1,720,987 research outputs found

    Beyond text based plagiarism: A paradigm for tackling academic misconduct in the creative disciplines

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    This guide addresses the fact that in Universities or professional practice the regulations and guidance concerning plagiarism and other forms of academic misconduct usually focus upon text based material

    Misrepresentation and visual quotation in design and art: a pragmatic approach.

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    Designers include quotations in their visual work but these are, in the experience of the author, rarely acknowledged or rigorously referenced. Furthermore the creative outcome will often be shown to the public unlike written assessed work which, generally, remains within the institution concerned. Four reasons for the inclusion of quotes may be identified: • To offer general orientation, and mood setting for the reader. • To provide the material that will, itself, be subject to comment and/or criticism. • To acknowledge the work of authorities in the subject that either support the viewpoint of the author or upon which a new argument or concept is to be grounded. • Adornment applied to a work to enhance beauty and perhaps imply erudition. In the case of product design there is often deception when, for example, a composite image is created of an appearance model which is then shown against a photo-realistic background implying that the artefact exists and is in use. This illustrated session will explore examples of quoted work and propose a pragmatic approach which may be adopted by course teams and institutions to establish a code of practice to be applied to the presentation of visual material submitted for assessment. Guidance will be offered as to how decoding and accurate interpretation of a composite image may be facilitated. Six Statutory Instruments relating to copyright have recently been published and are due to come into force in early June. The changes proposed, as they relate to images made by Design Students, will be considered

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    A consideration of academic misconduct in the creative disciplines: From inspiration to imitation and acceptable incorporation

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    When the issue of students obtaining unfair academic advantage is discussed, the focus is, virtually always on text based material concerning inadequate attribution or more blatant, but possibly inadvertent, passing off. A 2008 conference concerning plagiarism held had only two, from over thirty, sessions, keynotes and workshops, focused specifically on issues of plagiarism from within the creative, visual, art and design disciplines. The purpose of this paper is to outline many of the issues of misrepresentation with particular reference to vocational education in creative disciplines and to propose a route that may be followed to clarify matters for specific subject grouping and institutions. It is asserted that this approach, if formalised, can, lead to the establishment of agreed verifiable standards and thus improve the quality of the student work created (Porter 2009). This paper does not focus upon text based misconduct but upon issues of academic misconduct specifically associated with images, ideas and intellectual property within the creative disciplines of art and design

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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