festival (5 of 10)
No full textSister Rosetta Tharpe sings and plays guitar on This Little Light of Mine at the Antibes Jazz Festival in 1960. At 3:28, Ray Charles and the Raelettes perform "I'm Goin' Back to Jesus" and "I Believe to My Soul." At 9:55, Bud Powell (solo piano) performs "Monopoly." This is followed by Les McCann, piano with bass and drums, who performs "Jeepers Creepers." At 20:03, the Count Basie band performs at the Antibes Jazz Festival in 1961 an unidentified tune and "Shiny Stockings." At 28:49, singers Dave Lambert, Jon Hendricks, and Annie Ross perform "Let Me See." Lambert, Hendricks and Ross with the Count Basie Band and the band's singer Ocie (later O.C.) Smith, perform "Every Day I Have the Blues."One audio file (m4a)This project was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation
Westwater to Hite trip, June 1962 [39]
No full textColor slide by Aaron Belnap Ross taken during a river trip on the Colorado River from Westwater to Hite in June of 1962. This photo shows a rock with an inscription at Spanish Bottom along the Colorado River in Canyonlands National Park, Utah. The inscription has the date of March 24, 1893, and was made during the voyage of the steamer "Major Powell.
The Powell-Cotton Dioramas and the Re-interpretation of an Idyll
No full textThis research examines the natural habitat dioramas created by Major P.H.G. Powell-Cotton, in doing so
it affects a remembering of a sense of place where a diorama reflects in Mieke Bal's view a three-dimensionality
that draws on architectural space; it then considers the three dimensional representation of
the landscape within the diorama itself; the two-dimensional illusion of a trompe l'oeil landscape
painting; and the exterior space occupied by the viewer. The Powell-Cotton natural habitat dioramas exist
behind large glass screens their purpose follows an aesthetic relationship with the emergence of the
natural habitat diorama and the ability to transfix perception through the re-interpretation of an idyll. The
potential for this practice-based research was to explore the possibility of developing an aesthetic for
sculpture and architectural space. However in focussing on the Powell-Cotton dioramas the notion of
aesthetic attitude would lose ground due to their idiosyncratic, artificial, and extraordinary nature, it then
prepared the basis of interpretation in establishing 'theatres of landscape' as an open concept. With
landscape, a sense of place anticipates various positions and numerous delays; it recollects the cognitive
knowledge brought to the prospect that involves aspects in, of and about landscape. Regarding the
studio-based project, the diorama was placed between the real and the unreal, challenging Bal's rationale
of the cognitive relationship of a diorama to the concept of a discursive space. Where both artist and
viewer 'activates' this space with their presence, they bring their own recollection of landscape and by
assigning landscape with memory the potentiality is where cognition becomes accentuated. Whereas the
unknown and uncharted can refute reality, memory is dependent on what is known both formally and
informally, it places the natural habitat diorama in a visual system that is both constructive and
destructive. Therefore the research methodology examines the historical context of the diorama through a
doctoral thesis by Karen Wonders and an analysis of Louis Daguerre's diorama by Richard Altick.
Following Bal's analysis of the diorama, this created a dilemma - in what ways are the perceptions of the
observer determined, and how are they undermined? Jonathan Crary and Giuliana Bruno considered the
diorama's position in relation to film and film archaeology, which ultimately the diorama and natural
habitat diorama could not compete with. In asking what has Powell-Cotton's museum to offer in the 21st
century, this thesis examines the concept of a diorama, its objectives and correspondingly its failings. As
the dioramas in the Powell-Cotton Museum were undocumented, these dioramas and their written, visual
and architectural relationship to Louis Daguerre offer a contribution to knowledge concurrent with the
relationship of this practice based research project. Whereupon the research diary forms the basis of a
contribution to new knowledge in the construction of small and large-scale dioramas, sculpture and
installations. By challenging Bal's analysis this research practice would investigate natural and projected
light and the visual language of transparency, translucency and opacity in the representation of landscape
and landscape as motif, and progressing to the structural implications of 2D and 3D work
Antarctica, the southern ocean, and climate evolution: Insights from drilling, coring, and geophysical surveys
No full text1.P2.A-1: The diatom record of the ANDRILL – McMurdo Ice Shelf project drillcoreReed Scherer, Diane Winter, Charlotte Sjunneskog, and Paola Maffioli4
1.P2.A-2: Preliminary 40Ar/39Ar results from the AND-1B coreJake I. Ross, William C. McIntosh, and Nelia W. Dunbar
1.P2.A-3: Preliminary chronostratigraphy for the upper 700 m (upper Miocene–Pleistocene) of the AND-1B drillcore recovered from beneath the McMurdo Ice Shelf, AntarcticaGary S. Wilson, Richard H. Levy, Greg Browne, Fabio Florindo, Stuart A. Henrys, Ian Graham, William C. McIntosh, R. M. McKay, T. R. Naish, Christian Ohneiser, Ross D. Powell, Jake I. Ross, Leonardo Sagnotti, Reed Scherer, Charlotte Sjunneskog, C.Percy Strong, Marco Taviani, and Diane Winter10
1.P2.A-4: Future geological drilling in Antarctica – a discussion paper on ANDRILL and beyondPeter Barrett, P.N. Webb, Dieter Futterer, Claudio Ghezzo, M. R. A Thomson, A. R. Pyne, and F. Rac
Gay, Ross : poetry reading; September 13th, 2019
No full textContents:
All tracks Poetry reading [complete]
Track 01 Introduction
Track 02 The Mark of Lights
Track 03 To My Best Friend’s Big Sister
Track 04 An Ode To Buttoning And Unbuttoning My Shirt
Track 05 The High-Five From Strangers Eccetera
Track 06 To the Fig Tree On 9th and Christian
Track 07 Cup Liking
Track 08 An Abundance of Public Toilets
Track 09 Opera Singer
Track 10 Catalog of Unabashed Gratitude
Track 11  Q&A
Digital Projects SAN: folder location for wav and mp3 files: J:\Elliston Working\9-13-2019 (Ross, Gay
- …
