2,008 research outputs found
Wilhelm Sasnal’s Transitional Images
No full textIn her article the author offers a reframing of the discussion of how communities productively deal with their troubled pasts. The case in question is that of the post-war Polish national community, and its refusal to face so-called dark sides or shameful episodes of the historical past. The author concentrates on Wilhelm Sasnals’ artworks which deal with this gloomy heritage and reinterprets them in light of Donald W. Winnicott’s concept of transitional objects (as transitional images) thus pointing towards new possibilities in finding ways out of both discursive, political and pedagogical impasses in collective memory in Poland
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Crew of the bark MARIE on deck around cargo ramps, Washington State, between 1903 and 1904
No full textThe MARIE was a French bark out of Saint Nazaire built by Atel. & Chant., Loire in 1899.
PH Coll 318.473aShip identification was provided by Frédéric Greiller, author of "Tresors Cap-Horniers," Volume 1 & 2.
The MARIE operated principally out of San Francisco. She sailed with wheat from San Francisco to the UK in 1900. The Tacoma Daily Ledger reported that the MARIE was bound for Puget Sound in December 1903. She was reported to have arrived in Tacoma February 9th, 1904 to load lumber with Capt. Monmoine.To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction-info Please cite the Order Number when ordering
Cultura e storia. La Geschichtsphilosophie di Wilhelm Windelband
No full textCulture and History. Wilhelm Windelband’s Geschichtsphilosophie. The author proposes a critical review of Wilhelm Windelband’s philosophy of history, which he interprets in its circular relationship with the philosophy of culture. The author thematises the problematic elements of the Neo-Kantian philosophy of history by examining Windelband’s reflections on the concept of historical events, on the idea of humanity, on historical memory and on historical development as “Ausgleichung” (normalization) of cultural differences
Three-masted MEZLY at anchor, Port Blakely, Washington, between 1903 and 1904
No full textHandwritten on verso: 3 m. bark. Port Blakely
The MEZLY was a French three masted bark built in 1900 by A. Dubigeon Nantes.
PH Col 318.479aIdentification of the ship was provided by Frédéric Greiller author of Tresors Cape-Horniers, volume 1 & 2.
The Tacoma Daily Ledger reportede the MEZLY at Port Blakely in November 1903 with Capt. Doe loading lumber for New Caladonia. She was reported again in Port Blakely in January 1904. Capt. Paqpeeti who brought the vessle into Puget Sound died from falling through a hatch. Capt Deoux was to take command of the ship. Article Tacoma Daily Ledger, January 8, 1904, p. 10.To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction-info Please cite the Order Number when ordering
Let's all go to a picture show, let's all take in the movies
No full textFor voice and pianoFront cover notes that this song is: "dedicated to Eugene Levy by the author".A photograph of the Melbourne Theatre, a decorative border. Indigo print
Pro Memoria of Wilhelm Wortmann
No full textThe author of this report, Wilhelm Wortmann (born November 20, 1797 in Elberfeld, died August 6, 1882 in Dusseldorf) had been one of the deputy mayors in Dusseldorf since 1848 and was a member of the administrative council of the Allgemeine Musikverein, founded in 1845, where he functioned as recording secretrary. In addition, he was second oboist of the society's orchestra. This circumstance could have a personal note, since Wortmann was not a professional musician but one of the "dilletantes" whom Schumann disliked having in the orchestra.Robert Schumann was the director of the Allgemeine Musiverein [General Music Society] at Dusseldorf from 1850 until the end of 1853 (de jure until the end of 1854), conducting the orchestra and the chorus. He was also the municipal music director. Nearly from the beginning there were conflicts between the Society and Schumann. In his second year, he had a stormy confrontation with the deputy mayor Wilhelm Wortmann who was also a leading member of the council of the Allgemeine Musikverein. Schumann's health deteriorated during 1852 and especially the fall of 1853. Things got worse when members of the chorus and orchestra were dissatisfied with Schumann's style of conducting and refused to perform under his direction. Schumann was for his part dissatisfied with the skills of some instrumentalists and singers. In addition, Schumann failed (or refused) to appear at a concert on November 10, 1853. In a letter to the administrative council of the Society dated November 1853, Schumann accuses the council of breach of contract. Mayor Ludwig Hammers tries to mediate between the two parties with a letter dated December 5, 1853. In the end, Schumann terminated his contract in Dusseldorf in October 1854.The paper Pro memoria must have been written between November 19 and Debember 5, 1853. It was written to clarify the situation between the Society and its director and then delievered to the members of the town council of Dusseldorf. At the end of the report, Wormann mentions the letter from Schumann dated November 19 (page 43 of the Pro memoria, line 13-16). A copy of the Pro memoria was most probably sent to Schumann on Debember 5, 1853 from Mayor Hammers, along with a letter in which he asks for Schumann's comment on the reported events.There is another copy of this report held by the Stadtarchiv Dusseldorf (Town Archive Dusseldorf). There are two possibilities for the relationship the two documents. First, the Rice University copy could be a copy of the one held by the Town Archive Dusseldorf. Second, both could be a copy of another exemplar. The later seems likely. Both copies have mistakes in writing that are held in common. There are marks in the Rice copy made in pencil. It is unclear who made them. However, all of the are at parts of the text that report negatively on Robert Schumann. They stem from a member of the town council, from a member of the music society, or from later owners
Heinrich Wilhelm Ernst
No full textHeinrich Wilhelm Ernst (1812 - 1864) is even in these days mainly known as an author of two pieces for solo violin - The Last Rose of Summer and Der Erlkönig. Because of this the main part of this dissertation deals with Ernst's life, which was full of the mysteries - till the recent time we did not know even the exact date of birth. It is completed by the chapter about Ernst's violins and by the list of works known and lost
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