1,720,972 research outputs found
Données référentiels pour : Couleur et matérialité dans la peinture néo-impressionniste de P. Signac : l’influence des théories de la couleur sur sa création artistique - PhD Octobre 2025
No full textHSI-VNIR and CIELAB datacubes acquired on :
-three chromatic circle : i) the pure color ('Chevreul'), ii) 'Figure 5', and iii) Figure 4 ('Chevreul-continu'), from Chevreul M.E., Exposé d’un moyen de définir et de nommer les couleurs: d’après une méthode précise et expérimentale avec l’application de ce moyen à la définition et à la dénomination des couleurs d’un grand nombre de corps naturels et de produits artificiels : atlas. Mémoires de l’Académie des sciences T. XXXIII (1861)
- frontispice from Rood, O., Modern chromatics with applications to art and industry. C.K.Paul (1879)
-color circle from Henry, C., Cercle chromatique de M. Charles Henry présentant tous les compléments et toutes les harmonies de couleurs avec une introduction sur la théorie générale du contraste, du rythme et de la mesure (1889
Preparation of thin-sections of painting fragments: classical and innovative strategies
No full textFor more than a century, the analyses of painting fragments have been carried out mainly through the preparation of thick resin-embedded cross-sections. Taking into account the development of innovative micro-analytical imaging techniques, alternatives to this standard preparation method are considered. Consequently, dedicated efforts are required to develop preparation protocols limiting the risks of chemical interferences (solubilisation, reduction/oxidation or other reactions) which modify the sample during its preparation, as well as the risks of analytical interferences (overlap of detected signals coming from the sample and from materials used in the preparation). This study focuses particularly on the preparation of thin-sections (1-20 μm) for single or combined fourier transform infrared (FTIR) spectroscopy and X-ray 2D micro-analysis. A few strategies specially developed for the μFTIR analysis of painting cross-sections have already been reported and their potential extrapolation to the preparation of thin-sections is discussed. In addition, we propose two new specific methods: (i) the first is based on a free-embedding approach, ensuring a complete chemical and analytical neutrality. It is illustrated through application on polymeric design objects corpus; (ii) the second is based on a barrier coating approach which strengthens the sample and avoids the penetration of the resin into the sample. The barrier coating investigated is a silver chloride salt, an infrared transparent material, which remains malleable and soft after pellet compression, enabling microtoming. This last method was successfully applied to the preparation of a fragment from a gilded Chinese sculpture (15th C.) and was used to unravel a unique complex stratigraphy when combining μFTIR and μXRF
New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques.
No full textLe projet vise à développer une nouvelle approche méthodologique dans le but d'améliorer l'utilisation combinée de plusieurs techniques de microscopies infrarouge et X lors de l'analyse de fragments de peintures. Historiquement et ordinairement, les fragments de peintures sont préparés en coupes épaisses polies et les analyses sont réalisées à la surface de ces dernières. Bien que cette préparation d'échantillon facilite sa manipulation ainsi que son orientation lors des analyses, elle limite aussi l'efficacité et la faisabilité de certaines techniques de microscopie. Par conséquent, ce travail propose d'explorer une nouvelle stratégie analytique : la préparation et l'analyse de coupes fines. Ces deux étapes ont été optimisées et validées dans le cadre d'analyses par µFTIR, µXRD, µXRF et µXANES. En parallèle, de nouvelles possibilités analytiques ont été testées dans le cadre de l'analyse des peintures, basées sur la technique XANES plein champ. Les échantillons de peintures se sont révélés être d'excellents candidats pour évaluer les avantages et inconvénients de cette technique pour les matériaux du Patrimoine Culturel en général.This project aims at developing a new methodological approach, providing a more efficient and synergetic use of FTIR and X-ray microscopies, for the analysis of painting fragments. Usually, painting fragments are prepared as polished sections and analyses are carried out on the cross-section surface. This sample preparation is easy to handle, however ends into critical constraints regarding feasibility and efficiency of micro-analyses. We propose to explore a different strategy: preparation and analysis of thin sections. These preparation procedures were first optimized and validated with µFTIR, µXRF, µXRD and µXANES. Besides, new methodological capabilities based on full-field/µXANES were assessed. Paintings were ideal candidates for estimating pros and cons of this new strategy for CH materials in general
Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel
Full text linkThis project aims at developing a new methodological approach, providing a more efficient and synergetic use of FTIR and X-ray microscopies, for the analysis of painting fragments. Usually, painting fragments are prepared as polished sections and analyses are carried out on the cross-section surface. This sample preparation is easy to handle, however ends into critical constraints regarding feasibility and efficiency of micro-analyses. We propose to explore a different strategy: preparation and analysis of thin sections. These preparation procedures were first optimized and validated with µFTIR, µXRF, µXRD and µXANES. Besides, new methodological capabilities based on full-field/µXANES were assessed. Paintings were ideal candidates for estimating pros and cons of this new strategy for CH materials in general.Le projet vise à développer une nouvelle approche méthodologique dans le but d'améliorer l'utilisation combinée de plusieurs techniques de microscopies infrarouge et X lors de l'analyse de fragments de peintures. Historiquement et ordinairement, les fragments de peintures sont préparés en coupes épaisses polies et les analyses sont réalisées à la surface de ces dernières. Bien que cette préparation d'échantillon facilite sa manipulation ainsi que son orientation lors des analyses, elle limite aussi l'efficacité et la faisabilité de certaines techniques de microscopie. Par conséquent, ce travail propose d'explorer une nouvelle stratégie analytique : la préparation et l'analyse de coupes fines. Ces deux étapes ont été optimisées et validées dans le cadre d'analyses par µFTIR, µXRD, µXRF et µXANES. En parallèle, de nouvelles possibilités analytiques ont été testées dans le cadre de l'analyse des peintures, basées sur la technique XANES plein champ. Les échantillons de peintures se sont révélés être d'excellents candidats pour évaluer les avantages et inconvénients de cette technique pour les matériaux du Patrimoine Culturel en général
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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