1,721,013 research outputs found
Families awaiting eviction, 1945 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305738; Purchased from the Geoffrey Powell Archive Inc., 2005.; Exhibited: "Controversy: The Power of Art", Mornington Penninsula Regional Gallery, 21 June - 12 August 2012
Muddy Axle, 1936 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305734; Purchased from the Geoffrey Powell Archive Inc., 2005
[Families awaiting eviction, 1945, 2] [picture] /
Title devised by cataloguer based on information from acquisition documentation.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305740; Purchased from the Geoffrey Powell Archive Inc., 2005
Old Theatre Royal, Sydney, night streetscape, 1937 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305746; Purchased from the Geoffrey Powell Archive Inc., 2005.; Exhibited: Dreams and Imagination: "Light in the Modern City", Monash Gallery of Art, 12 December 2014 to 08 February 2015
Photograph of Max Dupain with George Hoyningen-Huene, c 1930s [picture].
Title from inscription on reverse.; Condition: Good.; Inscription: "Photograph of Max Dupain with George Hoyningen-Huene, c 1930s. Printed from the original negative. Photographer unknown. Jill White, 2001"--Handwritten in ink on reverse.; Part of collection: Max Dupain's life and career, 1929-1992.; Photographer identified as Geoffrey Powell by researcher.Discussion 193
Construction of the Story Bridge, Brisbane, 1939 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305745; Purchased from the Geoffrey Powell Archive Inc., 2005
Portrait of Max Dupain, the well known Sydney photographer, 1938 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305736; Purchased from the Geoffrey Powell Archive Inc., 2005
Delegates at political conference, 1945 [picture] /
Title from inscription on verso.; Part of the collection: Geoffrey Powell archive, 1936-1947.; Photographer's embossing stamp on lower left corner on photograph, followed by "Posthumous print".; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3305743; Purchased from the Geoffrey Powell Archive Inc., 2005
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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